Durante la notte dell'inaugurazione in un grattacielo di 138 piani, divampa un incendio che intrappola la gente agli ultimi piani del grattacielo e accende diverse storie di eroismo e perdit... Leggi tuttoDurante la notte dell'inaugurazione in un grattacielo di 138 piani, divampa un incendio che intrappola la gente agli ultimi piani del grattacielo e accende diverse storie di eroismo e perdita che vedono come protagonisti un pompiere, un architetto, intrappolati nell'inferno di ac... Leggi tuttoDurante la notte dell'inaugurazione in un grattacielo di 138 piani, divampa un incendio che intrappola la gente agli ultimi piani del grattacielo e accende diverse storie di eroismo e perdita che vedono come protagonisti un pompiere, un architetto, intrappolati nell'inferno di acciaio e vetro.
- Regia
- Sceneggiatura
- Star
- Vincitore di 3 Oscar
- 13 vittorie e 14 candidature totali
- Paula Ramsay
- (as Sheila Mathews)
- Giddings
- (as Normann Burton)
Recensioni in evidenza
Warner Brothers & 20th Century Fox were both keen to cash in on the success of 1972s The Poseidon Adventure, Warner's buying the rights to The Tower, and Fox buying the rights to The Glass Inferno, both novels about burning skyscrapers and seemingly ripe for a big screen adaptation. Enter producer Irwin Allen who smartly suggested that both studios should come together and produce one blockbusting genre defining film. Splitting the cost down the middle, The Towering Inferno was born and went on to make over $100 million across the globe, a very impressive take for its time, and certainly a shot in the arm for disaster genre enthusiasts.
The Towering Inferno is far from flawless, it contains some cheese sodden dialogue, and the film's running time doesn't quite do the film any favours. However, the film's strengths far outweigh the handful of negatives that are often used to beat it up with. The sets are fabulous (Academy Award Nominated) and all to perish in the fire, the cinematography from Fred J Koenekamp (Academy Award Winner) is lush and puts the fire in the eyes, while the score from John Williams (Academy Award Nominated) is suitably poignant and edgy. What about the action sequences? The set pieces? With many of the illustrious cast doing their own stunts! All impacting sharp on the ears thanks to the brilliant sound from Soderberg & Lewis (Academy Award Nominated), with the cast itself a reminder of a wonderful time when only the big names were considered for the big projects, McQueen, Newman, Holden, Astaire (Academy Award Nominated) & Dunaway rolling off the tongue like a who's who of entertainment heavyweights.
Some say that The Towering Inferno finally killed off the ailing disaster genre, no it didn't, it crowned it, and all the others that followed were merely trailing in its wake. The Towering Inferno is a spectacular production that positively booms with high entertainment values, no expense is spared in the pursuit of entertaining the masses, it's thoughtful in texture and it teaches as it plays and it remains to me a wonderful archaic gem. 9/10
The Towering Inferno is a spectacle that holds up well against the technology of modern day movies. When you consider what it achieves without the use of computer generated imagery I think it should be considered one of the best of its genre.
Some of the set-pieces truly are amazing, particularly when you see actors and stunt performers doing such ridiculous things for the sake of the perfect shot.
I imagine must have seemed quite fantastical at the time of its release, but considering it within the context of events that have occurred during this century such as the 9-11, Grenfell and Beirut, it is pretty frightening in it's plausibility.
The film shows total respect to the emergency services who deal with these type of situations, particularly the fire brigade who's courage and calmness under pressure are epitomised by Steve McQueen's character. I love the scene where he walks into the party, takes charge of the situation by quietly telling the owner of the building what to do.
The plot and characters (aside from McQueen and Paul Newman) are the aspects of the movie that could have been better. I did feel it's run-time of 165 minutes. It's quite slow to get going and at times loses focus on the most compelling parts of the film. Some of the characters and moments feel like they have been lifted from The Poseidon Adventure.
Overall though it is a must see disaster movie and one that will definitely help appreciate the importance of fire safety in the design and construction of buildings.
I watched it recently with my four and a half year old daughter who was gripped by the action when it finished she told me she wants to be a fire-fighter when she grows up.
I am informed that this film was big news when it was first released, a time where disaster movies were very much the order of the day.
I only recently watched The Poseidon Adventure, and this put me in mind of that, it has a very similar feel, that sense of being trapped and isolated, it definitely has a real sense of claustrophobia.
I'm not sure as to some of its accuracy, and don't even get me started on the health and safety faux pas, but it's an enjoyable epic, it's fast paced, dramatic, and remains very watchable.
The special effects remain impressive, the scale of it, I shudder to think how much this cost to make, so impressive. Special effects and explosions galore, they hold up well.
The true cost of putting up a building on the cheap will eventually cause problems, here in The UK we currently have problems with schools, built in the 80's and 90's with RAAC, used because it was cheap.
Check out the incredible cast, you have Fred Astaire, Steve McQueen and Paul Newman, all of whom were used to playing the leading man, the acting is rather good.
7/10.
Lo sapevi?
- QuizBoth novels were inspired by the construction of the World Trade Center in the early-1970s, and what could happen with a fire in a skyscraper. In Richard Martin Stern's novel "The Tower", the fictional 125-story building was set next to the north tower of the World Trade Center. The climax of the novel was centered around a rescue mounted from the north tower.
- Blooper(at around 2h 35 mins) At the end of the movie the tower seems to be well lit despite the power outage caused by the fire.
- Citazioni
Doug Roberts: I don't know. Maybe they just oughta leave it the way it is. Kind of a shrine to all the bullshit in the world.
- Curiosità sui creditiThe 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning.
- Versioni alternativeThe film was re-dubbed in 2003 for the German DVD release. All subsequent releases on DVD and Blu-ray feature this new dubbing, many TV airings as well.
- ConnessioniEdited into A cuore aperto: The Abby Singer Show (1988)
- Colonne sonoreWe May Never Love Like This Again
Sung by Maureen McGovern
Words and Music by Al Kasha and Joel Hirschhorn
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Infierno en la torre
- Luoghi delle riprese
- 2898 Vallejo Street, Pacific Heights, San Francisco, California, Stati Uniti(Roger and Patty Simmons' house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 116.000.000 USD
- Lordo in tutto il mondo
- 116.001.993 USD
- Tempo di esecuzione
- 2h 45min(165 min)
- Colore
- Proporzioni
- 2.39 : 1