Hillbillys in a Haunted House

In his day, Director Jean Yarborough worked with all the big names in bad movies (Abbott & Costello, The Bowery Boys, Rondo Hatton and Bela Lugosi.) He even did an unacknowledged adventure series with Mantan Moreland battling Nazis in the tropics (KING OF THE ZOMBIES, LAW OF THE JUNGLE.)Capping off his film career with the ignominious twilight of performers like Carradine, Rathbone and Chaney Jr. seems like a destiny chosen for him by the gods of the B-Movies. Is there something of Greek tragedy in this ending, or is it merely poetic justice? At any rate, it was good to see three actors who had all seen much better days putting in one more turn as despicable villains, and it was a fitting coda for a director whose career was always more remarkable for determination than artistry.

Of the 13 feature films in which John Carradine and Lon Chaney both appeared, 1967's "Hillbillys in a Haunted House" was not only the last, it was one of the few where they actually shared any scenes (shot under the working title "Ghost Party"). Joined in villainy by a game, 74 year old Basil Rathbone, the three actors offer the only real novelty to this tired rehash of old dark house clichés, dragged down by its abundance of country music. A sequel to the successful "Las Vegas Hillbillys" (note the spelling!), retaining stars Ferlin Husky and Don Bowman, but replacing the absent Jayne Mansfield with the equally photogenic Joi Lansing. En route to Nashville for a good old fashioned jamboree, the trio break down and have to spend the night in a house that's not really haunted; its actually the home base for spies trying to steal a top secret formula from a local rocket base. John Carradine alternately scowls and grimaces as Dr. Himmil, when he's not mercilessly teasing the gorilla Anatole belonging to Lon Chaney's Maximillian, who goes undercover by getting past an unsuspecting janitor (all he gets for his trouble is a formula combining nitroglycerin and antihistamine!). As Gregor, Basil Rathbone shares most of his scenes with Carradine, using phony ghosts and noises to try to scare off their dimwitted intruders, whom they mistake for agents from M.O.T.H.E.R. (Master Organization to Halt Enemy Resistance). A genuine ghost closes out the spy stuff at 67 minutes, leaving the final two reels open for yet more musical numbers. Chaney is clearly having a grand time, and Rathbone too, while poor Carradine has to remain sullen for the most part, fewer opportunities to be funny (he did enjoy stealing Anatole's banana!). As bad as the film's reputation is, consider how much worse it would have been without its heavyweight cast of screen villains.

I love exploitation flicks, but this is the bottom of the barrel. This sequel to LAS VEGAS HILLBILLYS is trash of a new kind. No MUNSTERS or BEVERLY HILLBILLIES episode was ever this lame. Ferlin Husky is terrible and the guy who plays Jeepers is a complete idiot. Joi Lansing, although pretty with a great body, is a poor replacement for Mamie Van Doren in the first film, as Boots Malone.

I gave this a 2 instead of a 1 because of the title and John Carradine maintains his dignity (somehow). Basil Rathbone looks uncomfortable. Lon Chaney, Jr. looks to be in pain. Linda Ho is boring. Terrible music and creepy color. Best performance = Anatole the gorilla. LAS VEGAS HILLBILLYS was bad enough to be fun..but this one - sorry folks.

I've wanted to see HILLBILLYS IN A HAUNTED HOUSE for nigh onto half a century, since I first noticed it in Steven Scheuer's (sp?) movie guide and saw that it starred Sherlock Holmes! By which I meant Basil Rathbone. I wanted to see it because.... well, to understand how Basil Rathbone could be in a movie called HILLBILLYS IN A HAUNTED HOUSE. To my youthful mind, full of 1960s idealism and similar nonsense, it all seemed as unlikely as.... well, as Basil Rathbone being in a movie called HILLBILLYS IN A HAUNTED HOUSE, if not more so. Doubtless, since he was Sherlock Holmes, he would explain and it would be obvious ever after.

Well, decades have passed and I have become wiser -- some would say more cynical, but that's just the attitude I've come to expect from the 'oi polloi. Many other people have played Holmes, although none so entertainingly, and still my interest in seeing HILLBILLYS IN A HAUNTED HOUSE has not slackened, until this evening, when I came home from the barber, freshly shorn, to find on my dvr....guess what?

If you guessed HILLBILLYS IN A HAUNTED HOUSE, then you've guessed correctly and you must explain how you did it. Once upon a time I would have found it awful beyond words, but time has taught me many words, -- most of which I cannot use here -- the meaning of Ham & Bud and Paulie Shore, and I've seen Buster Keaton in THE GHOST IN THE INVISIBLE BIKINI, and Mickey Rooney reduced to a bit part in NIGHT IN THE MUSEUM 2, and Maya Angelou in CALYPSO HEAT WAVE, a Sam Katzman movie. So, after noting that 1960s pop/country is not one of my preferred genres, that the cobbled plot of hillbillies, haunted houses and spies is just as unimportant as all the other movies which serve to string together teenage songs in sub-AIP fare, I will note that Lon Chaney Jr., John Carradine and Basil Rathbone perform their scene with a guy in a gorilla costume as well as they can be expected to and it is simply average awful. Even if I think Don Bowman, playing Jeepers is just how I would have imagined a character named Jeepers in 1967.

It is easy to dismiss this movie as something that belongs on the bottom half of a double bill or late night television; but I happen to enjoy it. Lon Chaney, John Carradine and Basil Rathbone together again for the first time since THE BLACK SLEEP (1956) and on far more equal terms than they were in the earlier film. Okay so they leave no cliche untouched, from the Oriental "Dragon Lady" top spy to the gorilla in a cage but there are good moments in the film too. Just watch the scene where Lon Chaney takes the secret plans away from the traitorous government worker. Lon waits for just a heartbeat before turning back into the room, pulling his gun and declaring "If you'd betray your country you'd also betray us." and shoots the man dead. A great dramatic moment and not what you would expect from a musical comedy. Unfortunately the movie is very patronising of Southerners. Woody and Jeepers are your basic "scared of everything" backwoods boys. Boots (Joi Lansing) does not have a Southern drawl and at one point declares "Well I for one do not believe in ghosts." making her the most level headed one in the group. As for the music, there is plenty. All Boots has to do is say "Hey Woody, sing a song." for the plot to stop dead in its tracks so Ferlin Husky can warble another country tune. My biggest argument is that the movie goes on for another 20 minutes AFTER it should end! After the bad guys have been rounded up and the spies are in custody we get one whole REEL of country western singers performing their specialties at what is supposed to be a big Nashville Jamboree but looks like a high school auditorium. Granted this is probably the only chance many viewers will get to see old time singers like Molly Bee and Marcella Wright so just relax and enjoy the music.