VALUTAZIONE IMDb
5,1/10
1281
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA merc is hired by the F.B.I. to track down a powerful recluse criminal. A woman is also trying to track him down for her own personal vendetta.A merc is hired by the F.B.I. to track down a powerful recluse criminal. A woman is also trying to track him down for her own personal vendetta.A merc is hired by the F.B.I. to track down a powerful recluse criminal. A woman is also trying to track him down for her own personal vendetta.
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Director Michael Winner was a very consistent director. His movies were almost always bad. Winner had a lazy style that always bothered me. He just seems to place his camera with very little thought. Getting good performances form his usually strong cast doesn't seem to concern him either. Winner's "Firepower" checks all of those boxes. "Firepower" has a good cast but it's none of their finest hours. The standout being a dreamy Sophia Loren. Loren has seldom looked better. The action is well staged, for the most part, but it's also boring. The tropical locations are nice and I'm sure the cast had a great time at whatever resort they were staying at. As far as "Firepower" goes, it's a borderline camp classic.
Jerry Fanon (James Coburn) is a nice mercenary....sort of a James Bond up for hire. The US government hires him to locate and bring a mob boss, Stegner, back to pay for his crimes. But Stegner is in the Caribbean and extraditing him isn't possible. So, with his buddy, Catlett (O. J. Simpson), the pair make their way to there. However, almost no one knows WHAT Stegner looks like and Fanon wants to kill two stones...to capture Stegner AND to bring back a mob widow (Sophia Loren) who appears to be a prisoner of Stegner and his goons.
In some ways, this plays like a James Bond film but with LOTS more explosions and killing. Realistic? No way...but nice mindless adventure...especially the steam shovel bit. My only complaint is there the end...when all sorts of vehicles blow up and WHY is never explained. Why would one of the baddies keep blowing up cars with his goons inside. This really made no sense and it's almost like a piece of the story is missing....the WHY.
In some ways, this plays like a James Bond film but with LOTS more explosions and killing. Realistic? No way...but nice mindless adventure...especially the steam shovel bit. My only complaint is there the end...when all sorts of vehicles blow up and WHY is never explained. Why would one of the baddies keep blowing up cars with his goons inside. This really made no sense and it's almost like a piece of the story is missing....the WHY.
Michael Winner's films aren't complete without a lot of blood, and this one has enough to fill a bucket or two.
James Coburn is the retired hitman who comes back in to kidnap a certain Karl Stegner, a mysterious and very wealthy man wanted by the IRS and various other federal agencies.
Coburn teams up mainly with OJ Simpson, with some dubious assistance from Sophia Loren, and we have a 70s high-tech sort of caper. Lots of gadgetry, most of it explosive, large quantities of double-crossing and shooting, plenty of pretty shots of the Caribbean from floating gin palaces, and a plot of such ludicrous over-complexity that it's silly.
It was obviously immense fun to make: several very large houses get burned down, bulldozed and otherwise trashed. As do various means of transportation. With lots of explosions and shooting.
It's implausible and it's almost impossible to understand why anyone would do what these people do, but apparently this is what they do. Bullets fly and things blow up.
There is an awful lot of frenetic activity, constantly accompanied by the sound of gunfire with regular scenes of conflagration.
Did I mention that there's a lot of shooting and explosions in this? In case I didn't, there is, as well as a very confusing plot.
It's not a very good movie.
James Coburn is the retired hitman who comes back in to kidnap a certain Karl Stegner, a mysterious and very wealthy man wanted by the IRS and various other federal agencies.
Coburn teams up mainly with OJ Simpson, with some dubious assistance from Sophia Loren, and we have a 70s high-tech sort of caper. Lots of gadgetry, most of it explosive, large quantities of double-crossing and shooting, plenty of pretty shots of the Caribbean from floating gin palaces, and a plot of such ludicrous over-complexity that it's silly.
It was obviously immense fun to make: several very large houses get burned down, bulldozed and otherwise trashed. As do various means of transportation. With lots of explosions and shooting.
It's implausible and it's almost impossible to understand why anyone would do what these people do, but apparently this is what they do. Bullets fly and things blow up.
There is an awful lot of frenetic activity, constantly accompanied by the sound of gunfire with regular scenes of conflagration.
Did I mention that there's a lot of shooting and explosions in this? In case I didn't, there is, as well as a very confusing plot.
It's not a very good movie.
Director/Writer Michael Winner (best known for the "Death Wish" Series) is in Full-Throttle Mode in this Picturesque Satirical Blood-Bath.
Watch for a Boat-Scene where James Coburn is Literally Soaking a Bad-Guy with the Red-Stuff to Attract Sharks and Extract Information.
Roger Moore Bond Movies Take-Off that is an Enjoyable Grotesque.
A Sleek Presentation, the Best that Money Can Buy, Colorful and Calamitous, Colliding Confusion that is One Jaw-Dropping Scene After Another.
