VALUTAZIONE IMDb
8,2/10
6468
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA startling and courageous landmark documentary that unflinchingly confronted the United States' involvement in Vietnam at the height of the controversy that surrounded it.A startling and courageous landmark documentary that unflinchingly confronted the United States' involvement in Vietnam at the height of the controversy that surrounded it.A startling and courageous landmark documentary that unflinchingly confronted the United States' involvement in Vietnam at the height of the controversy that surrounded it.
- Vincitore di 1 Oscar
- 5 vittorie e 1 candidatura in totale
Ngo Dinh Diem
- Self - President of South Vietnam
- (filmato d'archivio)
John Foster Dulles
- Self - Secretary of State, 1953-1959
- (filmato d'archivio)
Kay Dvorshock
- Self
- (filmato d'archivio)
Dwight D. Eisenhower
- Self - President of the United States
- (filmato d'archivio)
Lyndon B. Johnson
- Self
- (filmato d'archivio)
- (as Lyndon Johnson)
John F. Kennedy
- Self - President of the United States
- (filmato d'archivio)
Robert F. Kennedy
- Self - U.S. Senator
- (filmato d'archivio)
William Marshall
- Self
- (as Sgt. WIlliam Marshall - Detroit)
Eugene McCarthy
- Self - U.S. Senator
- (filmato d'archivio)
Ho Chí Minh
- Self
- (filmato d'archivio)
Recensioni in evidenza
There are certain subjects so horrendous and so important that fictionalizing them, regardless of the good intentions of the film maker, can only trivialize them. "Schindler's List", "JFK" and "The Deer Hunter" come to mind.
Give me a good documentary any time, and this is one of the best.
It takes the silly rhetoric of our leaders and juxtaposes it with images showing the horrendous results of their short-sighted policies.
If you want to know what the VietNam war was really all about, (and why so many of us were against it,) skip "Apocalypse Now", "Go Tell the Spartans" and "Full Metal Jacket" and watch this one.
Give me a good documentary any time, and this is one of the best.
It takes the silly rhetoric of our leaders and juxtaposes it with images showing the horrendous results of their short-sighted policies.
If you want to know what the VietNam war was really all about, (and why so many of us were against it,) skip "Apocalypse Now", "Go Tell the Spartans" and "Full Metal Jacket" and watch this one.
10greg-253
Peter Davis created one of the most moving accounts of the Vietnam War and the attitudes at home when he produced "Hearts and Minds".
The film looks unflinchingly at the nature of power and horrible consequences of war. It is very much a pro-peace film, but uses the people who were there to speak for themselves. It also seeks to probe deeper underneath the American psyche of the times and evolves into a historical document about the violent social rupture that happened between the fifties and the sixties.
In many ways, it feels like a punch in the gut to watch the film. So many ideologies are laid bear....so many were false or misleading.
In the end, the film leaves you thinking about the price of war - and who is given the task to bear that price.
Truly deserving of the Oscar it received - and worthy of repeated viewing.
The film looks unflinchingly at the nature of power and horrible consequences of war. It is very much a pro-peace film, but uses the people who were there to speak for themselves. It also seeks to probe deeper underneath the American psyche of the times and evolves into a historical document about the violent social rupture that happened between the fifties and the sixties.
In many ways, it feels like a punch in the gut to watch the film. So many ideologies are laid bear....so many were false or misleading.
In the end, the film leaves you thinking about the price of war - and who is given the task to bear that price.
Truly deserving of the Oscar it received - and worthy of repeated viewing.
Hearts and Minds holds much relevance for the post- Sept-11 world.
Although this film concerns itself with the Vietnam War, it is really about war in general. It explores the reasons America behaves the way it does towards other countries and towards itself, without having to come right out and tell you. It is the old writers credo, "Show, don't tell." The film bears multiple viewings, and you discover something new every time. Anybody who has loved ones in the military, and anybody who is "involved" in politics will be interested in watching this.
Although this film concerns itself with the Vietnam War, it is really about war in general. It explores the reasons America behaves the way it does towards other countries and towards itself, without having to come right out and tell you. It is the old writers credo, "Show, don't tell." The film bears multiple viewings, and you discover something new every time. Anybody who has loved ones in the military, and anybody who is "involved" in politics will be interested in watching this.
