Henry Gamble's Birthday Party

The plot is that Henry Gamble is going to be seventeen and his father – Preacher Bob – wants to throw a big pool party to celebrate. As he is a preacher everything is going to be done the way Jesus would have wanted – but no alcohol, provocative music or other stuff that they make up as they go along. Thing is Henry is gay – but he is still in the closet although right from the get go you can tell he is bursting to come out.

Then the party starts and as the guests turn up it seems that everyone has baggage and they are also all struggling with then inner conflicts that go with faith and desire.

Now this has been applauded and panned in equal measure and the reasons are both valid. Firstly this is all about sex and sexual.ity but it is all talk and, quite literally, no trousers. Personally I think that is OK but for the nay sayers they are right in saying it is setting its stall out to attract the wrong audience. Also it does not deal with nigh o all of the issues that are raised, from sexual identity, faith conflicts, mental health issues or alcohol.

The thing is this is really well made. Despite any real dénouement the characters and their problems are very believable. It is well acted with only a couple of times where a character seems to be stepping into 'cliché-ville'. So am slightly torn, I actually did enjoy this though – hence my rating but as I said if you want a film with any real exploration of the issues that it is based on, then this will probably not rock your world.

After a promising start, this movie goes into many directions and introduces too many ancillary characters who we know nothing about, nor to do we care to know. It assumes we know the back story about each character - it may have made more sense as the last episode of a soap opera but not as a feature film. As a lawyer might say, "it assumes facts not in evidence"! Finally, screenplay is poor and the actors delivery hovers between stilted and merely adequate. Avoid this one.

I see a lot of films, and this is without a doubt one of the best I've seen in quite awhile. It presents so beautifully how conformity and organized religion stifles and twists and how badly the real person in all of us wants to be recognized for who we really are. The performances are so spot-on that it's almost eerie; having grown up in a Midwestern family very similar to this one I felt as though I knew every one of the characters.

The plot involves Henry Gamble, whose father is a preacher, who is given his 17th birthday party by his family and friends. Henry is realizing he may be gay, and as the party progresses throughout the afternoon and night everyone begins to show the various struggles they also go through being human and trying to adhere to the rigid expectations they've created for themselves.

What I found so impressive about this film is that all of the characters are fine, likable people who care about each other. Some of them, particularly the adolescents, are much more accepting of their differences and support each other; others aren't capable of doing that, especially as beautifully illustrated by a bitter, fearful mother who refuses to let her repressed daughter enjoy any of the party and never lets her out of sight. The daughter is heartbreakingly portrayed, and the image I couldn't seem to shake after the film was over was her testing the water in a swimming pool, wanting so badly to dive in.

It appears that HGBP has been released to pay-per-view and isn't being considered for a general release to theaters. This is a very timely film for 2016 and it would benefit so many if this project could receive the exposure it deserved. It's depressing to think that "Captain America: Civil War" will be bringing in crowds this weekend but very few people will know a wonderful film like this even exists.

I hope Steven Cone, who also wrote the amazing screenplay, continues to have the opportunity to make films. This is someone to pay attention to, as he is clearly a talented guy.

Writer/Director Stephen Cone has crafted a film that on technical merits alone is heads above most films dealing with a gay youth coming of age. Cinematographer Jason Chiu's contributions must be recognized as well. Finally, a fairly strong cast all adds to a film that is confident and ambitious. It may not always achieve, but its parts are greater than the whole.

The camera is an observer and moves melodically throughout the film. Yet, cinematographer and director never become showy. Each angle and camera movement is intentional and honest.

The lead actors are strong. Their backstories are sometimes revealed through dialogue but their untold stories echo throughout rewarding the audience with so many three dimensional people rarely seen in smaller films. The supporting cast is mostly as strong.

A majority of the film deals with teenagers conversing at a birthday party. The written dialogue accurately reflects that world but the subtext of real world drama rings through loudly. Cast and director deserve strong kudos.

The pacing of the film is not as strong. Multiple story lines are difficult to balance and juggle. Here writer and editor (both Cone again) show their weaknesses. As well, and no spoiler, the ending is lacking. Technically, it is fitting and true to the world of the film, but that does not discount the audience leaving feeling short changed.

A third of the way through the film, I was very excited by what I had seen thus far. Two thirds of the way through the film, I became a tad restless but I was invested in the characters to want to see it through. By the end, I was disappointed based on my initial excitement but not enough to be disenfranchised.

Stephen Cone is a talent to be watched. His ambition should be encouraged and nurtured. His cast deserves to be seen in many more projects. Henry Gamble's Birthday Party is a very good achievement and possibly one that will be recognized in future years as a major leaping point for many people.

If you grew up gay in the South at least semi-recently, this movie will probably resonate with you. I watched this movie on a whim while bored and looking for something a little more risqué, and though this movie certainly failed to fulfill on the latter, it more than captured my attention otherwise. The movie was visually intriguing, the music incredible, and the artful combination of the two left me feeling completely immersed in some beautiful, quasi-reminiscent experience. I'm actually quite stunned by how deftly the writer and director were able to echo my own experiences growing up in a family that both loves you and is in many ways disgusted by you as well.

It's intriguing that other reviewers find this movie dated or otherwise inaccurate. I'm not sure what churches they go to, but very few clergymen these days go without. We have pastors with million-dollar homes, with fleets of cars, heck there are more than a few pastors with private airplanes. Also, I'm only 32 and 17yo me would have felt perfectly at home in this movie.

This movie isn't for the average viewer these days that likes to be spoon-fed every single detail. On the contrary, I found that HGBD challenged the viewer to reexamine their subconscious biases regarding these stereotypes and perhaps give the 'other side' another look.

Great job!