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Eastwood steps back from his macho action star image as he has a little fun in this first of two films (Any Which Way You Can is the other)that team the star up with an orangutan named "Clyde." It's not Hope and Crosby, but it is a fun pairing. The film doesn't take itself too seriously. It's having too much to do something silly like that.

In Every Which Way But Loose, Clint Eastwood not only shares the screen with lady love Sondra Locke, but with an orangutan named Clyde. He had to call on all his skills to keep the film from being stolen by an ape.

This and its sequel Every Which Way You Can will never be at the top of Clint's cinema achievements, but it's a nice rollicking comedy about a bare knuckle fighter. If it were set in today's times instead of the Seventies, Eastwood's Philo Beddoe would be on the extreme fighting channel.

Seeing Clint's living quarters reminded me of John Wayne's similar arrangements in True Grit with Chin Lee and General Sterling Price the cat. Clyde's quite a bit more the handful than a cat. He lives with Geoffrey Lewis who is his second and corner man in the bare knuckle fighting business and handles all the wagers and Lewis's mother a 'helpless' little old lady with a shotgun, deliciously played by Ruth Gordon.

Making his living as a bare knuckle fighter, Clint just seems to run into people determined to take him down. That includes an involvement with aspiring country singer Sondra Locke whom he spends a good deal of money on and who then takes a powder on him. She's heading east so Clint, Lewis, and Clyde are as well. Along the way they pick up sharp shooting Beverly D'Angelo who saves them on one occasion.

The legendary bare knuckle champion is Denver Tank Murdoch and as that 20th century philosopher Ric Flair opined, to be the best you have to beat the best. So Clint is heading to Denver to find both Locke and Walter Barnes who plays Tank Murdoch with his three amigos.

He also manages to arouse the anger of John McQuade and his Black Widow Biker gang. These people are the sorriest biker gang ever depicted on the big screen. Everyone and I mean EVERYONE manages to best this crowd of losers. But they never give up.

Best in the film are Ruth Gordon and Clyde, not necessarily in that order. I've often thought that the Academy Awards should have a best animal performance in a given year. That year the Oscar gold would have been taken by the orangutan. I wish the film had elaborated a little more on when Eastwood and Lewis break into a zoo to get Clyde's male needs satisfied.

For a lighter and brighter side of Clint Eastwood, don't miss Every Which Way But Loose.

Every Which Way But Loose is directed by James Fargo and written by Jeremy Joe Kronsberg. It stars Clint Eastwood, Sondra Locke, Geoffrey Lewis, Beverly D'Angelo and Manis The Orangutan.

It surprised the studio executives, even had them sweating about the release, but the adventures of Philo Beddoe (Eastwood) and his pet Orangutan proved to be a smash hit at the box office.

Beddoe is a trucker who also happens to make money by bare knuckle fighting, and he's very good at it. Clyde the orangutan is a full on personality himself, and between them they wind up being trailed by vengeful coppers and a very incompetent motorcycle gang. Philo's brother Orville (Lewis) is along for the ride and polar opposite love interests come into play via Lynn Halsey-Taylor (Locke) and Echo (D'Angelo).

Plot is very thin on the ground, we are in fact viewing a series of events that are mined for comedy purpose - which totally work. Action comes by way of the punch ups Philo gets into, with Eastwood as always proving to be one of the better punch throwing actors of his generation, while Lewis shines bright as the best friend and voice of reason to Philo.

The love story sub-plot involving Lynn and Philo - and its subsequent revelations - feels a touch out of place, since this is such a chilled and relaxed comedy picture. Which is the key, the makers know what they are doing, they are having fun and ask the audience to do the same. The public lapped it up and ensured that a sequel of similar tropes would follow. That also proved to be popular since it was more of the same.

Open the beer and popcorn and just run with it, it was never meant to be high art etc. 7/10

Sure, 'Every Which Way But Loose (1978)' is silly, but there's just something inherently endearing about seeing an orangutan and his truck-driving best buddy drink beer, get laid (yes, the ape sees some action) and bare-knuckle brawl their way through bent coppers and members of a Nazi biker gang as they traipse across the country after a girl who's up and vanished with both Eastwood's heart and a fistful (seven thousand) of his Dollars. It is a delightfully light flick. It's brazenly bizarre core concepts are gleefully glossed over to the point of pure passive acceptance on the part of the audience; as such it's highly entertaining throughout. It settles into its loose plot with a relaxed pace that pushes it from fun set-piece to fun set-piece, constantly keeping a smile on your face and burrowing its own private place within your heart. It's an unexpected joy. 7/10

People are writing things about this film like it was intended to win the academy award. Clint Eastwood has made several light hearted films about different things in his career that are supposed to make you laugh and they do. This film is both funny and entertaining. I just love when people act like they are the only ones whose opinion really counts when films like this make back 3-6 times their budget at the box office. They act like the entire world is not smart enough to decide what they like and don't like. They say things like `Inflated ticket prices' make the difference. Don't these people know that all things are relevant? If you look at dollar in and dollar out you can tell what is a success and what is not. One of the most successful films of all time is `Billy Jack' and if it sold the same amount of tickets today that is sold when it was released it would have made as much as `Titanic' or `Spiderman'. But dollar for dollar it still was a success. I have worked in the movie industry for 25 years now and don't like films being negatively criticized by people who don't know anything about film making and have obviously never made one. The trailer and poster does not in any way deceive the public as far as what the subject matter is and if you like what the film is about you will not be disappointed. `Bottom Line'!