Crimini e misfatti

Let's begin by declaring that you do not need to be a Woody Allen fan to appreciate this film. As is often the case, Allen's schlemiel character is the least sympathetic and interesting one in the movie.

But that aside, here's a story that I found thoroughly engaging. Is there a perfect crime? Is guilt the same as remorse? How does a "good" person come to terms with his sins?

The blind Rabbi: Is God unseeing? The Holocaust survivor philosopher who challenges survival (that's all I can say without spoiling): is there any real redemption?

The movie has flaws but I give it a "10" for daring to ask serious questions. (And the visit to the old house in Brooklyn has a dynamism that all of us who remember our childhood homes will relate to.)

When I registered with the IMDb, one of the survey questions asked what my favorite film was. I listed Allen's Crimes and Misdemeanors. I don't know if this is always true, but for the most part I feel fairly confident regarding my choice. Allen's story here works, like most well written literature, on many levels. It is funny (Woody's lessons), symbolic (the Rabbi going blind), ironic (the good suffer and the evil go unpunished), deep (faith and suicide), and is a film that leaves you with something to identify with and learn from. Even Hally Reed's (Mia Farrow) surprising revelation at the end of the film, which I won't reveal of course, shows us a bit about the dangers of prejudging others. Woody shows us that we shouldn't judge on the surface, but must look deeper into the individual value of people. Do we trust Hally, or do we stick to what we see as the truth about Lester (Alan Alda)? This is a lesson that Woody's character, Cliff, doesn't even fully grasp at the end of the film, but Allen gives us the insight, even though what Hally reveals about Lester goes against what we've seen of him.

Crimes and Misdemeanors is certainly not for all tastes. It's not exactly a film that people would watch for pure escapism. This is a film to be treasured, revisited and held up with some of the greatest films of all time. Not for how it looks or sounds, but for what it says. This is a film aimed at both the heart and the mind and succeeds in capturing both.

"Crimes and Misdemeanors" (1989)- is Woody Allen's masterpiece and my favorite film. It is urban and sophisticated, subtle and cruel. It is darker than dark and self-ironic. It is profound and touchingly poignant. It is deadly serious and in the same time it is incredibly funny. Its humor is razor sharp and sparkling and the best and funniest Woody's one-liners and comic performances belong here. As always in his best films, Allen had created a clever and elegant film out of his own weaknesses and insecurities and it shines. How much was Allen able to meditate on life, death, God, religion, morality, crimes and the responsibility, love and lust, happiness and the price one pays for it, and among those eternal subjects - how much fun it is to skip work or school and to sneak to the movies.

It is universal. It has the references to many Artists and cultures - Chekhov, Dostoyevsky, and Bergman among the others but it is so undeniably and uniquely Allen. It could not have been made by any other director.

It is the movie Allen will be remembered for.

This is a profound film, a true classic and great even among Woody Allen's great films! Thought-provoking and involving, I've found since seeing it that the film and its statements about good versus evil, denial, guilt, narcissism, have never really left me. A film with many layers, one that demands a re-visiting from time to time.

Most would say "Annie Hall", some would say "Manhattan", those who prefer Allen's early career might even mention "Sleeper". Few would call "Crimes and Misdemeanors" Woody Allen's best film as writer/director, but the more I watch it, the more I realize that it's not only my favorite, but in many ways the film Allen was working towards for the entirety of his career as a writer prior to this.

In "Crimes and Misdemeanors" Allen revisits a recurring theme in many of his films, adultery. It would be a simplistic and narrow-minded view of this film to say that it was simply about adultery because it is really far more complex than that, and essentially a film about all varieties of human nature and relationships, and one could even argue- the relationship between reality and film as explored through the lens of genre- romantic comedy, Film-Noir, and documentary, and what parts of this film are- satire.

"Crimes and Misdemeanors" is one of Allen's best scripts. Any screenplay attempting to accomplish as much as this one does could easily fall apart, and Allen has had less convincing attempts than this one with similar ambitions, but everything works beautifully here. This film practically defines the 'tragicomedy' sub-genre, with neither overpowering the other and much of the humor is dark humor originating in tragedy, something that is acknowledged by Allen through the character of Lester (played to perfection by Alan Alda), who comments that comedy is nothing more than "tragedy plus time". He also mentions that comedy has to have an ending, and that's one of the best things about this movie- Allen allows dramatic scenes to succeed at being dramatic and emotional, then throws a hilarious punchline at you, which has an effect that is both entertaining and somewhat unsettling. This is an expertly-written movie.

"Crimes and Misdemeanors" is the culmination of a decade of consistently brilliant, evocative, original, and fascinating films from Woody Allen, whose 80's output I would personally consider to be his best. His 70's work is far more popular, but his 80's work contains some of the most unique and memorable films ever made: "Stardust Memories", "Zelig", "The Purple Rose of Cairo", and "Hannah and Her Sisters", as well as numerous overlooked and generally forgotten films that can only be called excellent, such as: "A Midsummer Night's Sex Comedy", "Broadway Danny Rose", "Radio Days", "September", and "Another Woman". On top of all these memorable films is "Crimes and Misdemeanors", which is simply my favorite Woody Allen film and almost certainly his best and most focused effort.

10/10