Agente 007 - Al servizio segreto di Sua Maestà

Rating-7/10

On Her Majesty's Secret Service is one of the most furious Bond film's there are and George Lazenby's one and only outing as Bond in which he does a good job in the end. A pretty good film that is close to being a straight good movie but nevertheless does the job well with Bond facing some of his most difficult villains of all time and a Bond girl who could finally get to James Bond's heart and maybe make him…Love.

The story is full of action, adventure and good old Bond fun with guns, cars and Bob-sleighs? Yes Bob-sleighs feature quite a bit here as the majority of the film is set in a Swiss ski resort. It goes at quite a slow pace at parts but then certain bits can be very fast paced action and well done as well because some Bond stunts can seem just plain fake, but there done quite well in the late 60's flick. Finally I especially enjoyed the more sophisticated Bond who didn't sleep with everyone he met, maybe toned down just the tiniest from Connery's portrayal.

Lazenby as Bond is well, well he looks the part and even his hair seems perfect but his acting skills are not as sharp as Connery and even his voice seems to subdued by his surroundings. Diana Rigg as the Bond girl is perfect and she is fine throughout the entire film, the rest of the supporting cast excluding the main villains and Bond are average but overshadowed by the main roles like they should do. Telly Savalas as Blofeld is perfectly quirky and although not seeming evil as previous, he seem's to serve up a rational Blofeld, who doesn't kill so many people as always.

Written OK directed like that too it is nothing special and there is not too much that is needed to be said about it all. The stunts do though because they are brilliant although obviously near impossible as we see with every Bond film to date but in any case it was fun to see. I loved the setting the Ski resort which doesn't make it any better or worse but serves to give you a beautiful background with all the things also going on, who knew so much snow could look so great.

It isn't without negativity at all and I already said what I thought about Lazenby, but also some people may find the story drags a little and that there are too many skiing sequences but then again they can be fun to see as well. Also the script is ridiculous like other Bond's and put's some crazy scenarios but also one part which is funny is Lazenby when he has his voice dubbed into a posh British accent by another actor(Lazenby could not do the voice) but any way's it doesn't affect loads.

I think any Bond fan will like this as it has many things which Bond is known for and makes for a fun watch for even those who have never seen Bond if there around. Also if adventure is your choice then well he does go on an adventure but he stays in one place for long time so maybe not for you people but people can like this game a lot.

I give it overall a 7/10 and this is deserved fully, people will find it Good but also poor as well, but I think many people don't like Bond generally or only the modern one's. Just watch it and enjoy it, savour Lazenby's solo role and witness what I believe to be the saddest Bond ever(you will get what I mean by the end).

On Her Majesty's Secret Service will probably always remain the most controversial entry in the Bond series, thanks both to its unusually human and romantic story, and the notorious casting of novice actor George Lazenby as OO7. Some think these elements ruin the film, while others hail OHMSS as the best Bond ever. I wouldn't go that far in my praise, but for me this is still one of the classic Bond films, true to Ian Fleming's original vision and arguably showing OO7 in a more realistic light than any other film in the franchise.

To get the Lazenby issue out of the way first, it is certainly true to say that he lacks the charisma of the man he (temporarily) replaced, Sean Connery, and his impossibly chiselled jaw is somewhat irritating. However, he does look the part, and for a first-time actor he turns in a remarkably assured performance, particularly in the fight scenes but also in Bond's more tender moments, most notably in the highly emotional finale. If Lazenby had gone on to make more Bond films (and it was his own decision not to do so) he could well have developed into a very fine OO7, but as it is I still find his performance in OHMSS perfectly acceptable, and not damaging to the film in any way.

The film itself represented a conscious attempt to get back to Fleming after the increasingly extravagant antics of Thunderball and You Only Live Twice. Director Peter Hunt, who had edited the classic early Connery films, was very keen to remain faithful to Fleming's original story, and as a result OHMSS has an unusually strong emphasis on character and plot, with the gadgetry and humour found in most Bond films largely jettisoned. Rather like From Russia with Love, OHMSS feels like a real spy adventure, as Bond tracks Blofeld down and even adopts a disguise as he infiltrates his arch-enemy's Alpine hideaway, Piz Gloria. Where this film is unique, however, is in the level of emotion it invests in OO7's relationships with others. We see this early in the film when Bond quarrels with M and submits his resignation, a sequence which really brings out the affection which both M and Moneypenny have for him, but which M especially prefers to keep concealed. This affection is brought out again near the end during Bond and Tracy's wedding, when Q sheds his normal exasperation and shows us his fondness and respect for OO7.

However, it is of course the relationship between Bond and Tracy which gives the film its emotional heart. OHMSS sees Bond fall genuinely in love for the first and only time, and personally I found the film's romantic scenes both tender and touching, particularly for being so unexpected in a Bond film. The casting of Diana Rigg as Tracy helps immeasurably in making us believe in this romance, as she is a rare example of a proper actress taking on the role of a Bond girl, and her dynamic, spirited performance makes it easy to see why Bond would fall for her and marry her. It also helps the film's tragic conclusion, itself unique in the Bond franchise, pack far more of an emotional punch than might otherwise have been the case.

