Ironside

If Perry Mason was Raymond Burr's defining role, then this was his second most famous role. This show proved that you didn't need a lot of violence to be a great detective show. This was more cerebral than most of the shows that were around at the time. Also the supporting cast of Don Mitchell, Don Galloway, Barbara Anderson and, later Elizabeth Baur, were all great as Ed, Mark, Eve and Fran respectively. The most compelling character on the show though was Mark. We got to see him evolve from Ironside's body guard, to a police officer and, finally, becoming an attorney. Too bad they don't make shows like this anymore.

I mentioned this before on a review of a third series that Raymond Burr had after Perry Mason and Ironside, that most actors are lucky to have one successful series let alone two of them back to back. Burr did it with two very different kinds of characters.

Perry Mason was cool and calculating until he sprung a trap in court that nailed the real murderer and/or the helpless prosecutor be it Hamilton Burger or someone else. But Robert Ironside had already faced his life crisis when that bullet severed his spinal cord. With that kind of baptism of fire nothing ever fazed the Chief. He was hostage a couple of times during the course of the show and he faced some unusual life threatening situations that were more stressful because of his paralysis, but he always kept a cool head.

I loved the position he was in as the head of that special squad. He had a picked team in Don Galloway, Barbara Anderson, and Don Mitchell. He worked only the most important cases or something that interested him. I worked for NYS Crime Victims Board and believe me I always looked for interesting cases where people filed claims. So much is dull and routine. Burr had the dull and routine out of his life.

Barbara Anderson did not go the full run of the series, but Elizabeth Baur came in and moved seamlessly into the team Ironside.

Beneath all the gruffness and the demands on his people that work be finished yesterday, the Chief had a good heart and was an inspiration to all around him. I suspect to many viewers as well.

There are precious few actors who can create two successful television characters. More recent examples include Mary Tyler Moore (Mary Richards and Laura Petrie) and Bob Newhart (Bob Hartley and Dick Loudon). In 1966, Burr completed a nine-year run as the most recognizable attorney on television. In 1967, returning to television, his challenge was to create a new character that wouldn't stand in Perry Mason's shadow. The result was Ironside -- a rough, former chief of the San Francisco police forced to retire when an attempted assassination leaves him paralyzed. (The theme music is reprised in "Kill Bill Vol. 1", whenever the Bride flashes back on her paralyzing injuries.) Bob Ironside had none of Perry Mason's polish, frequently spoke without thinking, and enjoyed fast cars as much as he relished good police work. He was given a special task force that included a regular joe beat-cop, Ed Brown (even in the sixties, a more vanilla name was never given a character); a highbrow, educated female detective (Eve Whitfield); and a troubled black youth, Mark Sanger, who was to Ironside what Charlie Young is to President Bartlet on "The West Wing". Instead of the Los Angeles setting of Perry Mason, Ironside was in San Francisco. In addition, while Perry Mason kept the lights on at CBS for nearly a decade, Ironside was a steady performer for NBC for almost as long. The show was an instant critical and commercial success.

I think the reason Ironside is not as popular in reruns now as it was in the late 70s and early 80s is it will always be in the shadow of Mason, and that's a shame. The two shows are not the same, and there are many memorable episodes of Ironside. One in particular features Ironside isolated in his apartment, being stalked by a killer, that always reminded me of the climactic scene in "Rear Window" -- in which the killer was played by Raymond Burr! One of my favorite lines of dialogue, from the pilot, was his ribbing of his female detective: "By all means, ask Detective Whitfield. She's had the benefit of a classical education." That line -- which would never have passed Perry Mason's lips -- is a good sample of Ironside's tone through the series.

I lived in San Francisco from 1964-1980 and had a great fondness for the city. Raymond Burr had an immediate hit with this show and I enjoyed it immensely. It was always interesting to see the shots of where Mark Sanger was driving and how they would cut to a studio set when they got out of the van. I always wondered how they made the old Hall of Justice look like it was still on Montgomery Street when it had been torn down by the start of the series.

Another enjoyment was the development of the characters, particularly Mark Sanger who went from an uneducated street punk to a cop and then an attorney over the years.

Barbara Anderson got an Emmy for her work on the series as I recall.

If you look at the guest star list, there are a lot of character actors on it who appeared in everything from the 50's to the 80's including Richar Anderson, Michael Conrad, and Jack Soo.

An exciting show and I find little on TV today which makes me want to watch it every week like I did with Ironside.

George Senda Martinez, Ca

I have fond memories of watching this well crafted detective show during my growing up years. The series portrays the story of San Francisco Chief of Detectives, Robert Ironside, who has been hit by a sniper's bullet, paralyzing him from the waist down. Confined to a wheelchair, he must forego his previous detective position but stays on with the Police Department as sort of a consultant. Ironside ferrets out crime while working from a special Police Department office complete with exercise equipment and sleeping facilities. Assisting him is his own special unit, a diverse trio consisting of regular cop Detective Sargent Ed Brown, educated policewoman Eve Whitfield, and black ex con Mark Sanger. During the course of the series Sanger progresses from Ironside's bodyguard to a police officer and finally a lawyer.

In this series we see this formerly tough Chief of Detectives endeavouring to nail San Francisco's bad guys, all the while coping quite successfully with his recent disability. The program shows that this previously high profile crime fighter can still lead an equally productive life from his wheelchair. The show reveals his character development as well as his interactions with the trio of assistants, all providing viewer interest in addition to the crime solving elements.

Raymond Burr, alias Perry Mason, was born to solve TV crimes! The actor gives a masterful performance here as the wheelchair bound Ironside. This is generally quite an engaging detective series and frankly, I wish that there was more TV programming of its quality these days.