Le disavventure di una ricca famiglia di Manhattan che ha adottato i figli della loro governante afro-americana di Harlem.Le disavventure di una ricca famiglia di Manhattan che ha adottato i figli della loro governante afro-americana di Harlem.Le disavventure di una ricca famiglia di Manhattan che ha adottato i figli della loro governante afro-americana di Harlem.
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Since I wasn't around when the show originally aired, I have to catch it whenever I can on Nick at Nite or TV Land. And since TV Land just showed a 48 hour fandemonium marathon, I was able to catch a lot of episodes.
I absolutely love this show. The plot approach is different which works out great. The writing and quick comedy is terrific and the acting is one of a kind. The writing that was given to Gary Coleman was unbelievably hysterical, and being such a young kid at that time, he handled it so well. While I like the entire cast and think that they all did a nice job, I must say that I especially like Todd Bridges. I don't know, there's just something about him that you can't help but like.
This show like all shows has its moments where the plots could use some improvement but what show would it be if it didn't have its moments? Overall, the eight seasons are filled with the better episodes.
'Diff'rent Strokes' scared me a little during the seventh and eighth seasons when they hauled in Danny Cooksey and Dixie Carter/Mary Ann Mobley to join the Drummonds. I think that it would have been better off leaving the family as it was. Then again, the boys were getting older, they lost their afros, and Kimberly started to move on. So, it's kind of a tricky situation.
I would really like to see a reunion but it would be a little hard without the sadly missed Dana Plato. All in all, this show was an above average, very funny, good family get-together show. I know I'll keep watching whenever it's on!
(P.S. - The theme song is really addicting.)
I absolutely love this show. The plot approach is different which works out great. The writing and quick comedy is terrific and the acting is one of a kind. The writing that was given to Gary Coleman was unbelievably hysterical, and being such a young kid at that time, he handled it so well. While I like the entire cast and think that they all did a nice job, I must say that I especially like Todd Bridges. I don't know, there's just something about him that you can't help but like.
This show like all shows has its moments where the plots could use some improvement but what show would it be if it didn't have its moments? Overall, the eight seasons are filled with the better episodes.
'Diff'rent Strokes' scared me a little during the seventh and eighth seasons when they hauled in Danny Cooksey and Dixie Carter/Mary Ann Mobley to join the Drummonds. I think that it would have been better off leaving the family as it was. Then again, the boys were getting older, they lost their afros, and Kimberly started to move on. So, it's kind of a tricky situation.
I would really like to see a reunion but it would be a little hard without the sadly missed Dana Plato. All in all, this show was an above average, very funny, good family get-together show. I know I'll keep watching whenever it's on!
(P.S. - The theme song is really addicting.)
Diff'rent Strokes was and still is regarded by many as not just one of the most successful sitcoms in TV history but one of the very few, which succeeded due to the multi-racial cast of Conrad Bain as Philip/Mr Drummond, Dana Plato as Kimberley, Todd Bridges as Willis, and the lovable scamp, Gary Coleman as Arnold Jackson. The performances given by the main leads in Diff'rent Strokes was great, particularly Conrad's as the strict but fair, Mr Drummond. Mrs Edna Garrett played by Charlotte Rae was funny, charming and witty and a great addition to the cast. But the star of the show was Coleman as Arnold and his famous catchphrase 'whatcha talking'about Willis?'.
Even though it was a sitcom, the show wasn't afraid of tackling and addressing social and controversial issues such as child molestation, racism, bulimia, class division and sex for example. The writing was funny but also sharp, witty and clever. Arnold has arguably the best and funnier lines out of all the characters, although Philip isn't that far off either.
He was one of the reasons why Diff'rent Strokes was such a huge success story, as Coleman's comic timing was almost spot-on. The cutesy factor that accompanies his cheeky and somewhat mischievous persona as Arnold was a huge incentive on his part.
There have been many sitcoms past and present, which centred around youngsters as the main protagonists, but whilst most of them have tried they have failed, mainly because one of the reasons for this is that those shows do not possess a central character as humorous, as versatile as Arnold and of whom has a personality of which viewers can fall in love with straight away.
Diff'rent Strokes didn't have just one but three child characters in Kimberly, Willis and Arnold. The concept was original and addressed the issue of child adoption in a straight-to-the-point manner but at the same time combine laughs with clean cut jokes, good gags and great humour. It's such a shame though that the notoriety of the show, in regards to the child performers was always brought up; likewise Coleman's own brushes with the law and surprising fall from grace, Todd's battle with drugs, and the rather unfortunate and well documented demise of Dana and her subsequent death during the late 90s, slightly tarnished the mainstream success, as well as history of Diff'rent Strokes. Next year in 2008, it will be the 30th anniversary of Diff'rent Strokes, since its debut in 1978.
All in all though, this was a great little sitcom, starring a little guy with a big heart played by Coleman which was destined to be a big hit, which it was and one that captured millions of audiences hearts, worldwide.
Even though it was a sitcom, the show wasn't afraid of tackling and addressing social and controversial issues such as child molestation, racism, bulimia, class division and sex for example. The writing was funny but also sharp, witty and clever. Arnold has arguably the best and funnier lines out of all the characters, although Philip isn't that far off either.
