VALUTAZIONE IMDb
7,4/10
1717
LA TUA VALUTAZIONE
Un investigatore di polizia e il suo team tentano di risolvere due crimini commessi a distanza di un giorno l'uno dall'altro nelle stanze degli appartamenti vicini.Un investigatore di polizia e il suo team tentano di risolvere due crimini commessi a distanza di un giorno l'uno dall'altro nelle stanze degli appartamenti vicini.Un investigatore di polizia e il suo team tentano di risolvere due crimini commessi a distanza di un giorno l'uno dall'altro nelle stanze degli appartamenti vicini.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 3 candidature totali
Cristina Gaioni
- Virginia Caraci
- (as Cristina Gajoni)
Ildebrando Santafe
- Anzaloni
- (as Ildebrando Santafé)
Silla Bettini
- Il brigadiere Oreste
- (as Silla)
Recensioni in evidenza
10dimricc
This is really a overlooked masterpiece! Germi made a terrific movie from the difficult Gadda's novel. One of his greatest films, together with "Divorzio all'Italiana" e "Il Ferroviere". The acting, especially Germi's, is perfect, and the rythm he impressed to the movie is unique, a sad ballad with soft humor touches. This movie make me proud to be italian and make me a little less ashamed of the contemporary italian cinema. Take a look at this gem and you'll understand!!
Gadda's masterpiece is a blend of philosophical novel with mystery and murder, a baroque, caustic and ultimately poignant work exploring the myriad of interactive lives' endless and kaleidoscopic complexities - in other words, causes often interrelated that converge to the production of each individual effect. The book was rather flatenned here, but still it's Germi's most lasting and currently estimable movie, even better than The Road to Hope and Seduced and Abandoned.
How beautiful Claudia was, and what a cool role she plays! She is the most impressive of all, she doesn't have too many lines, but what a feeling, what a look. Then, Alida Chelli's very powerful song - "Sinnò Me Moro", stirs you deep into the heart. Excellent Pietro Germi, as a director and actor! All the others are excellent: Franco Fabrizi, Claudio Gora, Eleonora Rossi Drago, Nino Castelnuovo, Saro Urzi. 10 stars at least!
I've always felt that the post-war period of Italian and Japanese films contains the highest concentration of quality films, and I continue to discover new gems. Having finally recently seen Germi's 'Seduced and Abandoned', I've begun digging deeper into his filmography, and was not disappointed with 'Un Maledetto Imbroglio' ('The Facts of Murder').
At its heart 'The Facts of Murder' is a pretty straightforward police procedural, albeit a fairly complex and convoluted one for 1959. A break-in investigation soon becomes much more complicated and Inspector Ciccio Ingravallo, played perfectly by Germi himself, must dig through a series of shady, duplicitous characters to uncover the truth.
While it may not have the suspense or surprises of a Hitchcock or a giallo, what this film has is pure watchability, thanks to the attention to detail of a master director at the top of his game.
The casting is superb, with a slew of credible characters, including the great Saro Urzì as the cheeky Marshal Saro and Claudio Gora as the slimy, sweaty Remo Banducci. The acting is superb, particularly Germi, who is easily one of the best actors I've seen, just super-interesting and an absolute joy to watch. The camera work effortlessly carries us through the story, never bringing attention to itself. The script is utterly believable, real-life quirky dialogue peppered with lovely comic moments.
I mean, the level of craft in this film is astounding, and even though it wasn't the most original plot, I just loved every moment of this film. I'll be watching it again at some point, just to catch some of the brilliant quips and perfectly acted moments.
At its heart 'The Facts of Murder' is a pretty straightforward police procedural, albeit a fairly complex and convoluted one for 1959. A break-in investigation soon becomes much more complicated and Inspector Ciccio Ingravallo, played perfectly by Germi himself, must dig through a series of shady, duplicitous characters to uncover the truth.
While it may not have the suspense or surprises of a Hitchcock or a giallo, what this film has is pure watchability, thanks to the attention to detail of a master director at the top of his game.
The casting is superb, with a slew of credible characters, including the great Saro Urzì as the cheeky Marshal Saro and Claudio Gora as the slimy, sweaty Remo Banducci. The acting is superb, particularly Germi, who is easily one of the best actors I've seen, just super-interesting and an absolute joy to watch. The camera work effortlessly carries us through the story, never bringing attention to itself. The script is utterly believable, real-life quirky dialogue peppered with lovely comic moments.
I mean, the level of craft in this film is astounding, and even though it wasn't the most original plot, I just loved every moment of this film. I'll be watching it again at some point, just to catch some of the brilliant quips and perfectly acted moments.
Well worth seeing for many reasons: for the complex plot with many connections among those involved in a theft and a seemingly unrelated murder; for a look at Italy in 1959; for the good acting and fast cutting; and for the humor in the script.
Lo sapevi?
- QuizThe murder takes place at 44 Piazza Farnese in Rome, Italy.
- BlooperThe cameraman is clearly visible on the left of the frame in the actual murder scene.
- Versioni alternativeA restored version has been released in 1999, edited by Vincenzo Verzini.
- ConnessioniFeatured in Cinema forever - Capolavori salvati (2001)
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Dettagli
- Tempo di esecuzione
- 1h 55min(115 min)
- Colore
- Proporzioni
- 1.37 : 1
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