Airport '77

Plastic acting and stock characters detailing a hectic flight in 747 Boeing . It is an insincere , slick attempt to find box-office magic again , and , really , it achieved a hit smash . This is the third of four movies in the "Airport" series adapted from the Arthur Hailey novel . It's exciting and amusing but full clichés and stereotypes , including the unavoidable accident , with passable acting by all-star-cast . Twist to this in-flight catastrophe is that the bad time in the air happen underwater . The movie is another jetliner epic with hero Jack Lemmon as valiant pilot . Billionaire -James Stewart- fills his converted passenger commercial airline of the American Airlines 747 with priceless paintings and sets off to Palm Beach for a museum opening being piloted by Jack Lemmon , Robert Foxworth and joined by an invited band of hijackers , and being subsequently crashed into the sea . Describing the reactions of the crew and passengers as they cope with the impeding doom . At the end takes places a daring rescue attempt . The film is detailing hectic flighty piloted by Jack Lemmon and the relationship among passengers . If you've seen the original ¨Airport¨ by George Seaton based on the Arthur Hailey's novel 'the daddy of them all' , you have seen them all .

This old-fashioned catastrophe picture contains thriller , suspense , drama , moderate tension and being quite entertaining though with some flaws and gaps . All clichéd and stock roles with regurgitation of all usual stereotypical situations from disaster films , including a fairly moronic screenplay . Filmed at the height of the disaster genre from the 7os , this entry in the spectacular series profits of an enjoyable acting by Jack Lemmon , bringing life to character , in fact , to prepare for his role, Jack attended both diving school and flight training school , as he wanted to know what all the knobs and dials were for . Look quickly to Robert Hooks , Monte Markham , Kathleen Quinlan , Darren McGavin ,Gil Gerard , M. Emmet Walsh , Pamela Bellwood ,Michael Pataki , James Booth and Chris Lemmon , Jack's son as Radioman . And , of course , it appears the classic character Patroni played by usual George Kennedy continuing his role appeared in all four "Airport" pictures . The motion picture was professionally directed by Jerry Jameson , habitual TV director and occasionally for movie theater . Jerry went onto direct a similar sunken-vehicle high-concept picture around three years later with Raise the Titanic (1980) ; instead of raising a sunken 747 airplane from underwater it was the ship the Titanic . However , Airport '77 (1977) was box-office hit whereas Raise the Titanic (1980) was a box-office flop . It's an inoffensive diversion but is sometimes tediously unspooled . The film will appeal to Jack Lemmon fans and disaster genre enthusiasts .

This sagas belongs the following films : the first was ¨Airport¨ (1970) , unanimously deemed the best , it paved the way for many lesser flicks including its many sequels , being directed by George Seaton with Burt Lancaster , Jean Seberg , Dean Martin , Van Heflin ; ¨Airport 75¨ (1974) by Jack Smight with Charlton Heston , Karen Black and Gloria Swanson , ¨Airport 77¨ (1977) considered one of the best of the series , leading to the last of the tired ones , ¨Airport 79¨ , (1979) by David Lowell Rich with Alain Delon , Robert Wagner , Silvia Kristel . Furthermore , ¨ Skyjacked (1972) ¨ by John Guillermin with Charlton Heston , James Brolin and this film was parodied heavily in Airplane! (1980) by Jim Abrahams and David Zucker .

Landing after the TV sitcom-level cast/plot of "Airport 1975", but arriving before the ludicrous "The Concorde-Airport '79" is this slick disaster film entry. Featuring Oscar-winning and nominated stars like Lemmon, Grant, de Havilland, Quinlan, Kennedy and Stewart, it also offers one of the best caliber casts of the '70's disaster cycle. There is no deep thinking involved in watching the film, but it does offer some watery thrills and some fun thrashing around as the plane first skips along the surface of the water and then slips under. Suspense builds as the pressure continues to wreak havoc on the plane's outer skin and, unusually for an "Airport" film, pretty many lives are claimed! The death toll in this film is higher than the other three combined. It's great to see so many once and future stars flopping around in the underwater tomb, but the main attraction is Lee Grant. Clocking in with only about a dozen or so total minutes of screen time, she is utterly hilarious and unforgettable as a shrewish, boozy, sarcastic lush. No one is safe from her rude, brash comments and she is a joy to behold for bad-move connoisseurs. Her husband in the film is Christpher Lee. Fortunately, they didn't marry offscreen or she would have become Lee Lee, but that's another story.......