I'll admit up front that Peter Davis' documentary makes no effort to show the carnage and torture sponsored and perpetuated by the Viet Cong -- and the one substantial time it explores the way South Vietnamese civilians were imprisoned and tortured by their own government (in huge numbers, by the way), the film isn't very clear about who made these arrests. It concentrates almost solely on the inhumanity and pointlessness of our presence there in a pointless war which even our leaders were unprepared to comprehend.
It's not "balanced" within itself, but given the day-to-day barrage of standard media coverage of the Vietnam war during the time the documentary was made, I believe the making of this film represented an attempt to "balance" the average American's knowledge of what was really going on and how misrepresented the war was by our government and even by the major media most of the time.
All that being said, it's a vivid, important part of the mosaic of American war records. The images are enormously powerful, and where occasionally Mr. Davis' juxtapositions seem overtly manipulative, he still is to be praised emphatically for collecting and assembling this material in such a courageous and uncompromising way. It is essential viewing because of the power of its collected imagery and the lessons about America that we still need to learn. 30 years after the Vietnam war ended, there are still too many essential ways in which that conflict is not understood....and the degree to which we cannot seem, as a nation, to learn from the lessons of Vietnam is only too evident in the manner and attitude with which our leaders have handled and carried on the American military action in Iraq.
Having read a lot of the writings of Vietnam vets over the years about this war, I'm tempted to say that this documentary doesn't go far enough to show the core of absurdity and tragedy at the heart of this war and the way it put young Americans into a hellish situation for no reason and then left them there to be a part of a morally ambivalent, politically and humanly misguided situation, forever disillusioning and haunting an entire generation. But if this film can help younger people to understand just the tip of the iceberg of the enormous tragedy of America's involvement in a pointless 10-year war, then it continues to be worthwhile.
The film itself does not provide nearly enough "backstory" for a student or younger person who did not live through the era. Peter Davis presupposes that the viewing audience knows a lot of things which we knew at the time but which is no longer general knowledge for many viewers. But as a part of an overall attempt (using various sources) to understand that war and its colossal ramifications to our country's self-image, and as a reminder of how easy it is to slip into a tragic imperialism masquerading as some other kind of naive political idealism, it's an essential and vividly effective document of the times for which we owe Mr. Davis a huge debt of gratitude. There is much to be learned from films like this -- including things which our leaders today don't seem to have learned themselves, despite having lived through the Vietnam era.
It's also important to remember that until the Vietnam war, and later Watergate (reminders of which resonate in the presence in this film of "Pentagon Paper"- leaker Daniel Ellsberg), Americans generally believed what their government told them, and didn't think Presidents lied. It may be difficult now to remember there ever was a time when we trusted our government not to be intentionally misleading us, and if Mr. Davis makes a conspicuous effort to emphasize the duplicity of Johnson and Nixon in this documentary, it's probably because it was such a new and unbelievable concept to the overwhelming percentages of Americans before the Vietnam era took place.
It's not "balanced" within itself, but given the day-to-day barrage of standard media coverage of the Vietnam war during the time the documentary was made, I believe the making of this film represented an attempt to "balance" the average American's knowledge of what was really going on and how misrepresented the war was by our government and even by the major media most of the time.
All that being said, it's a vivid, important part of the mosaic of American war records. The images are enormously powerful, and where occasionally Mr. Davis' juxtapositions seem overtly manipulative, he still is to be praised emphatically for collecting and assembling this material in such a courageous and uncompromising way. It is essential viewing because of the power of its collected imagery and the lessons about America that we still need to learn. 30 years after the Vietnam war ended, there are still too many essential ways in which that conflict is not understood....and the degree to which we cannot seem, as a nation, to learn from the lessons of Vietnam is only too evident in the manner and attitude with which our leaders have handled and carried on the American military action in Iraq.
Having read a lot of the writings of Vietnam vets over the years about this war, I'm tempted to say that this documentary doesn't go far enough to show the core of absurdity and tragedy at the heart of this war and the way it put young Americans into a hellish situation for no reason and then left them there to be a part of a morally ambivalent, politically and humanly misguided situation, forever disillusioning and haunting an entire generation. But if this film can help younger people to understand just the tip of the iceberg of the enormous tragedy of America's involvement in a pointless 10-year war, then it continues to be worthwhile.