He was one of the reasons why Diff'rent Strokes was such a huge success story, as Coleman's comic timing was almost spot-on. The cutesy factor that accompanies his cheeky and somewhat mischievous persona as Arnold was a huge incentive on his part.
There have been many sitcoms past and present, which centred around youngsters as the main protagonists, but whilst most of them have tried they have failed, mainly because one of the reasons for this is that those shows do not possess a central character as humorous, as versatile as Arnold and of whom has a personality of which viewers can fall in love with straight away.
Diff'rent Strokes didn't have just one but three child characters in Kimberly, Willis and Arnold. The concept was original and addressed the issue of child adoption in a straight-to-the-point manner but at the same time combine laughs with clean cut jokes, good gags and great humour. It's such a shame though that the notoriety of the show, in regards to the child performers was always brought up; likewise Coleman's own brushes with the law and surprising fall from grace, Todd's battle with drugs, and the rather unfortunate and well documented demise of Dana and her subsequent death during the late 90s, slightly tarnished the mainstream success, as well as history of Diff'rent Strokes. Next year in 2008, it will be the 30th anniversary of Diff'rent Strokes, since its debut in 1978.
All in all though, this was a great little sitcom, starring a little guy with a big heart played by Coleman which was destined to be a big hit, which it was and one that captured millions of audiences hearts, worldwide.
It's hard to believe, but 2003 marks 25 years since Gary Coleman asked Willis what he was talking about.
Norman Lear, who broke a lot of ground heretofore with All in the Family, Maude, The Jeffersons, and Good Times, continued his magic touch with Diff'rent Strokes. A 25th anniversary marathon on any given television station would be a great way to remember this show, notwithstanding that Miss Dana Plato is no longer of this earth.
This show made Gary Coleman Gary Coleman, and he truly made the show what it was.
Norman Lear, who broke a lot of ground heretofore with All in the Family, Maude, The Jeffersons, and Good Times, continued his magic touch with Diff'rent Strokes. A 25th anniversary marathon on any given television station would be a great way to remember this show, notwithstanding that Miss Dana Plato is no longer of this earth.
This show made Gary Coleman Gary Coleman, and he truly made the show what it was.
Diff'rent Strokes is a show that I came to love later in life. The show heart and soul was little Gary Coleman. Although Todd Bridges and Dana Plato would have the occasional good one-liner this was Coleman's show. He was so the pimp sh*t on the show. I wonder where his charcter of Arnold would be now?
*******Seven Out Of Ten Stars*******
The true star of this show, Conrad Bain, died this past January in the year of 2013. In my humble opinion, Bain really held this show together through the years. He was the only cast member to appear in all 180 episodes. And Bain always offered what I thought were the best comedic one liners in the series; and clearly was the most polished actor of anyone that ever appeared on the show. Other highlights of the show included the seemingly unending supply of guest stars: Reggie Jackson, Dorothy Hamill, Nancy Regan, Kareem Abdul-Jabbar, Captain Lou Albano, Muhammad Ali, Milton Berle, and of course, Mr. T. Pretty incredible stuff. Also worth mentioning, is much of the social commentary the writers often tried to weave into the scripts; it didn't always work, but when it was did, it was really touching. Some of the episodes dealt with some pretty adult serious issues: Robbery, sexual abuse, racism, sexism.... it was progressive writing for the time. "Different Strokes" has a special place in my mind and in my heart. So God rest Plato, Coleman, and Bain.
The true star of this show, Conrad Bain, died this past January in the year of 2013. In my humble opinion, Bain really held this show together through the years. He was the only cast member to appear in all 180 episodes. And Bain always offered what I thought were the best comedic one liners in the series; and clearly was the most polished actor of anyone that ever appeared on the show. Other highlights of the show included the seemingly unending supply of guest stars: Reggie Jackson, Dorothy Hamill, Nancy Regan, Kareem Abdul-Jabbar, Captain Lou Albano, Muhammad Ali, Milton Berle, and of course, Mr. T. Pretty incredible stuff. Also worth mentioning, is much of the social commentary the writers often tried to weave into the scripts; it didn't always work, but when it was did, it was really touching. Some of the episodes dealt with some pretty adult serious issues: Robbery, sexual abuse, racism, sexism.... it was progressive writing for the time. "Different Strokes" has a special place in my mind and in my heart. So God rest Plato, Coleman, and Bain.
Lo sapevi?
- QuizAlan Thicke, who played Dr. Jason Seaver, the patriarch on the sitcom "Genitori in blue jeans (1985)," wrote and performed the series' memorable theme song.
- Citazioni
[Willis has just learned his close friend has died in an auto accident]
Willis Jackson: Oh no...
[pause]
Willis Jackson: [crying] Oh no...
[Willis hangs up the phone and cries]
Willis Jackson: Look at me. Crying just like a kid.
Philip Drummond: No. Crying just like a man.
- Versioni alternativeTwo hour-long episodes on the first season DVD are presented in their edited, two-part syndicated versions.
- ConnessioniEdited into Tupac: Resurrection (2003)
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