Il mio amico Arnold

Who would think that the main characters from a naive, tender, family show would end up meeting such fatal fates? Well, that's another story.

"Diff'rent Strokes" is an important sticom in American pop culture and also paved the way for comedy shows with a social message inserted.

Here, the inter racial situations mixed with poverty and social clichés were the spinal cord for the plot and even in jokes. Everything was extremely well done and executed with class. Nothing was vulgar or tried directly to impose a criteria; the situations were just put for the audience to judge it whatsoever they wanted.

The jokes were sometimes naive but always witty. The humor was family oriented but after nearly 30 years, none of them is boring. Sure, society has changed a lot but some things just can't disappear.

The acting is top notch. Gary Coleman is now some sort of cult hero for displaying a physical illness and being part of a social minority but his comedic skills and histrionic abilities make him one of the most likable child stars ever. Conrad Bain was excellent as the protective, tender but strong man that took care about his house. Dana Plato was extremely sexy, hot; she's the kind of girl I wanted to marry.

Anyways, watch this sitcom in order to witness part of America's pop culture talking about television. This show will teach you many things and as a plus, it will make you chuckle most of the time.

Since I wasn't around when the show originally aired, I have to catch it whenever I can on Nick at Nite or TV Land. And since TV Land just showed a 48 hour fandemonium marathon, I was able to catch a lot of episodes.

I absolutely love this show. The plot approach is different which works out great. The writing and quick comedy is terrific and the acting is one of a kind. The writing that was given to Gary Coleman was unbelievably hysterical, and being such a young kid at that time, he handled it so well. While I like the entire cast and think that they all did a nice job, I must say that I especially like Todd Bridges. I don't know, there's just something about him that you can't help but like.

This show like all shows has its moments where the plots could use some improvement but what show would it be if it didn't have its moments? Overall, the eight seasons are filled with the better episodes.

'Diff'rent Strokes' scared me a little during the seventh and eighth seasons when they hauled in Danny Cooksey and Dixie Carter/Mary Ann Mobley to join the Drummonds. I think that it would have been better off leaving the family as it was. Then again, the boys were getting older, they lost their afros, and Kimberly started to move on. So, it's kind of a tricky situation.

I would really like to see a reunion but it would be a little hard without the sadly missed Dana Plato. All in all, this show was an above average, very funny, good family get-together show. I know I'll keep watching whenever it's on!

(P.S. - The theme song is really addicting.)

It's hard to believe, but 2003 marks 25 years since Gary Coleman asked Willis what he was talking about.

Norman Lear, who broke a lot of ground heretofore with All in the Family, Maude, The Jeffersons, and Good Times, continued his magic touch with Diff'rent Strokes. A 25th anniversary marathon on any given television station would be a great way to remember this show, notwithstanding that Miss Dana Plato is no longer of this earth.

This show made Gary Coleman Gary Coleman, and he truly made the show what it was.

I watched this show as a child and I enjoyed it for what it was. However, as the show got older even I could see that Gary Coleman was getting a bit to old for the role and that is of course when they did what every show featuring children who age do. Do they simply end the show gracefully...No! They try to keep the show alive, by interjecting a younger kid to try and bring the cute factor the show once had and lost when the children grew up. They did this on numerous shows, this is one of the few that I actually saw that did it. I watched Brady Bunch a bit when I was a kid, but I have never seen an Oliver episode. This show is about a wealthy guy who takes in the children of a former maid or something. That is about all there is to it. He has a daughter of his own and he raises the children the best he can as they go out in the world and face all of life's little challenges, including a guy who kidnaps young Arnold (Gary Coleman) and Kimberly (Dana Plato) in an episode that was a bit much considering this show was aimed at the family market. I mean you want your child to be safe and all, but you also do not want them becoming fearful and paranoid. They also had one where cute little Sam (the youth interjection) got kidnapped as well. Then they have an episode where they basically try to capitalize on the success of the film "Ghostbusters". So in recap this is a show that should have stayed on four or five years tops, but tried to keep the show going as long as possible and weakening what little did work.

*******Seven Out Of Ten Stars*******

The true star of this show, Conrad Bain, died this past January in the year of 2013. In my humble opinion, Bain really held this show together through the years. He was the only cast member to appear in all 180 episodes. And Bain always offered what I thought were the best comedic one liners in the series; and clearly was the most polished actor of anyone that ever appeared on the show. Other highlights of the show included the seemingly unending supply of guest stars: Reggie Jackson, Dorothy Hamill, Nancy Regan, Kareem Abdul-Jabbar, Captain Lou Albano, Muhammad Ali, Milton Berle, and of course, Mr. T. Pretty incredible stuff. Also worth mentioning, is much of the social commentary the writers often tried to weave into the scripts; it didn't always work, but when it was did, it was really touching. Some of the episodes dealt with some pretty adult serious issues: Robbery, sexual abuse, racism, sexism.... it was progressive writing for the time. "Different Strokes" has a special place in my mind and in my heart. So God rest Plato, Coleman, and Bain.