Vivere da vigliacchi morire da eroi

Confronted with impending starvation and death "Chief Hanu" (Marco Lopez) of the Arapaho tribe mulls attacking a nearby United States Army outpost to acquire food and weapons. Although the commanding officer of the fort "Colonel Stuart Valois" (John Mills) fully understands the plight of the Arapaho, his superiors don't believe an attack is imminent and have forbidden him to help them out. Adding to his concern is the fact that the soldiers he has under his command are extremely undisciplined and a search party he has recently sent out has yet to return. Along with that a stagecoach carrying two female passengers and a gunslinger has arrived and with them the driver brings even more ominous news. Now rather than reveal any more I will just say that this film turned out to be a solid, no frills western for the most part. Admittedly, some of the action scenes were a bit too far-fetched with the gunslinger "Chuka" (Rod Taylor) being much too fast and accurate with his pistol to be believed. Even so, I liked the way the story progressed and I thought that Luciana Paluzzi was perfectly cast as "Senora Veronica Kleitz". Be that as it may, I enjoyed this movie and because of that I have rated it accordingly. Slightly above average.

Chuka is directed by Gordon Douglas and adapted to screenplay by Richard Jessup from his own novel. It stars Rod Taylor, John Mills, Ernest Borgnine, Luciana Paluzzi, James Whimore, Louis Hayward and Victoria Vetri. Music is by Leith Stevens and Pthe Color photography by Harold E. Stine.

1876 and Fort Clendenon is host to a bunch of army misfits and a lovelorn gunslinger, hardly a group capable of defending the Fort against an impending Arapaho attack...

A super cast and a rather gorgeous colour print can't avert this being a distinctly average Siege Oater. Prodution wise it's a hodgepodge, an uneasy blend of stuffy looking studio bound sequences, matte paintings and airy locales, while the acting, sparse characterisations and general reliance on non meaty chatty filler scenes, all make it an odd viewing experience.

The chat angle is most frustrating, not so much because there is so much of it so as to make this a 90% talky piece, but in that there are moments of great dialogue, where interesting character arcs are dangled, but alas they are threads that are never pulled to the benefit of all. Action is sparse but what there is is competently staged, with the siege itself - while not worth the wait - has enough moments of excitement and intelligence so as to not annoy.

A very good and intriguing ending further adds to the strange mix of poor and good of it all, but ultimately it's average and hardly essential for fans of Westerns and the stars involved. 5/10

Chuka was co-produced by Rod Taylor's Company Rodlor he had all control of this fine picture, since The Time Machine the Australian Rod Taylor became one of my favorite actor, on greats movies as The Birds and The Mercenaries, he made few westerns, Chuka quite sure is the best, here in Brazil according my old fellows moviegoers, have been said the same, Chuka is great, Rod Taylor recently was presented by Tarantino as one his great hero in his childhood.

Supported by a strong casting the plot orbit around of the odd members of Fort Clendennon, where gathered the scum of the US's Army, surrounded by hungry Indian of the great nation Arapahoe in middle of the desert, Chuka arrives at Fort facing his destiny where his former girlfriend Veronica (Luciana Paluzzi) and his niece Helena (the beauty Victoria Vetri) whom find a safe shelter, there are multiples colorful characters, as the British Colonel Stuart (John Mills) who was spelled by British Army due he is a drunker.

The Major Benson (Louis Hayward) for a cheater gambler, the rough Sgt. Hahnsbach (Ernest Borginine) follows the strict orders of Col. Stuart by personal reasons, anyway all them were there as a punishment impose by the US's Army, the highlight come up with the fight between Chuka and Hahnsbach that surprisingly ends up in a draw, the final Arapahoe attack on the fort is inexorable, but stays a feasible doubt at the end, great western, too much underrated by IMDB's members!!

Resume:

First watch: 1988 / How many: 4 / Source: TV-DVD / Rating: 8.

Among the films of Rod Taylor, one is hard pressed to single any which stand out as wrong for him. This particular film called " Chuka " is right up his alley. The rugged, good looking rough and tumble action hero is right at home in a run down Army post surrounded by frigid miles of empty winter desert. The year is 1876, the place Fort Clandenen, home to an odd collection of misfit soldiers, deserters and questionable officers. The post is commanded by an aging Ex-British Colonel called Stuart Valois. Although disliked by his small command, only one has respect for him. That man is professional soldier Sgt. Otto Kahnsbach. (Ernest Borgnine) Into the shabby excuse of an outpost, looking for a bed is an experienced gunfighter called Chuka. (Rod Taylor) Accompanying him is the overland stage with two Beautiful Spanish women. Senora Veronica Kleitz (Luciana Paluzzi) and (Angela Dorian). With a gathering and ever encircling force of Arapahoes, led by Hanu ( Marco Lopez) a young warrior Chief, his people, ill fed and starving, need the supplies of the fort. The action in the movie is convincing as are the supporting cast. Seasoned actors James Whitmore who plays Lou Trent, the Chief scout, Louis Hayward and Lucky Carson all give fine performances. Despite the interesting stories of the characters, it is Rod Taylor who warrants most of the attention on the screen. Although lacking in cinematic promotion, this story earns the status of Classic western and is therefore recommended viewing. ****

I will always look back on CHUKA as a B movie with a stellar cast, including Oscar winners Borgnine and Mills. The latter, and lead Taylor (not to mention beautiful Paluzzi) were not known doing Westerns, and all look rather uncomfortable, even if Taylor looks physically fit and does his best to make the most of a not particularly desirable role.

Direction is unimaginative and unable to extract anything close to the best from the cast. One of the highlights of the movie, the fight between Borgnine and Taylor, is unconvincing, with poor stunts.

The script is limited, and predictable in its attempts to shock the viewer with revelations about the characters' dark sides. I kept thinking that I was watching a British production with Indians for color and atmosphere which, surely, was not what Director Douglas intended.

Photography is in keeping with the low budget and the ultimate pointlessness of the entire project.