The film itself does not provide nearly enough "backstory" for a student or younger person who did not live through the era. Peter Davis presupposes that the viewing audience knows a lot of things which we knew at the time but which is no longer general knowledge for many viewers. But as a part of an overall attempt (using various sources) to understand that war and its colossal ramifications to our country's self-image, and as a reminder of how easy it is to slip into a tragic imperialism masquerading as some other kind of naive political idealism, it's an essential and vividly effective document of the times for which we owe Mr. Davis a huge debt of gratitude. There is much to be learned from films like this -- including things which our leaders today don't seem to have learned themselves, despite having lived through the Vietnam era.
It's also important to remember that until the Vietnam war, and later Watergate (reminders of which resonate in the presence in this film of "Pentagon Paper"- leaker Daniel Ellsberg), Americans generally believed what their government told them, and didn't think Presidents lied. It may be difficult now to remember there ever was a time when we trusted our government not to be intentionally misleading us, and if Mr. Davis makes a conspicuous effort to emphasize the duplicity of Johnson and Nixon in this documentary, it's probably because it was such a new and unbelievable concept to the overwhelming percentages of Americans before the Vietnam era took place.
A documentary of the conflicting attitudes of the opponents of the Vietnam war.
Roger Ebert wrote, "Here is a documentary about Vietnam that doesn't really level with us... If we know something about how footage is obtained and how editing can make points, it sometimes looks like propaganda... And yet, in scene after scene, the raw material itself is so devastating that it brushes the tricks aside." Exactly right. The folks who made this are clearly anti-war, but some of the footage they get is unforgettable.
Most notably is the interview with General William Westmoreland where he says, "The Oriental doesn't put the same high price on life as does a Westerner. Life is plentiful. Life is cheap in the Orient." How can that be interpreted any other way?
The movie was chosen as Academy Award for Best Documentary Feature at the 47th Academy Awards presented in 1975. This win was not only well-deserved, but opened the door for possibly an even better Vietnam documentary: Errol Morris' "The Fog of War: Eleven Lessons from the Life of Robert S. McNamara" (2003), which also won the Oscar.
Roger Ebert wrote, "Here is a documentary about Vietnam that doesn't really level with us... If we know something about how footage is obtained and how editing can make points, it sometimes looks like propaganda... And yet, in scene after scene, the raw material itself is so devastating that it brushes the tricks aside." Exactly right. The folks who made this are clearly anti-war, but some of the footage they get is unforgettable.
Most notably is the interview with General William Westmoreland where he says, "The Oriental doesn't put the same high price on life as does a Westerner. Life is plentiful. Life is cheap in the Orient." How can that be interpreted any other way?
The movie was chosen as Academy Award for Best Documentary Feature at the 47th Academy Awards presented in 1975. This win was not only well-deserved, but opened the door for possibly an even better Vietnam documentary: Errol Morris' "The Fog of War: Eleven Lessons from the Life of Robert S. McNamara" (2003), which also won the Oscar.
Lo sapevi?
- QuizThe main people to turn down Peter Davis' request to be interviewed were Henry Kissinger, Richard Nixon, and Robert McNamara.
- Citazioni
Daniel Ellsberg: The question used to be: might it be possible that we were on the wrong side in the Vietnamese War? But, we weren't on the wrong side. We are the wrong side.
- Curiosità sui creditiThe listed translators credited in the movie (Le Thai To, Trung Trac, Le Thanh Tong and Trung Hung Dao) were all Vietnamese generals who had defeated the Chinese in various times from the first century C.E., to the fifteenth century C.E. The translator listed as Nguyen Ai Quoc was an early alias of Ho Chi Minh, founder of the Vietnamese Communist Party. I have no knowledge of the last listed translator, Barbara Gore. Apparently, someone played a good joke on the producers of this film, if it wasn't the translators themselves.
- ConnessioniFeatured in Sneak Previews: Take 2: Vietnam Movies (1980)
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- 24 ott 2004
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