Deranged - Il folle

If you can stomach the plot of this movie, then I think that it's fair to say that you will like it. The bloodshed is kept to a minimum (considering the subject matter), but the film should still probably be avoided if you are squeamish or easily offended. However, for people like me who can enjoy a warped sense of humour and don't mind a little gore, it's a pleasant way to spend some time.

Over the years there have been a number of films, both horror and thriller, that have been inspired by the real-life crimes of the infamous Ed Gein. Yet, this was the first film to be closely based on the real Ed Gein.

Reclusive old man loses his mind after the death of his mother and starts to rob graves. But that's just the beginning of terrors to come.

While In the Light of the Moon (2000) may be the more accurate film for the true story of Gein, Deranged is the most effectively frightening. Deranged is an example of low-budget film making at it's best. It sports a believably dark atmosphere and the feeling of chilling realism. In fact some sequences from this film (especially the midnight 'dinner' scene) are simply unforgettable.

The cast of the film is good, but the real highlight of it all is in it's star Robert Blossoms. Blossoms brings such a genuine believability to his crazed character and at times makes him quite sympathetic! That achievement alone is impressive.

Also of note, this was one of the early films for makeup FX artist Tom Savini and his creations for the film are well-done. Adding even more to the sheer spookiness of this film is it's musical score, which is comprised of religious songs.

While Deranged may not have the fame of other low-budgeters of it's day, it is none the less a masterful horror picture that deserves a place in the history of low-budget horror.

*** 1/2 out of ****

Deranged is an adaptation of the same story that inspired such horror classics as The Texas Chainsaw Massacre, Psycho and Silence of the Lambs, among others. It's the story of deranged psychotic Edward Gein, only in this film the story is a lot closer to how it actually happened than in any of the classics that it influenced. Deranged is a film not for the feint hearted. Shot on an extremely low budget of just two hundred thousand dollars, the directorial team of Jeff Gillen and Alan Ormsby have created one of the most vile and disgusting films that I've ever seen. Subtitled 'Confessions of a Necrophile' for the US market, Deranged tells the story of Ezra Cobb; a simple farm owner who lives with his domineering mother. After her death, Ezra gradually slips into insanity; starting with the unearthing of his yearlong dead mother from the grave. Ezra then decides that she needs patching up, and so embarks on unearthing more bodies for the task. It isn't long, however, before the psychopath is on the rampage for fresher victims...

Deranged goes all out to shock from the outset. The image of Ezra carrying his dead mother into her bedroom is sickening in a way that few movies manage. The amoral attitude of the character adds to this sickness, and ensures that most audience members will be uncomfortable watching this film. Deranged benefits from a superb lead performance courtesy of Roberts Blossom. Blossom does an amazing job of convincing us that he really is the psycho at the centre of the film. Usually in films like this, I am firmly on the side of the killer; not really caring about the victims - but Blossom is so vile in this film that I was actually praying he DIDN'T catch his prey! The film has a short running time, but this time is used excellently on a series of nasty and weird sequences, and the movie never really lets the pace go once it has set itself up. On the whole, this film has gained itself a cult following for a reason. It's certainly not for everyone's taste, and it's not as good as the most famous of the films that the story has influenced - but if you like your cinema to grisly and shocking; Deranged is a film that you should seek out!

Ezra Cobb (Roberts Blossom) loves his mother and is intimated by women. When his mother dies, he still hears her voice and decides to keep her around the house. But he does not want his mother to get lonely and has to get her some new friends...

Blossom is amazing as Ezra Cobb. You can say what you want about this film, but one thing you cannot say is that Blossom is a horrible actor -- he made Cobb come to life and seem as believable as such a character could be. Cobb, being the movie version of Ed Gein, is more or less exactly the way I picture Gein being. Blossom's facial expressions make this whole picture worthwhile.

I would like to commend them for the faithful version of this story. So many people take the Ed Gein story and add all these elements to it or just take a grain of it and run wild (as in "The Texas Chain Saw Massacre" or "Silence of the Lambs"). While not all of this movie is factually what happened in Gein's life, the similarities are quite striking -- right down to the death of the hardware store clerk and the gutting of the woman like a deer.

Although this film is now almost forty years old, almost nothing is lost from the passage of time. In some ways, the film quality really adds to the setting (the story could only take place in the past). Another great feature is the narrator, who enters the story at random intervals to do an overview of the situation. Not only is he great, but watch the camera -- in one scene, the camera leaves Ezra in one room, goes to the narrator, and returns to Ezra in another room, in a seamless fashion (no cuts or edits) and visually showing the passage of time. It is quite well put together.

For a great Gein film, check this out. Whether Tobe Hooper admits to it or not, I do not know, but he owes a debt to this film (much as John Carpenter owes a debt to the late Bob Clark -- who coincidentally produced this). This film is plotted wonderfully, acted wonderfully, and flows wonderfully. With one small detail changed (the plastic looking blood) this would probably be considered a lost classic. Heck, maybe it already should be. (Okay, and maybe we should not be able to read the license plate saying Ontario.)

For a bonus: not only is the legendary Bob Clark an uncredited producer, but Tom Savini worked as a makeup artist for the film's corpses. This was Savini's first film, and the undisputed horror effects master is still going stronger today.

This is partly inspired by the real life murderer Ed Gein. Ezra is a middle aged momma's boy. He's also a pet moron.Mommy is a raving twisty herself as she is a zealot and always preaching about "dirty women"(finest kind).So when mom drops dead old Ez starts to get lonely.

Well Ezra starts hearing mom's voice after a year. She's lonely & so is he. He digs her up and brings her back home where everybody is happy.His neighbors try and set him up with a woman.This is a really funny scene as his date tries to seduce him. She's kind of crazy herself and tells Ez that her dead husband wants them to play beneath the sheets. Well, she winds up under the sheets permanently.

Ez starts digging up the graveyard and bringing mom some company.He also starts semi stalking a waitress.Finally he sandbags her, brings her back to his place and it gets wild from there.She finds herself trussed to a chair with a table full of rotting corpses.Ez is dressed in the skin of a dead woman.There is no way out of this house of hell.

Ez really goes off the deep end on a trip to town. It involves a rifle, a young girl and a harrowing chase through the woods.This is another gripping scene that spirals into complete madness.

There are a few drawbacks. This movie could have done without the narrator.When he popped up it seemed like we were in a different movie.Old Ezra is the most sympathetic person in the movie.Everyone else is cruel, stupid or as nutty as he is.

On the upside Roberts Blossom gives a great portrayal of Ezra. You feel for Ezra and can really understand his madness.There are many shocking and disturbing scenes in this movie. But it uses suggestion rather than out and out gore.It looks rather tame compared to slasher flicks but that's why this is better. I had to wait 25 years to see this film and all in all it was worth the wait.