Shock

Mario Bava's final film proved that his one true strength was surreal, nightmarish imagery (when that kid runs up to Daria Nicolodi...), and though I've found most of his body of work to be overrated and dull, I was able to tolerate, even enjoy "Shock" (though it does become talky and drawn-out); the presence of Nicolodi ("Deep Red," "Tenebre") as a mentally unbalanced mother adjusting to her family's new (and haunted) house, offers up enough paranoia and sex appeal to make the final act as suspenseful as the workings of a bad dream. Shades of this film can also be seen in Lucio Fulci's "House by the Cemetery" (another good exercise in Italian horror).

When a family moves into a home with a shocking secret, their lives become a nightmare of homicidal hallucinations as their young son begins to communicate with the spirits of the dead. Remodeled in madness and painted in blood, they soon discover that domestic bliss can be murder... when home is where the horror is.

Daria Nicolodi stars in a role where she doesn't just get killed off violently, and with her are John Steiner, David Colin Jr. and Ivan Rassimov. This is director Mario Bava's final film.

I really enjoyed the boy grunting out "Pigs! Pigs! Pigs!" and his weird fetish for shredded underwear. And there is a really cool shot in bed with hair flying every which way.

Howard Maxford calls it "unwatchable", "childish" and "unfortunate", completely in contrast to Luca Palmerini, who thinks it is a "splendid artistic testament" that anticipates "A Nightmare on Elm Street", full of "high tension". I, personally, enjoyed it.

The script was written by Lamberto Bava along with Sacchetti, Lamberto's first script. Lamberto has said the film is more his than his father's, and stylistically that is quite true. Critics comparing this to Mario Bava's other work may be surprised, but I found it was in many ways in the same vein as "Macabre".

A deceased man possesses his son in order to accomplish some dark things in this late 70's unofficial sequel to Beyond The Door.

The film starts with us meeting Dora, her new husband Bruno, and young son Marco. She has decided to move back into her former house where she lived with her ex-husband Carlo who killed himself at sea. After that traumatic event, Dora was given electro shock therapy to cope with the death of Carlo. We learn that Carlo was a drug addict who was taking LSD and heroin leading up to his death. As the film moves along, Dora reveals to everyone around her that she feels her young son Marco is being possessed by the deceased Carlo. Is this true, or is Dora simply going made from guilt she feels surrounding Carlo's death?

This unofficial sequel to Beyond the Door has absolutely no connection the original film. Shock is an original story that tells the tale of a young child who seems to possessed by his deceased father who was a serious drug addict that killed himself. The story lets the viewer know that the father may have in fact NOT committed suicide, and was perhaps murdered by our lead character Dora.

My issue with Beyond the Door II: Shock is how slow it moves. The plot is laid out very straight forward and is easy to follow, but it moves at a snail's pace. There are very little action scenes or moments of terror until the end of the film. Daria Nicolodi leads the way for me in the acting department. I thought gave a strong performance as the lead protagonist, Dora. The others were background noise for me for the most part. Noteworthy as the appearance of David Colin Jr. who was in the first Beyond The Door film. He definitely had a larger role in this one and did a fine job.

Overall, Shock (or Beyond the Door II) is a mediocre horror film done by the legend Mario Bava. I'd give it a viewing to make an opinion for yourself, but I was underwhelmed.

5/10

A woman on the brink of insanity , Daria Nicolodi , his child : David Colin Jr and her new husband, John Steiner , move back to her old house , after the gruesome death of her previous hubby . Then things go wrong when the couple on the edge of breakdown is terrorized by a cycle of evil that is about to occur again at the old memory-ridden mansion . As an avengeful spectre possesses the young son with fateful consequences . A new look at the face of Evil !.

Nice Mario Bava film including chills , thrills , nail-biting suspense , twisted plot , gory effects, and ghastly happenings about ordinary poltergeister phenomenon with plenty of preternatural evil forces . Terror expert Bava provides his ordinary tricks maintaining interest and intrigue enough. In spite of a few scenarious and its low budget, Bava develops stunning photography, making great use of lighting, set design, and camera positioning to compliment mise-en-scenes bathed in deep primaries . This film was titled Schock, though in some countries pretended to be a sequel titled : ¨Beyond the door II¨ , revolving around the known plot about a haunted house , this time with a revenger ghost who roams here and there, while possessing a little boy, David Colin , who gives a really terrifying acting , despite his short age . Along with the beautiful Daria Nicolodi as the unsettling and at the edge of insanity wife , a plane pilot played by John Steiner as the new husband and brief appearance by Ivan Rassimov as the doctor advising Daria Nicolodi who at the time married Dario Argento , another director especialized in Terror and Giallo.

It displays atmospheric and sinister cinematography from Alberto Spagnoli and Mario Bava himself . As well as eerie synthesizer musical score in Goblin style composed by Libra . Well directed by Mario Bava who is considered to be one of the best Terror filmmakers . His first horror film was ¨Il vampiri¨ (1957) , also known as "The Devil's Commandment" , co-directed by another great filmmaker, Riccardo Freda .While working with Freda in this film , the director left the project after an argument with the producers and the film mostly unfinished . After a similar incident occurred on ¨Freda's Caltiki¨ (1959), and Bava's having been credited with "saving" Tourneur's ¨Battle of Marathon¨ (1959). The following film that emerged, ¨The mask of the demon¨ (1960), is one his most well known as well as one of his best and it inspired a wave of gothic Italian horror films . This widely influential movie also started the horror career of a beautiful but then unknown British actress named Barbara Steele , subsequently become a horror myth . While ¨Black Sunday¨ is a black and white film , it was in the color milieu that the director excelled , as Bava's films took on the look of works of art with the projects which he went on making . Later on , he directed ¨Black Sabbath¨ with the great Boris Karloff and others as ¨Baron Blood¨ with Joseph Cotten , and ¨The whip and the boy¨with Chistopher Lee . Bava along with Riccardo Freda and Dario Argento created Giallo subgenre including films as ¨The girl who knew too much¨ , ¨Five dolls for an August moon¨, ¨A hatchet for honeymoon¨ and ¨Six women for a killer¨ . As Bava created the style and substance of the giallo, a genre which would be perfected in the later films of Dario Argento . But Bava also made other genres as Peplum : ¨Hercules and the haunted world¨ , Western : ¨Roy Colt and Winchester Jack¨ , Viking movie : ¨Knives of the avenger¨, Sci-Fi : ¨Planet of vampires¨, Sex comedy : ¨Four times that night¨, Oriental fantasy : ¨The wonders of Aladdin¨, and the first Slasher movie : ¨Bay of blood¨, among others . Rating : 6.5/10 . Decent terror movie .

The final film from Italian horror director Mario Bava was this chilling tale.

Upon returning to the home where her former husband died, a woman begins to believe that her young son is possessed and is attempting to kill her.

Plot-wise Schock is slim on sense, but those of us that love the films of Bava (or most any Italian horror period) know that the entertainment is all in the style and Bava's direction flourishes with style in this film as well. Schock carries a strong atmosphere of darkness and an increasing feeling of dread that drives it to nightmarish proportions at times. The film's scenic locations, creepy music score, and its female star add all the more to the elegance that is this twisted spooker.

The cast is good over all, but it is Daria Nicolodi that really shines as a wife/mother who begins to question her sanity.

Granted, Schock may not be the greatest of Bava's films, but it certainly was a great last work. Worth seeking out.

*** out of ****