VALUTAZIONE IMDb
6,0/10
2473
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDuring World War II, a Basque shepherd is approached by underground operatives who want him to lead a scientist and his family across the Pyrenees while they're being pursued by a sadistic G... Leggi tuttoDuring World War II, a Basque shepherd is approached by underground operatives who want him to lead a scientist and his family across the Pyrenees while they're being pursued by a sadistic German officer.During World War II, a Basque shepherd is approached by underground operatives who want him to lead a scientist and his family across the Pyrenees while they're being pursued by a sadistic German officer.
- Regia
- Sceneggiatura
- Star
Jim Broadbent
- German Soldier
- (non citato nei titoli originali)
Frederick Jaeger
- German Major
- (non citato nei titoli originali)
Terence Maidment
- Second German Sentry
- (non citato nei titoli originali)
Terry Yorke
- First German Sentry
- (non citato nei titoli originali)
Recensioni in evidenza
Okay, So this is an awful movie in the grand scheme of things - but its highly entertaining none the less, and also is quite compelling. McDowell over acts - but is watchable, Lenz is also watchable, and most of the other acting is fine too. The script lends itself to to a poor mans WW2 movie from the 60's, say a B movie - but otherwise there's good stuff along the way! This film is different, therefore worthy of a watch. A notable film score by Michael J lewis boosts it along and makes it feel 'bigger' than what it actually is. Not so bad. Watch it for entertainment value only, and you may not be too disappointed after all.
This movie ran in Europe for quite a while in the 1980s. I saw it several times there and, quite unexpectedly, on HBO or Cinemax late at night a few years ago.
The movie was about war and wars are nasty things. I do not think the violence was overblown in the movie - not after visiting a few Holocaust museums in Europe. McDowell's portrayal of a fanatical psychopath (not that know any) seemed very fitting.
In terms of the amount of blood and gore on screen, it seems tame compared to movies made later. Schindler's List is much more terrifying. Starship Troopers has much more severed limb type stuff than The Passage. But what makes this so chilling and repulsive is its realism; that things like these truly happened and happened not that long ago...
The movie was about war and wars are nasty things. I do not think the violence was overblown in the movie - not after visiting a few Holocaust museums in Europe. McDowell's portrayal of a fanatical psychopath (not that know any) seemed very fitting.
In terms of the amount of blood and gore on screen, it seems tame compared to movies made later. Schindler's List is much more terrifying. Starship Troopers has much more severed limb type stuff than The Passage. But what makes this so chilling and repulsive is its realism; that things like these truly happened and happened not that long ago...
This is one of those films that haunts you years after seeing it. I remember when I first saw it I was horrified. I watched it again and the violence, although horrific, was easier to get past. McDowell is creepy (as always). Quinn is great (as always). Lenz, well what can I say, acting not great, but nice to look at. The violence is extreme in a few scenes, so be warned. All in all, a pretty good movie. I give it a 7.
...I managed to pack into a dozen scenes with the whole period of Nazi tyranny in a convincingly evil way." - Malcolm McDowell about his work in The Passage.
When I saw The Passage back in 1981, in Moscow, I had no idea that it had been a big flop in the USA where it only lasted a week upon theatrical release, that it was considered a bad movie a failure. It would be much later that I recognized very famous and talented actors who were in the film, James Matson, Anthony Quinn, Christopher Lee, and Patricia Neal. The film was directed by J. Lee Thompson, the Oscar nominated director of highly successful The Guns of Navarone (1961). By the time I was watching The Passage at the theater, I had not seen Stanley Kubrick's A Clock Work Orange or notorious Caligula, and I did not know what Malcolm McDowell was capable of as a screen villain. I did know McDowell from the Lindsay Anderson's O Lucky Man that also had been released theatrically in Moscow several years prior The Passage. O lucky Man had left a deep impression on me and huge part of it was McDowell's performance as Mick Travis, the young naive man with the most charming smile who wanted to succeed in this world. Watching McDowell in The Passage playing the psychotic obsessed Nazi chasing the family of the anti-fascist scientist across the Pyrenees I was horrified and genuinely scared. Every time he would enter the screen, I felt physically sick anticipating some horror act to follow and McDowell never disappointed. I won't argue that the movie may not be a great or even a good one but I do remember McDowell's performance all too well, and I could not forget him in the movie for 28 years. Now, after I've seen so many movies and memorable performances, I realize that McDowell was over the top and judging by his own words, he knew it very well and did it on purpose:
"I played this real nasty Nazi who was chasing these people across the Pyrenees. We all knew real early on that the movie was not going to be any great work of art and so I was determined to have some fun with it. My attitude was that if I was going to play a Nazi, I was going to take it totally over the top and do it right. I ended up playing the character like a pantomime queen. What I was doing was so far out that James Mason turned to me one day and said, 'That's wonderful dear boy, but are you in our film? You seem to be doing something different from the rest of us'..."
If after so many years, one performance in a supposedly bad movie stands out and you can't get it out of your mind, and you remember the exact day when you saw that movie, who you saw it with and how you felt, for me it means that the movie was not bad at all.
