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Barry Lyndon

  • 1975
  • T
  • 3h 5min
VALUTAZIONE IMDb
8,1/10
196.241
LA TUA VALUTAZIONE
POPOLARITÀ
762
260
Barry Lyndon (1975)
Theatrical Trailer from Warner Bros. Pictures
Riproduci trailer2:08
2 video
99+ foto
AvventuraAvventura epicaAvventura globetrotterCommedia darkDrammaDramma in costumeDramma politicoDramma psicologicoDrammi storiciEpico

Un uomo Irlandese conquista il cuore di una ricca vedova e prende il posto del suo aristocratico defunto marito nell'Inghilterra del 18esimo secoloUn uomo Irlandese conquista il cuore di una ricca vedova e prende il posto del suo aristocratico defunto marito nell'Inghilterra del 18esimo secoloUn uomo Irlandese conquista il cuore di una ricca vedova e prende il posto del suo aristocratico defunto marito nell'Inghilterra del 18esimo secolo

  • Regia
    • Stanley Kubrick
  • Sceneggiatura
    • Stanley Kubrick
    • William Makepeace Thackeray
  • Star
    • Ryan O'Neal
    • Marisa Berenson
    • Patrick Magee
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    196.241
    LA TUA VALUTAZIONE
    POPOLARITÀ
    762
    260
    • Regia
      • Stanley Kubrick
    • Sceneggiatura
      • Stanley Kubrick
      • William Makepeace Thackeray
    • Star
      • Ryan O'Neal
      • Marisa Berenson
      • Patrick Magee
    • 593Recensioni degli utenti
    • 124Recensioni della critica
    • 89Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #186
    • Vincitore di 4 Oscar
      • 17 vittorie e 14 candidature totali

    Video2

    Barry Lyndon
    Trailer 2:08
    Barry Lyndon
    Barry Lyndon: Her Ladyship Was In Love
    Clip 2:34
    Barry Lyndon: Her Ladyship Was In Love
    Barry Lyndon: Her Ladyship Was In Love
    Clip 2:34
    Barry Lyndon: Her Ladyship Was In Love

    Foto183

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 178
    Visualizza poster

    Interpreti principali51

    Modifica
    Ryan O'Neal
    Ryan O'Neal
    • Barry Lyndon
    Marisa Berenson
    Marisa Berenson
    • Lady Honoria Lyndon
    Patrick Magee
    Patrick Magee
    • The Chevalier du Balibari
    Hardy Krüger
    Hardy Krüger
    • Capt. Potzdorf
    • (as Hardy Kruger)
    Steven Berkoff
    Steven Berkoff
    • Lord Ludd
    Gay Hamilton
    • Nora Brady
    Marie Kean
    Marie Kean
    • Barry's Mother
    Diana Körner
    Diana Körner
    • Lischen - German Girl
    • (as Diana Koerner)
    Murray Melvin
    Murray Melvin
    • Rev. Samuel Runt
    Frank Middlemass
    Frank Middlemass
    • Sir Charles Lyndon
    André Morell
    André Morell
    • Lord Gustavus Adolphus Wendover
    • (as Andre Morell)
    Arthur O'Sullivan
    • Capt. Feeny - the Highwayman
    Godfrey Quigley
    Godfrey Quigley
    • Capt. Grogan
    Leonard Rossiter
    Leonard Rossiter
    • Capt. John Quin
    Philip Stone
    Philip Stone
    • Graham
    Leon Vitali
    Leon Vitali
    • Lord Bullingdon
    John Bindon
    John Bindon
    • Recruiting Soldier
    Roger Booth
    Roger Booth
    • King George III
    • Regia
      • Stanley Kubrick
    • Sceneggiatura
      • Stanley Kubrick
      • William Makepeace Thackeray
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti593

    8,1196.2K
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    Riepilogo

    Reviewers say 'Barry Lyndon' is acclaimed for its breathtaking cinematography, intricate period details, and masterful use of natural light, often likened to fine art. It explores themes of human folly, the quest for wealth and status, and the resulting downfall. However, some criticize its slow pace, the perceived lack of emotional depth in characters, especially Ryan O'Neal's performance, and its lengthy runtime. Despite these drawbacks, many regard it as a significant artistic achievement and a standout in Kubrick's oeuvre.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    pooch-8

