VALUTAZIONE IMDb
4,8/10
1399
LA TUA VALUTAZIONE
Completamente in topless. Completamente disinibito. La mania iniziata a San Francisco sta ora esplodendo negli Stati Uniti e in Europa.Completamente in topless. Completamente disinibito. La mania iniziata a San Francisco sta ora esplodendo negli Stati Uniti e in Europa.Completamente in topless. Completamente disinibito. La mania iniziata a San Francisco sta ora esplodendo negli Stati Uniti e in Europa.
Pat Barrington
- Self - Rambunctious Dancer
- (as Pat Barringer)
Trina Lamar
- Self - Exciting Dancer
- (as Donna 'X')
Heide Richter
- Self ('Europe in the Raw' footage)
- (as Heidi Richter)
Denise Du Vall
- Self ('Europe in the Raw' footage)
- (as Denice Duval)
Mickey Frantz
- Pool Photography Model
- (non citato nei titoli originali)
John Furlong
- Narrator
- (voce)
- (non citato nei titoli originali)
Russ Meyer
- Minor Role
- (non citato nei titoli originali)
Recensioni in evidenza
Russ Meyer directed this mondo film immediately after the commercial disappointment of his now classic Faster, Pussycat! Kill! Kill! Despite being considerably less interesting than that earlier movie, Mondo Topless did far greater business at the box office. It seems pretty obvious to me that this was on account of its no messing high-concept - i.e. The promise of large breasts - and beautiful provocative promo posters. In the event, it is kind of a boring film to watch from start-to-finish unfortunately, but, as you can probably imagine, it still definitely has its individual moments.
Like all Meyer movies, this one has a pretty solid dependency on its female cast and it boasts quite a number of pneumatic girls. The standout for this viewer has to be Babette Bardot (she of the iconic posters), who we see driving her car in glorious twin-peaked profile on several occasions. And it's definitely always a bonus to see Lorna Maitland, who appears in some behind-the-scenes stuff from Lorna. If the film in general was to be broken down into its basic parts it would be dancing, narration and fast edits. The narration combines knowingly over-the-top nonsense from a male narrator and voice-overs from the various strippers about their personal lives, as we watch them bust some moves. Its all underscored too by a particularly relentless soundtrack of garage rock guitar instrumentals. Despite the presence of all these lovely women in states of undress, it does get a bit tedious after a while though, given the overall sameyness of so many of the routines, the high-speed edits taking us from one girl to the next and the relentless soundtrack. Still, it wouldn't be a Meyer film if it didn't look good and this one is no different on that score, with loads of well composed static shots and a constant accent on making the women look great. There's a particularly fabulous shot of one of the girls booging on down, as an incoming train fires towards the camera at speed - its ideas like this that really show Meyer's unique eye in full splendour. So, overall, not the most engaging watch in truth but if you like buxom women and you like to see them photographed really nicely, well, this one is certainly worth a look at least.
Like all Meyer movies, this one has a pretty solid dependency on its female cast and it boasts quite a number of pneumatic girls. The standout for this viewer has to be Babette Bardot (she of the iconic posters), who we see driving her car in glorious twin-peaked profile on several occasions. And it's definitely always a bonus to see Lorna Maitland, who appears in some behind-the-scenes stuff from Lorna. If the film in general was to be broken down into its basic parts it would be dancing, narration and fast edits. The narration combines knowingly over-the-top nonsense from a male narrator and voice-overs from the various strippers about their personal lives, as we watch them bust some moves. Its all underscored too by a particularly relentless soundtrack of garage rock guitar instrumentals. Despite the presence of all these lovely women in states of undress, it does get a bit tedious after a while though, given the overall sameyness of so many of the routines, the high-speed edits taking us from one girl to the next and the relentless soundtrack. Still, it wouldn't be a Meyer film if it didn't look good and this one is no different on that score, with loads of well composed static shots and a constant accent on making the women look great. There's a particularly fabulous shot of one of the girls booging on down, as an incoming train fires towards the camera at speed - its ideas like this that really show Meyer's unique eye in full splendour. So, overall, not the most engaging watch in truth but if you like buxom women and you like to see them photographed really nicely, well, this one is certainly worth a look at least.
Hilarious double-entendre narration (subtle as a sledgehammer) over "mod rock" music. Thoroughly pneumatic cast and hypnotizing choreography.
'Mondo Topless' is Russ Meyer's pseudo documentary that starts out with snapshots from San Fransisco with narrator (John Furlong) praises the city's progress. Images of San Fransisco is cleverly cut with seemingly unnecessary shots of topless woman driving the car. It doesn't take long when the film turns its focus on different strippers dancing and their recorded conversations about their thoughts and troubles.
'Mondo Topless' is visually beautiful film (in here I don't mean the nudity, but cinematography) with many interesting shots. Almost monotonous monologues of strippers over the groovy pop-rock and girls dancing gives the film quite surreal feel. The humor is subtle as left hook from Mike Tyson. The film keeps its tone and rhythm all the 60 minutes, and by the last quarter, it starts to get little bit boring.
Russ Meyer is much more talented and smarter than many think based on his films, and 'Mondo Topless' proves his intelligence besides the love of big bosoms.
'Mondo Topless' is visually beautiful film (in here I don't mean the nudity, but cinematography) with many interesting shots. Almost monotonous monologues of strippers over the groovy pop-rock and girls dancing gives the film quite surreal feel. The humor is subtle as left hook from Mike Tyson. The film keeps its tone and rhythm all the 60 minutes, and by the last quarter, it starts to get little bit boring.
