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Michael Winner's films aren't complete without a lot of blood, and this one has enough to fill a bucket or two.

James Coburn is the retired hitman who comes back in to kidnap a certain Karl Stegner, a mysterious and very wealthy man wanted by the IRS and various other federal agencies.

Coburn teams up mainly with OJ Simpson, with some dubious assistance from Sophia Loren, and we have a 70s high-tech sort of caper. Lots of gadgetry, most of it explosive, large quantities of double-crossing and shooting, plenty of pretty shots of the Caribbean from floating gin palaces, and a plot of such ludicrous over-complexity that it's silly.

It was obviously immense fun to make: several very large houses get burned down, bulldozed and otherwise trashed. As do various means of transportation. With lots of explosions and shooting.

It's implausible and it's almost impossible to understand why anyone would do what these people do, but apparently this is what they do. Bullets fly and things blow up.

There is an awful lot of frenetic activity, constantly accompanied by the sound of gunfire with regular scenes of conflagration.

Did I mention that there's a lot of shooting and explosions in this? In case I didn't, there is, as well as a very confusing plot.

It's not a very good movie.

Forgettable time-waster, without purpose or meaning. It proves that even a few wild car chases and large-scale explosions can't sustain a desperately uninteresting and uninvolving story. The large cast is largely underused. (*1/2)

Sophia Loren is out for revenge and the FBI wants to get one of the world's richest men who is a Howard Hughes like recluse. This guy put out a hit on her husband who was blown up in a laboratory with a mail bomb. What to do, but call in the FBI in the person of Vincent Gardenia.

But getting the Hughes like gazillionaire ain't easy so the FBI calls in a consultation with the Mafia as represented by Eli Wallach. Lots of Firepower will be needed, but even more brains. The best guy for the job is independent contractor James Coburn who sets out to storm the rich guy's fortress on Antigua.

The nice Caribbean location and the chance to see a few movie names are the only reason to see this ridiculous action thriller. Both Clint Eastwood and Charles Bronson turned this one down and poor James Coburn was left holding the bag. Bronson, who worked with director Michael Winner on any number of projects, left this cold, so you know he was hearing the faint sounds of Thanksgiving.

Even Anthony Franciosa, one of the most underrated players ever, looks ridiculous in this as the doctor feel good to the rich and reclusive. Add to that Billy Barty as a midget mob boss and you get the idea how ridiculous this one is.

Unless you like all the stars like I do and want to see O.J. Simpson get what's coming to him, stay away from Firepower.

The Quick Pitch: A respected chemist is murdered because of information he has on some faulty pharmaceuticals. The chemist's wife, Adele Tasca (Shopia Loren) wants the government to bring gun-for-hire Jerry Fanon (James Coburn) out of retirement to track down the man responsible. From there on, things get complicated with twist after twist that I'm not going to even try to explain.

Across the internet, I see a lot of people slagging on Firepower. No, it's not great and it's got its share of problems, but it sure is fun. As my title indicates, tell me a movie starts both Loren and Coburn and I'm in. I thought both were quite good given the material they were handed. The supporting cast is interesting, with Anthony Franciosa, Eli Wallach, Vincent Gardenia, and O.J. Simpson (Simpson's line about not killing anyone made me chuckle). Add in plenty of over-the-top explosions, lots of intrigue, and some fantastic looking Caribbean locations, and everything is in place for a good time.

Unfortunately, though, there's a thing called plot that's necessary for a good movie. The problem with Firepower is that the plot is too complicated for its own good. There are so many twists and turns that I defy anyone to keep up and understand everything that's going on. Who is on whose side? What is the mob's role? Who is Fanon's lookalike and why is he in the movie? A simpler plot would have really helped.

One more thing that gave me more than one unintentional laugh, as Fanon and Co are making their escape from the baddie's plantation, they are helped along over and over again by some of the most fortunate coincidences I've ever seen. For example, Fanon is being chased by three guys on horseback with a helicopter overhead. Miraculously, just as the baddies are bearing down on Fanon, a preset explosive detonates, destroying the helicopter. The three biggest chunks of the wreckage just happen to hit the three guys on the horses. How convenient!

5/10

Director Michael Winner was a very consistent director. His movies were almost always bad. Winner had a lazy style that always bothered me. He just seems to place his camera with very little thought. Getting good performances form his usually strong cast doesn't seem to concern him either. Winner's "Firepower" checks all of those boxes. "Firepower" has a good cast but it's none of their finest hours. The standout being a dreamy Sophia Loren. Loren has seldom looked better. The action is well staged, for the most part, but it's also boring. The tropical locations are nice and I'm sure the cast had a great time at whatever resort they were staying at. As far as "Firepower" goes, it's a borderline camp classic.

A truly epic cast of Hollywood heavyweights descend upon the idyllic backdrop of St Lucia, in a meandering action-thriller concerning a widow (Loren) who hires reputable mercenary Coburn to search for those responsible for her husband's assassination.