1st watched 8/12/2007 - 6 out of 10(Dir-Jerry Jameson): Surprisingly appealing rescue movie despite some of the silly characterizations and typical goofiness that tends to accompany these type of movies. The thing that the movie does well is hold your attention to the very end. You genuinely care for some of the characters involved primarily because of the good acting by leads like Jack Lemmon, who plays the pilot in this one. The danger also seems very real all the way up to the end which adds to it's believability. The movie starts setting up the story as an airline president and master collector, played by Jimmie Stewart, is promoting the opening of a museum and a new plane that will be sent down to the island paradise with his very special guests. Included on the plane are his daughter and grandson, whom he has not seen for a very long time. A small group including one of the co-pilots decide to capture the plane while it's airborne, putting the passengers to sleep, in hopes to take it's valuables and run off to South America. Their plan goes awry when the pilot crashes in a shallow part of the ocean(wherever that might be) in the Bermuda triangle. The rest of the movie is an underwater rescue movie as the plane drifts to the shallow bottom. There are the usual stupid moments, like allowing the pilot to go nuts but the women passengers can't for some reason, and the attempt to save the plane in-tact with the people is a little far-fetched. These are the moments that get you talking to the screen. But despite this, the overall effect of the movie is satisfying which I honestly didn't expect because these movies usually don't appeal to me. I really think that the strong presence of the believable hero in Jack Lemmon as the pilot really helped the movie become a little more than the typical disaster movie for me.

Following the not-so-spectacular "Airport 1975" comes "Airport '77" which is a welcome addition to the Disaster Movie genre. In typical "Airport" fashion, a routine plane ride, this time carrying various celebrities and other high-profile people, gets into some trouble when it crashes into the ocean in the middle of the Bermuda Triangle....

Though the decor of the flash plane filled with VIP's is dreary compared to the fabulous colours of the chairs in "Airport 1975", the characters are a major improvement, along with the actual danger that the passengers and crew are placed in.

In typical Disaster Movie style, the cast is large, and many of them are forgettable, however, stand-out performances in "Airport '77" include Jack Lemmon in a serious role as the likable Captain Gallagher, Lee Grant is Karen Wallace a VIP guest of the nasty variety, the underrated Pamela Bellwood as a young mother, the lovely Kathleen Quinlann is as usual outstanding, but unfortunately under-used here, but the stand-out star of the film is of course Brenda Vaccaro as Captain Gallagher's girlfriend Even Clayton. Vaccaro is certainly one of the better leading ladies in a Disaster Movie, but is also a surprising choice. Nevertheless, she is fantastic, it is a shame she is not more recognized for her work.

Overall, "Airport '77" is a terrific, and often overlooked addition to the genre, with a super cast, great direction, and a very interesting scene in which the plane is raised from the ocean, according to the credits, this is the actual method used by the Navy, which is a nice addition to the film.

Of all the disaster flicks, this seems to be the one I enjoy most, perhaps it was the first one I would see.

But looking back at the hot pants in Poseidon Adventure & Dunaway's dress and the tuxedoes in Towering Inferno, Airport '77 is quite an elegantly dressed cast, aren't they?

The movie would get famed Hollywood fashion expert Edith Head to dress the cast and it shows. Anyone else would have made Brenda Vaccarro look obese trying to put her in that pullover sweater.

Airplane! would make fun of Edith Head being credited for '77 like that, by crediting their own costumer, but 27 years later, the wardrobe makes the cast of '77 appear tremendously dashing, giving the tragedy that greater a feel as well.

Jack Lemmon was an incredible standout as the hero of the piece, in comparison to Paul Newman's sexism in Towering Inferno (he never speaks to Jennifer Jones as a human during their entire ordeal with the children) or Heston's stiffness or McQueen's inexpressiveness.

Two years after her Oscar nomination, Vaccarro was hardly the disaster flicks idea of a leading lady as well, so she is quite a one-of-a-kind casting also.

When I was little, I was most fascinated with Arlene Golonka, who I knew from the Andy Griffith show.

Later, identifying the rest of the cast just made it more and more fun. Dracula, Buck Rogers, Kolchak the Nightstalker (Darren McGavin & Jack Lemmon were a powerhouse duo).

Then the names and stars figured into it. DeHavilland, Cotten, Grant. No one looked more out of place than Olivia DeHavilland in an underwater airplane.

Robert Hooks as the crippled bartender and Tom Sullivan (who is actually blind) as the pianist added even more flavor.

There is M. Emmet Walsh, "The Name, But What Which One Is Him?" actor. He is the doctor, and I do enjoy his one scene when he explains who he really is.

Monica Lewis, disaster movie staple. She would appear in Earthquake and Concorde: Airport '79. Check out her expression as she and Olivia DeHavilland enter the lifeboat. It reads "Miss DeHavilland, I'm one of your biggest fans. I really enjoyed you in Gone With The Wind." Lucy Ricardo lives.

Should it have been a commercial airline, instead of a private plane? Not necessarily.

I enjoy watching it now and observing a few of the female extras at the beginning of the crash don't seem to be present anymore by the end. It seems that they weren't available for filming then.

I would argue, as a movie, that this one is more fun to watch than the first one. Lancaster and Seberg in the first Airport movie are comical to me trying to be so serious.

And the second Airport movie, Airport '75, is funnier than Airplane.

There is a very strong and different feel from Airport '77 than the other Airport flicks or the other disaster films in general.