Il commissario di polizia Santamaria sta indagando sull'assassinio dell'ambiguo architetto Garrone. Le indagini lo portano presto verso l'alta società torinese ma i risultati sono poco chiar... Leggi tuttoIl commissario di polizia Santamaria sta indagando sull'assassinio dell'ambiguo architetto Garrone. Le indagini lo portano presto verso l'alta società torinese ma i risultati sono poco chiari, e succede un altro omicidio.Il commissario di polizia Santamaria sta indagando sull'assassinio dell'ambiguo architetto Garrone. Le indagini lo portano presto verso l'alta società torinese ma i risultati sono poco chiari, e succede un altro omicidio.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
- Nicosia
- (as Renato Cecilia)
- Paolo Campi
- (as Antonino Faa' di Bruno)
Recensioni in evidenza
The description of this high society which is complaining about the criminality, trying to speak in English , speaking about their holidays and sending their children to Switzerland for their education is quite fine and maybe more interesting that the investigation itself.
I enjoyed the performances of Marcello Mastrioanni, Jean-Louis Trintignant , Aldo Reggiani, Jacqueline Bisset and Claudio Gora.
Marcello's carefully folded pants next to his bed towards the end of the movie speaks volume to his character along with his unique personality as the Commissioner. Each character brings a theme to the story that needs to be dissected. It's this richness that makes this movie a winner.
Yes, the story is fun but the cast of characters is even better.
It looks more like a comedy, and a well-written, witty one at that.
Jacqueline Bisset (yes, that Jacqueline Bisset) plays a wealthy wife of an aristocrat whose philandering husband ignores her nightly, and despite their young daughter, she's quite bored with her life since there are servants and nannies to meet her every whim. Anna Carla in true Mid-Century socialite fashion is besties with a gay man, Massimo, and they ingratiate themselves into a murder mystery that accidentally involves them due to a misinterpreted letter by two recently fired servants.
Bisset is decked out like it's 1955 with carefully curled short hair and tailored dresses, which sets the tone for the entire story. It's one of the most boring mysteries I've seen to come out of Italy from the time period, likely due to its attempts to mimic Hollywood films from a good 15-20 years prior.
Lo sapevi?
- QuizThe first 10 notes of the first and second lines, with the first 8 of the last line of the jaunty whistling theme in the score, along with their chord progressions, are identical to the chorus of the pop hit from the previous year, "Billy Don't be a Hero" by Murray & Callendar, but with the lines cut short.
- BlooperWhile Commissioner Santamaria and Anna Carla talk in the park, a microphone is repeatedly seen over the top of the camera.
- Citazioni
Commissioner Salvatore Santamaria: [to Anna Carla, in bed] Tabusso came clean at the precinct. You know what she said? "A pig and a pederast deserve nothing less."
- ConnessioniFeatured in V.I.P.-Schaukel: Episodio #6.3 (1976)
- Colonne sonoreCentomila violoncelli
Written by Mario Casacci, Alberto Ciambricco, Leonardo Cortese
Performed by Italo Janne
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- The Sunday Woman
- Luoghi delle riprese
- 37 Via Cesare Balbo, Torino, Piemonte, Italia(Garrone's home)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 49min(109 min)
- Mix di suoni
- Proporzioni
- 1.37 : 1