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Il dormiglione

Titolo originale: Sleeper
  • 1973
  • T
  • 1h 29min
VALUTAZIONE IMDb
7,1/10
45.912
LA TUA VALUTAZIONE
Woody Allen and Diane Keaton in Il dormiglione (1973)
Home Video Trailer from Celebrity Home Entertainment
Riproduci trailer2:15
1 video
69 foto
Fantascienza distopicaSatiraScrewball ComedySlapstickViaggi nel tempoCommediaFantascienza

Il proprietario di un negozio da nerd viene riportato in vita dalla criostasi in un mondo futuro per combattere un governo oppressivo.Il proprietario di un negozio da nerd viene riportato in vita dalla criostasi in un mondo futuro per combattere un governo oppressivo.Il proprietario di un negozio da nerd viene riportato in vita dalla criostasi in un mondo futuro per combattere un governo oppressivo.

  • Regia
    • Woody Allen
  • Sceneggiatura
    • Woody Allen
    • Marshall Brickman
  • Star
    • Woody Allen
    • Diane Keaton
    • John Beck
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    45.912
    LA TUA VALUTAZIONE
    • Regia
      • Woody Allen
    • Sceneggiatura
      • Woody Allen
      • Marshall Brickman
    • Star
      • Woody Allen
      • Diane Keaton
      • John Beck
    • 148Recensioni degli utenti
    • 66Recensioni della critica
    • 77Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 2 candidature totali

    Video1

    Sleeper
    Trailer 2:15
    Sleeper

    Foto69

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    + 62
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    Interpreti principali34

    Modifica
    Woody Allen
    Woody Allen
    • Miles Monroe
    Diane Keaton
    Diane Keaton
    • Luna Schlosser
    John Beck
    John Beck
    • Erno Windt
    Mary Gregory
    Mary Gregory
    • Dr. Melik
    Don Keefer
    Don Keefer
    • Dr. Tryon
    John McLiam
    John McLiam
    • Dr. Agon
    Bartlett Robinson
    Bartlett Robinson
    • Dr. Orva
    Chris Forbes
    Chris Forbes
    • Rainer Krebs
    Mews Small
    Mews Small
    • Dr. Nero
    • (as Marya Small)
    Peter Hobbs
    Peter Hobbs
    • Dr. Dean
    Susan Miller
    • Ellen Pogrebin
    Lou Picetti
    • Master of Ceremonies
    Jessica Rains
    • Woman in the Mirror
    Brian Avery
    Brian Avery
    • Herald Cohen
    Spencer Milligan
    Spencer Milligan
    • Jeb Hrmthmg
    Stanley Ralph Ross
    Stanley Ralph Ross
    • Sears Swiggles
    • (as Stanley Ross)
    John Cannon
    • Various Voice-Overs
    • (voce)
    • (non citato nei titoli originali)
    Myron Cohen
    • Robot Tailor
    • (non citato nei titoli originali)
    • Regia
      • Woody Allen
    • Sceneggiatura
      • Woody Allen
      • Marshall Brickman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti148

    7,145.9K
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    Recensioni in evidenza

    8ilovedolby

    A treasure among other comedies because of its wit and charm.

    Woody Allen's films are generally treasured among other comedies because of their wit and charm. Many critics would agree, though, that Allen's earlier films were among his best. One of those movies was a lighthearted film called `Sleeper,' which starred a younger version of Allen and a younger, but always beautiful Diane Keaton. Although `Sleeper' leaves a person in stitches from laughter, its one flaw is that it lacks an ending. But don't let that stop you from seeing this comedy classic. In the end, who cares where it goes because it's just flat out funny. `Sleeper' is the story of Miles Monroe (Allen), who is cryogenically frozen in 1973 after having a procedure in a hospital. He is awoken nearly 200 years later by a group of scientists who want Monroe to help them defeat the leader of their society, as America's future consists of a totalitarian state. While on his adventure through this futuristic world, Monroe meets a beautiful woman named Luna Schlosser (Keaton) who he begins to have a love interest in. The two team up to try to oust their tyrannical government and bring about freedom and prosperity. `Sleeper' was hysterical from beginning to end. The very opening scene shows Monroe covered in tin foil-clearly scientists in 1973 found new and amazing uses for this wonderful kitchen product. As soon as Monroe awakens, he is disoriented, smiling aimlessly into space and walking backwards and into people. Allen's comical blend of intellect and charm shows up soon after. The futuristic society is comprised of people who have no historical references for the events of the past 200 years, as their leader has undoubtedly outlawed certain forms of knowledge that could lead to rebellion. They use Monroe to fill in the historical gaps by showing him pictures of famous twentieth century individuals, such as Joseph Stalin. Monroe provides his own synopsis of their contributions to the world in his own clever way, as he does also for former President Nixon. Allen's writing, direction and performance were hilarious. Rarely do we see writing as clever and sidesplitting in today's comedies. The only other comic director today that could even compare to Allen would be Christopher Guest, whose mockumentary films such as `Best In Show,' and the recent `A Mighty Wind,' have a real source of comedy. Most present comedies are trivial, filled with rehashed jokes that depend more on toilet humor than any form of real wittiness. The film's only problem is that after an hour and a half, it doesn't seem to know what to do with itself. It ends on a clever note about love with the protagonists somehow managing to save themselves, but not really the day. They realize that perhaps the only thing worth fighting for, in the end is love. All in all, `Sleeper' was a very funny farce on science fiction stories, and it cemented Allen's ability to be an engaging and funny in his films. ***
    7ackstasis