    Opulent costume drama from the great filmmaker

    Kubrick's adaptation of Thackeray's Barry Lyndon sharply divides fans of the great director's work, as the languid pace and seemingly interminable running time -- not to mention Ryan O'Neal's questionable performance in the title role -- are cherished by some and deplored by others. Little argument will be made against John Alcott's Academy Award-winning cinematography or Ken Adam's production design, however, and Kubrickian motifs are manifest in the gallery of characters' wide-ranging displays of cowardice, guile, duplicity, avarice, jealousy, greed, and cruelty. Marisa Berenson is terribly short-changed in her role as the Lady Lyndon, but a number of other performers are given the opportunity to create a handful of memorable moments -- especially Arthur O'Sullivan (albeit briefly) as the charming, intelligent highwayman and Patrick Magee as the Chevalier. Love it or hate it, Barry Lyndon will remain essential viewing for aficionados of the director, who enjoys taking his usual shots at the more discouraging aspects of human behavior.
    8TheAnimalMother

    Death Or Glory - Just Another Story

    In terms of story this is on the surface at least, the simplest thing Kubrick ever made. However in terms of the technical aspect, it must have been one of his most challenging. The plot is basically about how greed, arrogance and ignorance can easily become the ruin of a man. The story itself is well told, but mostly quite simple as I said. The humor keeps us interested in the story, as does its undeniable visual beauty. It is not a stretch to say that this must be among the most beautiful looking films ever made. Every scene is filmed in all natural light, whether it be by sun or fire, and the landscapes and architecture handpicked by Kubrick himself are amazing. As in all Kubrick films, so much attention to small details equates to a great result in the end. Spielberg himself has called this film "possibly the most beautifully shot film in history.".

    In terms of story, it's entertaining, in terms of it's technical achievement, the film is a landmark. Even for all the story's simplicity, there is a startling statement in the film that certainly can give the viewer real pause and thought. The finality of this world, the equality of all things in the end. It is certainly an interesting, powerful and very humbling down to earth observation. It is the kind of worldly observation that could perhaps lead some people to ruin, and yet lead others to strive for perfection. Perhaps that is part of Kubrick's thinking here, a Kubrickian challenge if you will, as he certainly was always an artist that was challenging his viewers. That through this observation people may become more aware of what they're leaving behind in this world...as one day, we will all equally be gone. For all the things written about this film, it is probably not nearly as unimportant of a story as many critics have said of it. Then again, critics and moviegoers alike have long been trying to catch up to Stanley, and never the other way around. 8.5/10.
    10Galina_movie_fan

    "… good or bad, handsome or ugly, rich or poor, they are all equal now".

    The beauty, the depth, and the mystery of this film are unsurpassable - what Kubrick was doing with light is just a miracle. Special lenses were designed to shoot interiors and exteriors in natural light. In one scene Barry (Ryan O'Neil) was having a dinner with a German woman who was feeding her baby and the candle light made the whole scene look like a Caravaggio's painting. This is just one of many scenes. Each of them is perfection and harmony. Costumes and sets were crafted in the era's design. Age of Enlightenment with its gallantry, wars, and duels, had been recreated in the film with the precision of the celebrated landscape and portrait masters of the period such as Thomas Gainsborough; Sir Joshua Reynolds, founder of the Royal Academy of Arts; George Romney to name just a few. If nothing else, watching BL is pure aesthetic delight - and there is one man who responsible for it, Stanley Kubrick. If ever divine film was made, "Barry Lyndon" was it and Kubrick could've quoted the Bible - "God looked at everything he had made, and he found it very good".

    I've read the comments and articles that call "Barry Lyndon" cold, slow, boring, "the collection of pretty pictures', "flawed" masterpiece, and the most ridiculous one, "glittering ornament with a hollow center". I simply can't understand it. "Barry Lyndon" is the most compelling and compassionate realization of the inevitable finality of everything in this world which was presented by the visionary director with elegant sensual melancholy. Stanley Kubrick known for his detached, seemingly remote and non-sentimental style chose to reach out to his viewer directly during the epilogue, "It was in the reign of George III that the aforesaid personalities lived and quarreled, good or bad, handsome or ugly, rich or poor, they are all equal now". I don't recall any other movie that would illustrate the old wisdom, "everything will pass" in such sublime and deeply moving way.
    10Spleen

    I can't believe that there are people who find this dull.

    In fact it's one of Kubrick's most gripping pictures, with a narrative drive second only to that of "Dr. Strangelove" (and it's unquestionably a more glorious creation than, say, anything he made in the 1950s). English director Michael Powell (while attributing a similar failing to one of his own works) says that Kubrick fell into "the trap of the picturesque", but while I admire Powell as a creator, the judgment is absurd: at the VERY least, each lush image shows us people not just occupying a part of the screen but inhabiting a world, and tells us much about their relation to that world. Many shots are indeed amazing and beguile the eye, but they don't have the effect they do simply because they would make nice postcards.

