L'umanità ritrova un oggetto misterioso e certamente artificiale seppellito sotto la superficie lunare e, insieme al computer intelligente H.A.L. 9000, parte alla ricerca.L'umanità ritrova un oggetto misterioso e certamente artificiale seppellito sotto la superficie lunare e, insieme al computer intelligente H.A.L. 9000, parte alla ricerca.L'umanità ritrova un oggetto misterioso e certamente artificiale seppellito sotto la superficie lunare e, insieme al computer intelligente H.A.L. 9000, parte alla ricerca.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 18 vittorie e 14 candidature totali
Douglas Rain
- HAL 9000
- (voce)
Ed Bishop
- Aries-1B Lunar Shuttle Captain
- (as Edward Bishop)
Riepilogo
Reviewers say '2001: A Space Odyssey' is acclaimed for its pioneering visual effects, classical music integration, and profound themes on humanity and technology. It explores human evolution, man-machine relationships, and cosmic mysteries. Critics note its slow pace, abstract plot, and minimal character development. Some find its ambiguity frustrating, while others value its philosophical depth and artistic vision. Its impact on science fiction and cinematic mastery is recognized, though views on its accessibility and entertainment differ.
Recensioni in evidenza
Sometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as "boring" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience.
Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.
2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.
Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.
I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.
Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.
2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.
Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.
I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.
There's a monolith that seeks to influence, the evolution of the simian confluence, teaching apes how to compete, how to kill to get their meat, all leading to, a lunar revolution. On the moon, another block has been discovered, the apes now have the means to open wings and smother, it's to Jupiter they go, what they'll find nobody knows, but it doesn't seem to fill primates with dread. To protect they have a powerful A. I., it misses nothing, and nothing passes by, everything will not be fine, if you rely on an airline, as it watches with satanic, evil eye. At Jupiter, Darwin gets dispatched, down kaleidoscopic, psychedelic hatch, death brings birth and birth brings earth, a giant foetus wants to berth, I'm not sure hominins will make much of a match.
A perpetually engrossing film that offers more conundrums than conclusions, your interpretations uniquely your own, but the scale, cinematography and concepts are truly out of this world.
A perpetually engrossing film that offers more conundrums than conclusions, your interpretations uniquely your own, but the scale, cinematography and concepts are truly out of this world.
A review I have put off for far too long....
Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.
Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.
The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.
While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.
Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.
All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.
Very highly recommended.
Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.
Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.
The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.
While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.
Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.
All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.
Very highly recommended.
Putting the science in science-fiction, 2001: A Space Odyssey is an unprecedented, undisputed & unparalleled achievement, and a landmark moment in cinema history, for it nearly killed its genre by setting the bar so high that it hasn't been equalled or challenged ever since. Universally & unanimously hailed as one of the greatest & most influential films ever made, it is without a doubt Stanley Kubrick's magnum opus.
I'm EXTREMELY conflicted about this movie. I hate it, but it's amazing. I won't ever watch it again, but it's groundbreaking. I can't recommend it, but you have to see it.
Director's Trademarks: A Guide to Stanley Kubrick's Films
Director's Trademarks: A Guide to Stanley Kubrick's Films
2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?
Lo sapevi?
- QuizAccording to Douglas Trumbull, the total footage shot was some 200 times the final length of the film.
- BlooperBowman inhales deeply before attempting to re-enter the ship from the pod. Arthur C. Clarke in an interview later noted that this is incorrect. Bowman should have exhaled, as the vacuum of space would have damaged his lungs had they been full of air.
- Curiosità sui creditiNo opening credits for actors, writers, producer, director, etc. are shown, with the story beginning right after the title. Although by the 1990s it had become quite common for major films to not have opening credits, it was still unusual in 1968.
- Versioni alternativeTo create the 35mm general release prints, the Super Panavision image was slightly truncated on the top and bottom to achieve the standard 2.35:1 aspect ratio of 35mm anamorphic ("scope") prints.
- ConnessioniEdited into C'è musica & musica: Nuovo mondo (1972)
- Colonne sonoreGayane Ballet Suite -- Gayane's Adagio
(1941-2)
Music by Aram Khachaturyan
Performed by Leningrad Philharmonic Orchestra (as the Leningrad Philharmonic Orchestra)
Conductor Gennadi Rozhdestvensky
Courtesy Deutsche Grammophon
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- 2001: Odisea del espacio
- Luoghi delle riprese
- Isle of Harris, Western Isles, Scozia, Regno Unito(alien planet surface)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 60.481.243 USD
- Fine settimana di apertura Stati Uniti e Canada
- 202.759 USD
- 20 mag 2018
- Lordo in tutto il mondo
- 66.905.221 USD
- Tempo di esecuzione2 ore 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.20 : 1
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