Of course, the film has more going for it than just an unusually human Bond.

Hunt directs with great skill, and the Alpine scenery that dominates the film looks absolutely stunning. There is no shortage of great action either, the highlights being a tense and gripping ski chase and an equally thrilling bobsleigh pursuit. Telly Savalas makes for a very effective Blofeld, understated and sinister, and his Rosa Klebb-like henchwoman Irma Bunt is played with relish by Ilse Steppat. There are also echoes of FRWL in the character of Draco, Tracy's father, who is a charismatic Bond ally in the style of Kerim Bey. Special mention should be given to John Barry, who produced his greatest Bond soundtrack for OHMSS. The opening instrumental theme, with its sombre and foreboding tone, sets the serious mood of the film, while the classic We Have All the Time in the World, sung by Louis Armstrong, is the perfect soundtrack to Bond and Tracy's doomed love.

However, while OHMSS is undoubtedly a classic Bond film, it just falls short of my personal top five for two principal reasons. The first of these is that the film is too long, primarily because the central section, where Bond infiltrates Piz Gloria in disguise, is dragged out for far longer than was necessary. Blofeld's plan to use beautiful women as carriers of a devastating eco-virus is the other main weakness, because it is totally preposterous and does not fit into the film's serious nature. I must admit also that, good as Lazenby is, I do wish Connery had agreed to make this film, because with him on board, and a little more editing, I think it could have been the best Bond ever, even beating FRWL. As it is, OHMSS is still a very strong film, its bold deviations from the Bond formula paying off handsomely. It is just a crying shame that it did not perform better at the Box Office, because this would encourage the Bond producers to shift to the high-camp, comic style that would dominate the franchise during the 1970s; sadly, it would be more than a decade before a serious, Flemingesque Bond would reappear on the big screen.

This is the first and only film starring George Lazenby as James Bond 007, where he helps mobster Draco (Gabriele Ferzetti) track down arch nemesis Ernst Stavro Blofeld (Telly Savalas), where takes him to Switzerland and poses as Sir Hilary Bray to find out Blofeld's secret plan. Along the way, Bond woos Draco's daughter, Tracy (Diana Rigg).

This movie goes at a steady pace with some intriguing scenes that I've found appealing including 007 attempting to escape from Blofeld's pursuing henchman and the romantic chemistry between Bond and Tracy. Lazenby proves he is a formidable Bond that can could some serious butt, using his own moves and stunts when grappling with the henchman. This makes Bond an even more serious force to be reckoned with and an agent to fear more, in addition to his already famous license to kill.

Lazenby as Bond is a women charmer and equipped with a few one-liners and somewhat suaveness. However, his Bond has a serious and sensitive tone as evident in his emotional interaction with Tracy, who becomes one of the more unique Bond Girls, stealing Bond's heart and coming to rescue his life a few times. This makes this one of the more touching Bond movies.

The plot itself picks up speed right from the start, drags towards the middle and abruptly comes to an action-packed climax. As with many of the Bond movies, there are a lot of talk and less action, but this one lacks some suspense and humor as well. The good acting, though, counterbalances it. It's not one of the best Bonds, but overall, it's a pretty movie.

Grade B-

I have read some of the negative reviews for this movie and I have to say that I agree with NONE of them except for the slightly unnecessary two and a half hour length. Regardless, this doesn't ruin On Her Majesty's Secret Service in any way to warrant a serious complaint as far as I'm concerned. As with the positive reviews this film received, I agree with most all of them. For one, George Lazenby replacing Sean Connery as Bond may have displeased some but I think he did just as good of a job and would not have minded a bit if he became the next Bond for a few more films. This movie also had some enjoyable action scenes; some of which would later get mimicked in future Bond installments. The bond girl is by far one of the best. To be a little more specific, this bond girl plays a significant part in the Bond series as a whole that no other bond girl shares. However, I won't reveal why that is because I don't usually give spoilers for the courtesy of those who haven't seen the films that I review. The ending alone for this movie got several mixed reviews but I can say with certainty that had it not ended the way it did, the Bond franchise might have come to an end.

Admittedly, I did not like this film at first and I can't adequately explain the reasons why. Was it because I didn't like George Lazenby, or that it distanced itself from the Sean Connery outings? On second viewing though, I was surprised at how wrong I initially was. It is not the best Bond but it is light years away from the worst. George Lazenby may be a tad inexperienced and the least charismatic of the Bonds, but he is still likable and does try hard, that I can see. And it does tone down some of the gadgetry and spectacle, however in doing that the film does boast some of the best and slickest sequences in a Bond film. The story is believable and sticks closely to the book, and the script goes into a greater psychological depth. Consequently both Bond's pursuit of Blofeld and romance with the feisty Tracy are wholly believable. Terry Savalas is great as Blofeld, and Diana Rigg is splendid as Tracy. The cinematography and scenery are beautiful, and John Barry's score and Louis Armstrong's theme song are simply terrific. In conclusion, better than I thought and dare I say underrated. 8/10 Bethany Cox