    THIS, I feel sure (without having read Thackeray), is the proper way to adapt a long story from novel to screen. Each scene is either allowed as much time as it needs to make its point and its impact, or it's cut altogether - you won't catch Kubrick skating too quickly over his material for no better reason than to fit it all in. The third-person narration (consisting of witty, beautifully crafted sentences - it's about time I did read Thackeray) almost performs a kind of dance with the images, gliding in just when we need it, taking a step back when we don't. (So rarely is even third-person narration used so well.) And as always, Kubrick's musical sense is unerring. My impression at the time was that I was listening to mid-eighteenth century music that gave way to pieces from the classical era as the hero started to move in higher and higher circles. I was more or less right. But then I noticed Schubert's name in the credits - and I realised with a start that I'd been listening to, had even started tapping my feet to, a Schubert piece I was familiar with, without the anachronism registering.

    It's a pity Kubrick stopped making epics after this. Look at the ones he's responsible for: "Spartacus" (not a project Kubrick was fond of, admittedly, but still the most magnificent of all Roman epics) "2001" (the most magnificent of ALL epics), and "Barry Lyndon". The last of the three is by no means a poor cousin.
    10KimotoCat

    A film so easily dismissed

    In the midst of the many wonderful films made by Stanley Kubrick, it is strange to note how rarely people mention "Barry Lyndon".

    The film portrays an unusual young Irish man, Redmond Barry, and his endeavours as he is forced to leave his home and tries to make good his life elsewhere. His life away from home starts out as a career in the British Army; only to evolve in surprising ways and lead to as different places as a position of trust within the Prussian Army and later a title of nobility, gained by what our time can only measure as rather disgraceful means.

    Some consider Barry Lyndon a slow and tedious film – and it is in deed past three hours in length, but this is because of the artistic flow of a film that strays not only to tell a tale about a man who is by no means neither hero nor villain, but also a film which is in no hurry and takes the time for every detail to sink into the mind and heart of the viewer. Some of the scenic images in "Barry Lyndon" are in themselves pieces of art, rendered with a passion for the landscapes and the man-made structures within them.

    The myth that all scenes were recorded using no artificial lighting no doubt stems from the very realistic lights during indoor takes, and some of them truly did not feature artificial light. This is but one of the many details that so easily conveys a sense of a realistic portray of the era; the 18th century and the time after the seven-year war in the later half of the century. The impressive atmosphere and the wonderfully picturesque scenarios along with the fact that the entire plot moves at a calm pace makes this film a very pleasant experience.

    "Barry Lyndon is", amidst Kubricks' many masterpieces, a film so easily dismissed due to length and the fact that it is overshadowed by others, but I deeply recommend this film to anyone who would like to see a film both for the plot line, the story and the pure enjoyment of the images presented. Stanley Kubrick made many great films – and this one is most definitely one of them! KimotoCat

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    Trama

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    Lo sapevi?

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    • Quiz
      Production was moved from Ireland to England after writer, producer, and director Stanley Kubrick received word that his name was on an I.R.A. hit list for directing a movie featuring English soldiers in Ireland. Consequently, several scenes were dropped.
    • Blooper
      The narrator states, early on, "About this time, the United Kingdom was in a state of great excitement". The United Kingdom came into being in 1801, when it merged with the Kingdom of Ireland, before which it was known merely as the Kingdom of Great Britain. In fact the Act of Union of 1707, which joined England and Scotland, refers to "the United Kingdom of Great Britain" or "the United Kingdom" throughout the text. "United Kingdom" was in common use at the time of the film.
    • Citazioni

      Title card: [End title card] EPILOGUE

      Title card: It was in the reign of George III that the aforesaid personages lived and quarreled; good or bad, handsome or ugly, rich or poor they are all equal now

    • Versioni alternative
      The 2011 Blu-ray plastered the opening Saul Bass variant of the Warner Bros. Pictures logo with the black and white WB shield.
    • Connessioni
      Edited into Hai-Kubrick (1999)
    • Colonne sonore
      Piano Trio in E-flat, Op 100 (second movement)
      Composed by Franz Schubert

      piano: Anthony Goldstone

      cello: Moray Welsh

      violin: Ralph Holmes

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    Dettagli

    Modifica
    • Data di uscita
      • 16 settembre 1976 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Lingue
      • Inglese
      • Tedesco
      • Francese
    • Celebre anche come
      • Баррі Ліндон
    • Luoghi delle riprese
      • Carton House, Maynooth, County Kildare, Irlanda(location)
    • Aziende produttrici
      • Peregrine
      • Hawk Films
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 11.000.000 USD (previsto)
    • Lordo in tutto il mondo
      • 516.213 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 3h 5min(185 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
      • Dolby Digital
    • Proporzioni
      • 1.66 : 1

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