A galaxy of mega-stars blur the lines between allies and enemies, the intricate plot twists hatch an array of ruses, red herrings and cross and double cross subplots with which it's sometimes difficult to keep pace. Apparent continuity errors don't help the situation, but the undeniable charisma of the cast is hard not to like. OJ and Coburn make a watchable pairing, whilst bona fide stars Wallach and Mature are largely confined to bit parts, or in Mature's case, a solitary cameo lasting little more than 30 seconds. Bad guys Franciosa and Grizzard are potentially the highlights in the deep and diverse international cast.

Winner's trademark quick cuts, comic-book characters, pyrotechnics and opulent set design allied with Lord Grade's penchant for big names and lavish locations, create a colourful 70s aesthetic which admittedly is pure hokum, and yet never dull nor tedious.

Yes pretty much as bad as a movie can be.

Cool James Coburn looks ridiculous and is just pathetic in this tribute to the worst in movie making OJ is his usual boofon that does work well in Police Squad but not here Sophia Loren - omg what we're you thinking

Add the cruel horrific horse tripping scenes leaves you shaking your head in disgust and horror

Shame on everyone involved in this production

It is ironic that most of the director Michael Winner's films are pretty awful, there are a couple of exceptions like the original 'Death Wish', but they are few and far between. This movie is full of well known actors just picking up a paycheck, the plot is similar to a Bond film, though far inferior and the stunts are laughable. Just think that people had to go to a cinema to see this dross.

Sophia Loren sees her husband's chemist lab blown to smithereens with him inside; turns out he was murdered after threatening to expose a case of contaminated pharmaceuticals that cause cancer to anyone taking them. She goes to the FBI, whose top operative hopes to lure bounty hunter/hit man James Coburn out of retirement to bring in a reclusive, crooked billionaire, while Sophia wants him to help avenge her husband's death; she may also have known Coburn intimately at one time...or is that his twin brother she once romanced? Director Michael Winner isn't very adept at working with actors, and yet at this point in his career he became very popular with past-their-prime talents still looking to make a buck. Nobody involved in "Firepower" comes off looking good, particularly a bloat-bellied Coburn. Busy film jets across the globe in search of new plot points, but all of its action is stodgy or stilted. Too bad, this cast in these exotic locations might have made for a delicious, tawdry action-flick. Unfortunately, Winner (who also co-originated the story) doesn't have a sense of his own absurdity, and shows a robotic sense of humor. *1/2 from ****

Director/Writer Michael Winner (best known for the "Death Wish" Series) is in Full-Throttle Mode in this Picturesque Satirical Blood-Bath.

Watch for a Boat-Scene where James Coburn is Literally Soaking a Bad-Guy with the Red-Stuff to Attract Sharks and Extract Information.

Roger Moore Bond Movies Take-Off that is an Enjoyable Grotesque.

A Sleek Presentation, the Best that Money Can Buy, Colorful and Calamitous, Colliding Confusion that is One Jaw-Dropping Scene After Another.

A Good-Looking Example of Sophomoric Bloat that Hollywood Churns-Out Routinely because it Sells.

A Fun Name-Cast and an Over-the-Top Crowd-Pleasing Picture that Wraps Up the 70's "Nicely" with an Explanation Point that Says "Having Fun Yet".

One of the Unintended Ironies is Watching O. J. Simpson Joking About Murder and this Joyful Guilty-Pleasure Never Stops.

Sophia Loren, James Coburn, O. J. Simpson, Eli Wallach, Anthony Franciosa, George Grizzard, and Vinnie Gardina all Think this is a Hoot.

And it is...

Worth a Watch.

Jerry Fanon (James Coburn) is a nice mercenary....sort of a James Bond up for hire. The US government hires him to locate and bring a mob boss, Stegner, back to pay for his crimes. But Stegner is in the Caribbean and extraditing him isn't possible. So, with his buddy, Catlett (O. J. Simpson), the pair make their way to there. However, almost no one knows WHAT Stegner looks like and Fanon wants to kill two stones...to capture Stegner AND to bring back a mob widow (Sophia Loren) who appears to be a prisoner of Stegner and his goons.

In some ways, this plays like a James Bond film but with LOTS more explosions and killing. Realistic? No way...but nice mindless adventure...especially the steam shovel bit. My only complaint is there the end...when all sorts of vehicles blow up and WHY is never explained. Why would one of the baddies keep blowing up cars with his goons inside. This really made no sense and it's almost like a piece of the story is missing....the WHY.

Aging stars try to cash in before the new 1980s action landscape changes it all. Featuring a fickle Sophia Loren, this movie lacks any real passion from its actors - whether it's romance or anger. The actors don't seem to feel anything no matter if they are betrayed, shot, or blowing bad guys up. The signature traits of each actor is missing for some reason: Loren minus the allure. Colburn minus the physicality, Wallach minus the menace. Some great character actors but they don't have enough to work with. The result of pushing out product after Jaws And Star Wars brought broad appeal back to the box office.

Some movies take time to come to full fruition. Astounding cast, great photography, ridiculous set pieces, ludicrous awesome dialog, prime '70s fashion, gimmicks galore, made for TV soundtrack. And just so happens to br one of the many but oblique primary references for Austin Powers series. There's no sense in revealing the myriad idioms that make this a gem; see it for yourself and just be aware that even if you get none of it, its rich with references to an America that all too recently was just as this portrays, plus a whole lot more. CLASSIC great fun.