Russ Meyer is much more talented and smarter than many think based on his films, and 'Mondo Topless' proves his intelligence besides the love of big bosoms.
Although Russ Meyer made this movie in a hurry to make some fast money, he later came to see it for what it is - a classic sendup of the go-go and striptease girls of the swingin' 60's! The movie is sparse, even by Russ Meyer standards - just a music soundtrack accompanied by an announcer who introduces the "girls"!
But the "girls" are something else! Most of them are California based professional strippers of the era who jumped at the chance to get in front of a movie camera and do their go-go bad thing. All of them are eye catching, but one stands out, literally, from the rest.
Russ was actually ready to run this film through his paces, featuring the already well known Lorna Maitland, when he got a phone call from a great "procurer" friend, one Andy Anderson. He told Russ that he had a major discovery in front of him at a strip club in downtown Los Angeles (San Francisco has been incorrectly reported) and that Russ should "get his body down to a certain club a.s.a.p." in order to be the first to shoot her. Andy said "I'll hold the dogs off until you get here!"
Russ complied, went to the club and together, he and Andy went to the dressing room of one Vivian Cournoyer. She had apparently just begun dancing at the club and was new to the art of striptease and the area, temporarily staying with a friend. Identifying himself, Russ asked Ms. Cournoyer to display the goods whereupon Russ got to see, according to him, "the greatest set of breasts I've ever seen or filmed", all the more remarkable on a petite 112 pound body!
Realizing he had to act quickly in order to be the first to get this buxotic lady on film, Russ Meyer drove with her to the desert early the next morning and spent the entire day shooting stills and film of the woman he called Darlene Grey for his ode to the go-go era, MONDO TOPLESS. Darlene Grey went on to a short-lived career in magazines such as Arv Miller's FLING, posing as Candy Morrison, Vivian Moyer and Angela Carter.
Then, as Russ tells it, she just disappeared from sight after less than a year of posing. Nevertheless, Russ Meyer still claims that MONDO TOPLESS has been one of his best selling videos over the years "simply because of Ms. Grey's great heaving chest".
If for no other reason, enjoy this movie for the "girls", but especially for the extended "desert boogie au go go" done by Darlene Grey near the beginning. No less a film critic than Roger Ebert felt compelled to specifically comment on the voluptuous Ms. Grey in MONDO TOPLESS. Seeing her cavort, topless in the desert, holding a tiny AM transistor radio in one hand is an experience never to be forgotten!
But the "girls" are something else! Most of them are California based professional strippers of the era who jumped at the chance to get in front of a movie camera and do their go-go bad thing. All of them are eye catching, but one stands out, literally, from the rest.
Russ was actually ready to run this film through his paces, featuring the already well known Lorna Maitland, when he got a phone call from a great "procurer" friend, one Andy Anderson. He told Russ that he had a major discovery in front of him at a strip club in downtown Los Angeles (San Francisco has been incorrectly reported) and that Russ should "get his body down to a certain club a.s.a.p." in order to be the first to shoot her. Andy said "I'll hold the dogs off until you get here!"
Russ complied, went to the club and together, he and Andy went to the dressing room of one Vivian Cournoyer. She had apparently just begun dancing at the club and was new to the art of striptease and the area, temporarily staying with a friend. Identifying himself, Russ asked Ms. Cournoyer to display the goods whereupon Russ got to see, according to him, "the greatest set of breasts I've ever seen or filmed", all the more remarkable on a petite 112 pound body!
Realizing he had to act quickly in order to be the first to get this buxotic lady on film, Russ Meyer drove with her to the desert early the next morning and spent the entire day shooting stills and film of the woman he called Darlene Grey for his ode to the go-go era, MONDO TOPLESS. Darlene Grey went on to a short-lived career in magazines such as Arv Miller's FLING, posing as Candy Morrison, Vivian Moyer and Angela Carter.
Then, as Russ tells it, she just disappeared from sight after less than a year of posing. Nevertheless, Russ Meyer still claims that MONDO TOPLESS has been one of his best selling videos over the years "simply because of Ms. Grey's great heaving chest".
If for no other reason, enjoy this movie for the "girls", but especially for the extended "desert boogie au go go" done by Darlene Grey near the beginning. No less a film critic than Roger Ebert felt compelled to specifically comment on the voluptuous Ms. Grey in MONDO TOPLESS. Seeing her cavort, topless in the desert, holding a tiny AM transistor radio in one hand is an experience never to be forgotten!
I was very excited to see this movie because of the title but it took me a really long time to find it on DVD. It is quite good and you do get to see quite a lot of female nudity I was really thinking there would be more. With a name like that you would really expect to see lots of breasts all the way through, not just sometimes so I want to write this review to warn people that it's not quite what you might be expecting. However, once you accept this it is pretty funny and not rubbish just not quite what I was hoping for. Also the women look a bit the same, having said that they do have great hair and shoes. Since watching this film I have really got into watching films with girls in high heels so in some ways, though it wasn't quite what it could have been it did open me up to new ways of appreciating the female form.
Lo sapevi?
- QuizThere are close-ups of the tape recorders used during the interviews with some dancers, enough for the brands to be read--namely one portable Vista on a beach, a larger Akai M-8 Cross Field in a bedroom, and one Panasonic and two Sony portable FM-AM transistors at pool scenes.
- ConnessioniEdited from Europe in the Raw (1963)
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Dettagli
Botteghino
- Budget
- 12.000 USD (previsto)
- Tempo di esecuzione1 ora
- Mix di suoni
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