    "I don't know what the hell I'm doing here. I'm 237 years old; I should be collecting social security."

    Before he became a "serious" filmmaker and gained the respect and admiration of film critics, Woody Allen was already entertaining millions of fans with such unashamedly silly comedies as 1973's 'Sleeper.' The science-fiction story concerns an unfortunate Miles Monroe (Allen), the 1970s owner of the Happy Carrot health-food store, who goes into St. Vincent's Hospital for a routine peptic ulcer operation and wakes up 200 years later in a terrifying police state. He is revived by a subversive underground rebel organisation to help uncover the secrets of the dreaded "Aries Project," and to overthrow the tyrannical government and its dictator. Along the way, Miles enlists the help of the neurotic and exuberant Luna Schlosser (Diane Keaton, who collaborated with Allen on multiple occasions, most notably in 'Annie Hall (1977)' and 'Manhattan (1979)').

    A chaotic blend of razor-sharp satire and slapstick humour, 'Sleeper' contains enough of Allen's and co-writer Marshall Brickmann's trademark wit to remind us of what makes their later collaborations so brilliant. Of course, as Allen had yet to reach his creative peak, some of the jokes in the film work (the infamous Orgasmatron; the Volkswagen Beetle that starts up immediately after 200 years of neglect), whilst others aren't pulled off quite so well (the giant chicken; the mock Miss America pageant). In one memorable sequence, year 2173 historians show Miles a collection of historical items and photographs, and he idly gives off ridiculous explanations which they accept as fact. For example, yes, Howard Cosell's sporting reports were used as punishment for criminals who had committed a crime against the state!

    The promotional posters for the film proclaimed: "Woody Allen Takes A Nostalgic Look At The Future." This, more than likely, refers to the style of comedy, which, aside from Allen's witty observations, very much evokes memories of the silent slapstick comedies of Lloyd, Keaton and Chaplin. Much like the latter did with most of his films, Allen wrote, directed, starred in and composed the score for 'Sleeper.' The score itself, which is very upbeat, New Orleans-style traditional jazz, was performed by the Preservation Hall Jazz Band with Allen sitting in on clarinet. 'Sleeper' may have been inspired by H.G. Wells' classic novel, 'The Sleeper Awakes,' which recounts the tale of a man who awakes from a 203-year sleep to find himself in a horrifyingly-transformed futuristic London.

    Aside from including a wealth of instantly-quotable one-liners ("I'm not really the heroic type. I was beat up by Quakers"), Allen also has a lot of fun in his disorganised futuristic dystopia. After pouring too much "Instant Pudding" into a bowl, the overdone dessert practically comes to life and has to be beaten into submission with a broom; it is also revealed that, contrary to popular agreement in 1973, such substances as deep fat, tobacco and hot fudge are not only not unhealthy, but probably the best thing for your body! When Miles happens upon a garden of human-size fruit and vegetables, we just know that the giant banana peel is going to come into play somewhere, and, sure enough, Miles inevitably takes a tumble.
    8random_avenger

    Sleeper

    Miles Monroe (director Allen), a health food store owner and jazz clarinetist, goes to a hospital for a routine operation, but something goes wrong and he is put to cryogenic sleep for over 200 years. When he is woken up in the 22nd century, the society has changed into a pleasure-addicted dictatorship. Miles is immediately pulled into revolutionary activity and soon has to flee the state police on his way to the mysterious ruler of the society. He also finds himself teaming up with an initially reluctant woman called Luna (Diane Keaton) and together they adventure through the futuristic society.

