La morte dietro la porta

When the twenty-one year-old soldier Andrew "Andy" Brooks (Richard Backus) is murdered in Vietnam, his mother Christine (Lynn Carlin) is summoning him asking him to come back home. Andy is the pride and joy of Christine that has eyes only for him. When the Brooks family is having dinner, they receive an Army´s letter telling that Andy died in the war. However a couple of days later, Andy arrives at home late night surprising his father Charles (John Marley), his sister Cathy (Anya Ormsby) and Christine. In the same night, a truck driver that is giving a rider to a hitchhiker is murdered in his truck. Soon Charles suspects that Andy is the killer and he has a conversation with his friend Doctor Allman (Henderson Forsythe) that agrees with him. Does Andy really come back home?

"Dead of Night" is a creepy and depressing horror movie directed by Bob Clark. The story is sad, with family, friends and girlfriend missing a twenty-one year-old missing in Vietnam. His return as an undead killer is depressing and bringing tragedy for those who loves him. Richard Backus is creepy in the role of Andy. My vote is seven.

Title (Brazil): "Sonho de Morte" ("Deathdream")

I've heard about this movie for years and read the praise heaped on it, and I knew it couldn't be as good as all that. I could never get my hands on it anyway, so I figured I'd never know. But I just watched it yesterday, and it is as good as all that.

Though filmed in the early 1970s, Deathdream doesn't come off as hopelessly dated. Its themes resonate strongly even today.

As an allegory, the film makes its anti-war points bluntly. This war (thought it is never named it's obviously Vietnam) is killing too many of our boys and making zombies out of the ones that make it home. But the movie is not generally anti-war -- it manages to contrast Vietnam with WWII, represented as a good war (in the person and words of the mailman), where there was little doubt what we were doing was right and that our military forces were being led authoritatively to absolute victory. The same couldn't be said for Vietnam, and by 1972, no one really remembered what we were fighting for anymore. Deathdream was filmed before Vietnam ended and released after, making its timing perfect.

There are a few criticisms, hardly worth noting -- some scenes are poorly staged and lighted, and Clark doesn't always get the best out of his actors (and has little to work with in some cases). Early scenes are a bit stilted (Was the movie shot in sequence with the story? That might explain it), but the movie finds its groove at about the 30 minute mark.

Don't expect a slick production. It's a small, claustrophobic, personal movie with rough edges to spare. Some scenes of violence are cartoonish and others are brutal. Also, the effects and makeup are much better than we have any right to expect. Poor, rotting Andy is a heck of a sight, and a sad sight in the scene where he is led down the stairs by his mother.

Deathdream is an amazing accomplishment all things considered.

"Everything's fine, Bob."

This is a horror film that expands the boundaries of the genre.

Put simply, it is a film about a dead man walking, but this dead man "died" in Vietnam before he returned home and his unexpected arrival opens many wounds within his family and amongst old flames and acquaintances.

Director Bob Clark is not satisfied depicting returned vet "Andy" as a zombie. Although he does crave human flesh and speaks infrequently, part of the film's charm is the reaction of people to the dead man's less-than-chipper mood.

Shots of Andy rocking like an autistic child are priceless, as is a "conversation" Andy has with the mailman who laments the returned boys "we should have lost". The family pet is not exactly Andy's best friend anymore, either.

John Marley as Charles Brooks, Andy's dad, is really great here. Although he tries hard to accept the new Andy, we really experience his gradual realization and disappointment that Andy is not the same Andy anymore.

Jim Backus is brilliant as the undead vet. He uses his voice to convey Andy's apparent indifference to life back home and adopts a strange, somnambulistic gait.

Technically adequate for a low budgeter, the film's richness of character and situation never shifts our attention to any production deficits.

One of the best horror films ever.

Truly creepy and, ultimately, very sad.

Excellent spooky variation on "Monkey's Paw" really plays on deep emotions in a crude (but effective) manner.

Low-budget, but fast-moving and scary. This is one of my favorites.

A distraught mother "wishes" her deceased Vietnam soldier-boy son home only to discover he isn't quite who he was when he left.

Many different horror archetypes (zombies, vampirism, cannibalism) are touched on without being confirmed, which makes the film that much more effective.

The film is also a sharp and dark commentary on the state of the returning GI. Andy sits for hours in his dazed "zombie-like" state and stares at the walls. He becomes violent and acts irrational. Many symptoms of post-traumatic shock syndrome.

Written by Alan Ormsby, who also collaborated with Clark on "Children Shouldn't Play With Dead Things" and would later go on to pen Paul Schrader's remake of "Cat People".

If you're looking for another solid Bob Clark spook-fest, check out "Black Christmas" (which bears an eerie similarity to the original "Halloween", though it predates it by several years!!) before "Children Shouldn't Play With Dead Things".

Many have commented on the *shocker* ending. If you are expecting something along the lines of the original "Carrie" - something to make you jump out of your seat - you will be disappointed.

The ending is more dour and stunning. I didn't see it coming, but it made perfect sense in line with everything that had happened. It's the kind of ending that a film would never have now. It's simply too honest. One of the better horror endings I've seen, actually.

I saw this movie on Chiller Theater sometime in the late 70's, and

it stuck with me for a long while. I never knew the title, however,

until I re-discovered it a few years ago. My memories of seeing it as a young kid mostly focused on the

weirdness of the film itself. Richard Backus does an amazingly

creepy performance as "Andy," a soldier in Vietnam who returns

home after being supposedly killed in action. His mom, overjoyed

to see him, refuses to believe anything is wrong, while his sister

and father begin to suspect all is not quite right given his behavior,

pale, vampiric appearance and the many strange incidents which

begin to occur around him. Mom continues to stay in denial until

the very end. The scene with the double date in the drive-in particularly stuck

with me after all those years. Honestly scared the bejezus out of

me as a kid! But re-watching as an adult, I saw the movie more for what it was

meant to be, a social commentary about the Vietnam war. It still

holds up very well today. I am glad to know it has been re-released on DVD with additions,

though I haven't seen this yet. For years it was difficult to even find

a video copy. Plus it was released under several different names. I

think I originally saw it as "The Night Andy Came Home." Definitely recommended.