La dinastia del potere

This series was a huge undertaking, of a sort that probably would not be attempted today. It was an adaptation of Trollope's "Palliser" novels, and dealt with a great many characters and intertwining plots. The series worked best for viewers who could take an interest in the fictional politics of the time, as Plantagenet Palliser, like most of the men in the story, is a politician and this theme runs throughout the series. However, Susan Hampshire as Lady Glencora, his mismatched wife, provides a romantic strain as well, though she eventually adopts her husbands concerns and interests as her own. The story from time to time veers away from these two main characters, and becomes quite entertaining as it delves into the complicated life of the scheming Lizzy Eustace, and also that of the greenhorn politician from Ireland, Phineas Phinn. His problems with women and his trial for murder (including a cross-examination in Latin!) are among the most interesting and enjoyable passages in the series. This is a thoroughly entertaining series for those who can just relax into the Victorian atmosphere and are not in a hurry to get to the end.

It's a long series, but worth watching every episode, as you get immersed in the political world of Mid to-Late Victorian England, and observe Plantagenet Palliser's (Phillip Latham) rise to power, accompanied every step of the way by his wife, Glencora (Susan Hampshire). There are many characters in this saga, including the second generation, which includes Anthony Andrews as their son and Jeremy Irons as their daughter's suitor.

Who can forget Phineas Finn (Donal McCann), Lizzy Eustace (Sarah Badel) and Ronald Culver as the duke of Omnium? And so many others!

Plenty of scandal, intrigue, romance and history!

Don't miss it!

Even at 24 hours or so, this family does not overstay its welcome. Splendidly costumed and intricately plotted characters – for the most part wonderfully portrayed – combine in a number of imbricate tales, all of which, however seemingly episodic, reveal aspects of our main characters' (the Paliser paterfamilias and his wife) personalities. Humane, feminist, open- minded and just – all these define the stiff, awkward, sometimes dour but never pessimistic Plantagenet Paliser, and explain his attraction to us. He indulges his wife, the real axis for much of the story, and it's good he does; she rounds out his truth with an emotional honesty of her own that he opposes at first only to, always, bow to. It is the characters then that grab us in this long miniseries, as they must in any long-form for us to stay engaged. The Palisers may not have the same degree of dramatic ups and downs of I, Claudius and other miniseries greats – but the humanity the eponymous couple demonstrates is just as compelling.

this is one of the greatest mini-series ever made.

The Pallisers is based on Trollope's six wonderful political novels, and this production is very faithful to the source material. I was a little nervous when I heard that the first eight episodes were being released because I was afraid that they wouldn't be as good as I had remembered. However, I was very pleased to see that this production has aged rather gracefully, unlike so many other productions from the 1970s. It is still a delight to behold.

I have waited 17 years to see The Pallisers again and, while owning episodes 1-8 is wonderful, I am champing at the bit to see the rest.

They really don't make them like this any more - nearly 20 hours of TV devoted to six Trollope novels. The costumes are fabulous, the sets lavish, the acting superb. The whole is set around the characters of Lady Glencora Palliser (Susan Hampshire) and her husband, Plantagenet (Philip Latham), who string the various stories together more or less loosely. We start out with a miserable and rebellious Glencora and her arranged marriage with Plantagenet, follow the tale of Alice Vavasour and her suitors, then continue with Phineas Finn and his turbulent life. On to the wicked Lizzie Eustace, back to Phineas and then on to poor Emily Wharton. The last chapter is about the Duke's children, Silverbridge, Mary and Gerald. Around these central characters you have a huge cast of supporting characters, every one of them beautifully portrayed. The series has stood the test of time very well indeed, probably because they did it all well to begin with - the costumes all authentic and hand made, no zippers here! What a delight.