    The comedic style of Sleeper is an entertaining combination of over-the-top farce and Allen's usual verbal jabs at the society of the 20th century. The silly jazz music accompanying the bumbling chase scenes evokes memories from the silent era (some scenes are even sped-up), and the old masters of slapstick have clearly been a major influence to the style. There are also many references to more modern works of science fiction, such as 2001: A Space Odyssey and Nineteen Eight-Four. Besides the funny farcical scenes, Allen gets to perform his classic neurotic worrying routine that works fine and will amuse fans of his on-screen persona.

    A very notable aspect of the film is its visual style: the sets and props all look excellent. The futuristic houses, round vehicles, stiff servant robots, gigantic fruits and even an unruly pudding look hilarious and the many details of the society provide chances to comment on how things are advancing in our times. Be it an orgasm-machine or nonsensical poetry, they seem to suggest we are moving towards times where ignorance revels and empty pleasure-hunting is celebrated as the only correct form of bliss; it can be said that the underlying themes of Sleeper are not unlike those of Aldous Huxley's classic novel Brave New World.

    Social commentary aside, Sleeper is also a very funny comedy that appeals not only to friends of Allen's neurotic shtick but also to slapstick fans and admirers of creative production design. Diane Keaton also deserves praise for her performance that features all the necessary comical energy and makes a good pairing for the protagonist Miles. In brief, I laughed out loud several times and would rank the film highly among the handful of Allen films I've seen so far. As far as sci-fi comedies go, Sleeper is a definite winner.
    8hokeybutt

    Woody Allen's Second Best Movie After Annie Hall

    I think I am going to have to rank this as Woody Allen's second-best (and second-funniest) movie... after the unbeatable "Annie Hall". Even after having seen the movie 3 or 4 times I still find myself amused by some of Allen's shtick... and his rarely-demonstrated adeptness at physical comedy. So many classic physical bits: riding around in the wheelchair... eating the rubber glove... the future scientists trying to force his slack body into a futuristic vehicle. After this movie Woody started to get a little too cerebral... this was his last attempt at a just-plain-funny movie... and probably his most satisfying of his early comedies... only because there was a sort-of storyline. Woody is cryogenically frozen after a botched operation in the 1970s and is awoken 200 years later to find himself in a repressive Orwellian future. He meets up with a spoiled rich chick (Diane Keaton) and influences her (not really intentionally) into becoming a revolutionary activist.
    tedg

    Silent

    We are blessed that Woody was around, making movies as interesting as this when he was.

    Already with this one, he began his vast exploration of movie techniques and devices that would last 25 years or so.

    The idea is simple in this one: he wanted to use film slapstick from a bygone era. How better to situate that than to move the whole picture into a future era?

    We have some truly classic stuff here. The banana joke, The mirror joke. The robot pantomime. The acting out of the Jewish dinner (done in later movies too). The inflated man joke. You can find all these in any number of Keaton. Marx, Laurel & Hardy movies.

    The unifying string of time travel, a romance, the leader and his nose is too weak to make this a solidly recommended outing. And it wouldn't be for a couple years until Woody cared about the cinematography at all.

    I had forgotten how pretty Diane Keaton was. Very.

    Ted's Evaluation -- 2 of 3: Has some interesting elements.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Woody Allen originally intended the film to be three hours long and in two parts. The first part would have him in the present day, coping with life until his illness. And the second half would be the futuristic part. But United Artists rejected this concept.
    • Blooper
      Luna's shoes change from high heels to flats when she crosses the lake on Miles' back (in the "raft" costume).
    • Citazioni

      Luna Schlosser: It's hard to believe that you haven't had sex for 200 years.

      Miles Monroe: 204, if you count my marriage.

    • Connessioni
      Edited into Intimate Portrait: Diane Keaton (2001)
    • Colonne sonore
      Till We Meet Again
      (1918) (uncredited)

      Music by Richard A. Whiting

      Lyrics by Ray Egan

      Performed by Woody Allen

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    Dettagli

    Modifica
    • Data di uscita
      • 15 marzo 1974 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Yiddish
    • Celebre anche come
      • El dormilón
    • Luoghi delle riprese
      • Sculptured House - 24501 Ski Hill Drive, Golden, Colorado, Stati Uniti(mushroom shaped building, top of mountain on south side of I-70)
    • Aziende produttrici
      • Jack Rollins & Charles H. Joffe Productions
      • Rollins-Joffe Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 18.344.729 USD
    • Lordo in tutto il mondo
      • 18.344.868 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 29min(89 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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