A Good-Looking Example of Sophomoric Bloat that Hollywood Churns-Out Routinely because it Sells.
A Fun Name-Cast and an Over-the-Top Crowd-Pleasing Picture that Wraps Up the 70's "Nicely" with an Explanation Point that Says "Having Fun Yet".
One of the Unintended Ironies is Watching O. J. Simpson Joking About Murder and this Joyful Guilty-Pleasure Never Stops.
Sophia Loren, James Coburn, O. J. Simpson, Eli Wallach, Anthony Franciosa, George Grizzard, and Vinnie Gardina all Think this is a Hoot.
And it is...
Worth a Watch.
Watch for a Boat-Scene where James Coburn is Literally Soaking a Bad-Guy with the Red-Stuff to Attract Sharks and Extract Information.
Roger Moore Bond Movies Take-Off that is an Enjoyable Grotesque.
A Sleek Presentation, the Best that Money Can Buy, Colorful and Calamitous, Colliding Confusion that is One Jaw-Dropping Scene After Another.
A Good-Looking Example of Sophomoric Bloat that Hollywood Churns-Out Routinely because it Sells.
A Fun Name-Cast and an Over-the-Top Crowd-Pleasing Picture that Wraps Up the 70's "Nicely" with an Explanation Point that Says "Having Fun Yet".
One of the Unintended Ironies is Watching O. J. Simpson Joking About Murder and this Joyful Guilty-Pleasure Never Stops.
Sophia Loren, James Coburn, O. J. Simpson, Eli Wallach, Anthony Franciosa, George Grizzard, and Vinnie Gardina all Think this is a Hoot.
And it is...
Worth a Watch.
Sophia Loren is out for revenge and the FBI wants to get one of the world's richest men who is a Howard Hughes like recluse. This guy put out a hit on her husband who was blown up in a laboratory with a mail bomb. What to do, but call in the FBI in the person of Vincent Gardenia.
But getting the Hughes like gazillionaire ain't easy so the FBI calls in a consultation with the Mafia as represented by Eli Wallach. Lots of Firepower will be needed, but even more brains. The best guy for the job is independent contractor James Coburn who sets out to storm the rich guy's fortress on Antigua.
The nice Caribbean location and the chance to see a few movie names are the only reason to see this ridiculous action thriller. Both Clint Eastwood and Charles Bronson turned this one down and poor James Coburn was left holding the bag. Bronson, who worked with director Michael Winner on any number of projects, left this cold, so you know he was hearing the faint sounds of Thanksgiving.
Even Anthony Franciosa, one of the most underrated players ever, looks ridiculous in this as the doctor feel good to the rich and reclusive. Add to that Billy Barty as a midget mob boss and you get the idea how ridiculous this one is.
Unless you like all the stars like I do and want to see O.J. Simpson get what's coming to him, stay away from Firepower.
But getting the Hughes like gazillionaire ain't easy so the FBI calls in a consultation with the Mafia as represented by Eli Wallach. Lots of Firepower will be needed, but even more brains. The best guy for the job is independent contractor James Coburn who sets out to storm the rich guy's fortress on Antigua.
The nice Caribbean location and the chance to see a few movie names are the only reason to see this ridiculous action thriller. Both Clint Eastwood and Charles Bronson turned this one down and poor James Coburn was left holding the bag. Bronson, who worked with director Michael Winner on any number of projects, left this cold, so you know he was hearing the faint sounds of Thanksgiving.
Even Anthony Franciosa, one of the most underrated players ever, looks ridiculous in this as the doctor feel good to the rich and reclusive. Add to that Billy Barty as a midget mob boss and you get the idea how ridiculous this one is.
Unless you like all the stars like I do and want to see O.J. Simpson get what's coming to him, stay away from Firepower.
Lo sapevi?
- QuizCharles Bronson was considered for the role of Jerry Fanon. Rumors had it that Bronson turned this movie down because the producers had refused to write in a role for his wife, Jill Ireland. With much of the pre-production crew already on-location in the Caribbean, Sir Lew Grade wanted to shut down the production when Bronson pulled out. Realizing how much money he had already sunk into a movie that had not properly secured its star actors and actresses, Grade saved face by moving ahead using James Coburn as a replacement for Bronson.
- BlooperDuring the first meeting with Sophia Loren and Vincent Gardenia in his D.C. office.
- Citazioni
Leo Gelhorn: The only virtue of the stupid is that they don't live long.
- Versioni alternativeThe film was originally released theatrically in the UK with an uncut 'AA' (15) certificate and later reissued as an 'A' (PG) with cuts to some of the bloodier shootings, shots of men on fire, a wire strangling and a brief shot of a topless woman. The 1986 video was upgraded to a 15 certificate and restored the later cinema edits though 15 secs were cut from a cockfighting scene.
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Dettagli
- Tempo di esecuzione
- 1h 44min(104 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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