VALUTAZIONE IMDb
7,4/10
7821
LA TUA VALUTAZIONE
Al funerale di Bertrand Morane partecipano tutte le donne che l'ingegnere quarantenne amava. Torniamo quindi alla vita e alle storie d'amore di Bertrand, raccontate da lui stesso mentre scri... Leggi tuttoAl funerale di Bertrand Morane partecipano tutte le donne che l'ingegnere quarantenne amava. Torniamo quindi alla vita e alle storie d'amore di Bertrand, raccontate da lui stesso mentre scriveva un romanzo autobiografico.Al funerale di Bertrand Morane partecipano tutte le donne che l'ingegnere quarantenne amava. Torniamo quindi alla vita e alle storie d'amore di Bertrand, raccontate da lui stesso mentre scriveva un romanzo autobiografico.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Geneviève Fontanel
- Hélène
- (as Genevieve Fontanel)
Valérie Bonnier
- Fabienne
- (as Valerie Bonnier)
Recensioni in evidenza
From it's title to it's ending The Man Who loved women is a great movie. Francois Truffaut displays all his mastery of the cinematographic language.
The editing, performances and dialogues all contribute to the film's subtle but engaging rhythm. The movie revolves around Bertrand Morane, a gifted womanizer who starts evaluating his life by remembering past love affairs.
Bertrand's love life is a comical and insightful story, that combined with Truffaut's brilliant direction and a perfect script make "L'homme qui aimait les femmes" a very entertaining and original movie.
Beautiful french women, great cinematography and Charles Denner's acting. There are no mistakes in this film, very recommended.
The editing, performances and dialogues all contribute to the film's subtle but engaging rhythm. The movie revolves around Bertrand Morane, a gifted womanizer who starts evaluating his life by remembering past love affairs.
Bertrand's love life is a comical and insightful story, that combined with Truffaut's brilliant direction and a perfect script make "L'homme qui aimait les femmes" a very entertaining and original movie.
Beautiful french women, great cinematography and Charles Denner's acting. There are no mistakes in this film, very recommended.
In 1976, in Montpellier, the funeral of the engineer Bertrand Morane (Charles Denner) is attended by several women. The lonely Bertrand works in a laboratory in a ship model basin and wind tunnel for aircraft testing and loves books and women, spending his leisure time seducing women and reading. Along his life, Bertrand makes love to the most different type of women and decides to write a book telling his love affairs.
"L'Homme qui Aimait les Femmes" discloses the memoirs of a womanizer. This sensual and funny film is a great tribute to the beautiful French women with lovely French actresses. The romances of Bertrand are provoking and charming and his character shows that a man does not need to be handsome to be seductive and conquer women. Last but not the least, Bertrand is a man that follows the poetry of the French Henri de Régnier (1864-1936): "Love is eternal while it lasts". My vote is seven.
Title (Brazil): "O Homem Que Amava as Mulheres" ("The Man Who Loved the Women")
"L'Homme qui Aimait les Femmes" discloses the memoirs of a womanizer. This sensual and funny film is a great tribute to the beautiful French women with lovely French actresses. The romances of Bertrand are provoking and charming and his character shows that a man does not need to be handsome to be seductive and conquer women. Last but not the least, Bertrand is a man that follows the poetry of the French Henri de Régnier (1864-1936): "Love is eternal while it lasts". My vote is seven.
Title (Brazil): "O Homem Que Amava as Mulheres" ("The Man Who Loved the Women")
Towards the end of the film, the main character, Bertrand, a singular individual obsessed with women (a lot) and literature (a little), says, in a serious voice-over at night, in a room whose only light comes from a fireplace, the very soul of the film: "Then the desire took me to read the memoirists of the last century. How should you write when you talk about yourself? How had the others done? What were the rules? I realized that there are no rules, that each book is different and expresses the personality of its author. Every page, every sentence of any writer belongs to him. His handwriting is as personal to him as his fingerprints." The film, not very easy to like at first due to its repetitive side (Bertrand remembers different women he has known in his life) and a little bland (not much happens, really), captivates and gradually fascinates by its idiosyncratic nature, by a half-energetic, half-melancholic tone which cannot be anything else than the intimate expression of the work and personality of François Truffaut, by its subtle fade to black shots emphasizing the proud independence of the main character, by its rich literary tone. This is, for me, an inferior film to the magnificent 'The Mississippi Mermaid' which successfully combined this level of inner depth with an exciting film noir storyline, but it is no less a fascinating film due to its intimate authenticity. At one point a doctor says to Bertrand: "Nothing is more beautiful than seeing the publication of a book that you have written, nothing is more beautiful. Except perhaps giving birth to a child that we carried for nine months in our womb. But we are not capable of that, well, not yet." A fade to black shot deliciously placed there underlines the beauty of this profession of faith by François Truffaut on the essential importance of artistic production. He is no longer here, but his work speaks for him...
Far superior than the shoddy and self promoting Burt Reynolds remake. Excellent performances and a classic. Anyone interested in NLP and Speed Seduction should watch this as it is a great reference resource of "Unconscious Competence". The guy knows what he is doing...but doesn't know how he does it. Shame the ending is given away at the start but that only compounds the deep impact the guy had on all of the women. The fact that he is over fifty gives hope for us all. I have no issue with the amount of women involved. If it was the other way around, in these so called 'enlightened' times, when women have so much focus, she would have been applauded as a woman who takes control! Pour a glass of red wine and enjoy.
If this movie had JUST been about the sexual escapades of the main character, I would have hated it. After all, this is a man whose entire existence is based on bedding women--and this alone would have made a boring movie. Instead, it shows the emotional shallowness of this character and his complete inability to be close to another person--and its ultimate impact on him. He doesn't see this as a problem, but during the latter part of the movie, its impact on him becomes apparent. I particularly liked the unexpected ending. As the movie begins, it is at his funeral, so you KNOW he will die but HOW is the real interesting twist.
About the only thing I did not like about the movie was the episodic nature. Sometimes it was a little hard to keep track of all the women. Perhaps this was unintentional, as there were a LOT of women in this man's life! Of course, it did serve to illustrate his problem!!
About the only thing I did not like about the movie was the episodic nature. Sometimes it was a little hard to keep track of all the women. Perhaps this was unintentional, as there were a LOT of women in this man's life! Of course, it did serve to illustrate his problem!!
Lo sapevi?
- QuizFrançois Truffaut wrote the first draft of this script on the set of Incontri ravvicinati del terzo tipo (1977).
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Bertrand Morane: Women's legs are like compass points, circling the globe
- ConnessioniFeatured in François Truffaut: Portraits volés (1993)
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Dettagli
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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