When I saw The Passage back in 1981, in Moscow, I had no idea that it had been a big flop in the USA where it only lasted a week upon theatrical release, that it was considered a bad movie a failure. It would be much later that I recognized very famous and talented actors who were in the film, James Matson, Anthony Quinn, Christopher Lee, and Patricia Neal. The film was directed by J. Lee Thompson, the Oscar nominated director of highly successful The Guns of Navarone (1961). By the time I was watching The Passage at the theater, I had not seen Stanley Kubrick's A Clock Work Orange or notorious Caligula, and I did not know what Malcolm McDowell was capable of as a screen villain. I did know McDowell from the Lindsay Anderson's O Lucky Man that also had been released theatrically in Moscow several years prior The Passage. O lucky Man had left a deep impression on me and huge part of it was McDowell's performance as Mick Travis, the young naive man with the most charming smile who wanted to succeed in this world. Watching McDowell in The Passage playing the psychotic obsessed Nazi chasing the family of the anti-fascist scientist across the Pyrenees I was horrified and genuinely scared. Every time he would enter the screen, I felt physically sick anticipating some horror act to follow and McDowell never disappointed. I won't argue that the movie may not be a great or even a good one but I do remember McDowell's performance all too well, and I could not forget him in the movie for 28 years. Now, after I've seen so many movies and memorable performances, I realize that McDowell was over the top and judging by his own words, he knew it very well and did it on purpose:
"I played this real nasty Nazi who was chasing these people across the Pyrenees. We all knew real early on that the movie was not going to be any great work of art and so I was determined to have some fun with it. My attitude was that if I was going to play a Nazi, I was going to take it totally over the top and do it right. I ended up playing the character like a pantomime queen. What I was doing was so far out that James Mason turned to me one day and said, 'That's wonderful dear boy, but are you in our film? You seem to be doing something different from the rest of us'..."
If after so many years, one performance in a supposedly bad movie stands out and you can't get it out of your mind, and you remember the exact day when you saw that movie, who you saw it with and how you felt, for me it means that the movie was not bad at all.
During WW II a guide has to try to pass a nuclear scientist and his family over the Pyrenees into Spain but are mercilessly purseud by an SS-officer.
This sounds rather as your mainstream war movie of the week and as it stars Anthony Quinn, James Mason, Christopher Lee and directed by the seasoned Jack Lee Thompson, so what could go wrong ? Well quite a lot as it turns out. First there is the SS-officer, so over the top played by Malcom McDowell you are almost thinking its Alex from "A Clockwork Orange" in a Nazi-uniform. McDowell tortures, kills, rapes, sets people on fire, lets his own wounded men die in the snow; there is no end to his sadism. But it is quite an interesting, if not very frightening character and McDowell obviously very much enjoyed playing him. There is no doubt Quentin Tarantino has seen this film as there is even some Hans Lamda lurking there.
But what I found equally rather strange is that TP has the look and feel of some sixties war adventure movie, even the music reminded me of this (and is totally out of place with the rather horrific mood of the film). It has many an audience put off, as it only played one week in the US and did not do much better in Europe.
There existed a VHS version but no DVD for a very long time. Apparently now there is a Blu-Ray version available.
The end is also very confusing. I do remember (but it's a long time ago) from the VHS one a different ending, rather straightforward and not with the very bizarre twists in the version I caught on YouTube (HD-format). The trivia section mentions that even 3 different endings were filmed so there you go.
A very strange war movie for its time but somehow well worth a watch, if the large amount of brutalities doesn't scare you off.
This sounds rather as your mainstream war movie of the week and as it stars Anthony Quinn, James Mason, Christopher Lee and directed by the seasoned Jack Lee Thompson, so what could go wrong ? Well quite a lot as it turns out. First there is the SS-officer, so over the top played by Malcom McDowell you are almost thinking its Alex from "A Clockwork Orange" in a Nazi-uniform. McDowell tortures, kills, rapes, sets people on fire, lets his own wounded men die in the snow; there is no end to his sadism. But it is quite an interesting, if not very frightening character and McDowell obviously very much enjoyed playing him. There is no doubt Quentin Tarantino has seen this film as there is even some Hans Lamda lurking there.
But what I found equally rather strange is that TP has the look and feel of some sixties war adventure movie, even the music reminded me of this (and is totally out of place with the rather horrific mood of the film). It has many an audience put off, as it only played one week in the US and did not do much better in Europe.
There existed a VHS version but no DVD for a very long time. Apparently now there is a Blu-Ray version available.
The end is also very confusing. I do remember (but it's a long time ago) from the VHS one a different ending, rather straightforward and not with the very bizarre twists in the version I caught on YouTube (HD-format). The trivia section mentions that even 3 different endings were filmed so there you go.
A very strange war movie for its time but somehow well worth a watch, if the large amount of brutalities doesn't scare you off.
Lo sapevi?
- QuizIn an interview with Starlog Magazine, published in September 1983, Malcolm McDowell said of this movie: "That movie contains some of the best work I've ever done. I managed to pack into a dozen scenes with the whole period of Nazi tyranny in a convincingly evil way." Also, Malcolm McDowell said of this movie in Starlog Magazine, published in July 1995: "I played this real nasty Nazi who was chasing these people across the Pyrenees. We all knew real early on that the movie was not going to be any great work of art and so I was determined to have some fun with it. My attitude was that if I was going to play a Nazi, I was going to take it totally over the top and do it right. I ended up playing the character like a pantomime queen. What I was doing was so far out that James Mason turned to me one day and said, 'That's wonderful dear boy, but are you in our film? You seem to be doing something different from the rest of us'."
- BlooperWhen Von Berkow uses binoculars at the mountains, a few camera movements are recognizable, revealing that binocular frame was added in post-production.
- ConnessioniEdited from Agente 007 - Al servizio segreto di Sua Maestà (1969)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.101.186 USD
- Fine settimana di apertura Stati Uniti e Canada
- 70.461 USD
- 11 mar 1979
- Lordo in tutto il mondo
- 1.101.186 USD
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