Supervixens

The movie follows the hilarious odyssey of a nice young fellow, on the run for one man and an army of very very voluptuous bigbreasted women. The production and the visualization is low budget, but very effective and moody, the humor is really incredibly weird (especially the Nazi-jokes are very sick) and the violence is convincingly sadistic. One of the most exciting films ever made and absolutely Meyer's masterpiece. Nice, nice, nice!

Russ Meyer is a God who succeeds in creating his own utopist universe over and over again. This film is just brilliant, even though the entire prudish and easily offended world will never admit it. Yes, it's a sexfilm… So what if it is? And besides, apart from that it also is a truly ingenious comedy and a cruel satire. After his more pretentious (but equally terrific) portrait `Beyond the Valley of the Dolls', Meyer falls back on the themes and ideas that gained him his first successes. This being the adventures and misfortunes of a young protagonist on the run. Falsely accused of murdering his girlfriend, a handsome man hitchhikes across rural America. Everywhere he goes gorgeous, voluptuous nymphs sexually harass the poor, poor guy (???). Isn't life hell? Charles Napier is excellent as the psycho cop, while the `vixens' are too hot to handle! Every single girl who walks through the screen here looks like a fantasy come true. Supervixens constantly features cheerful music and the screenplay is very funny. Although I can imagine not for all tastes, I personally laughed sick when the Austrian chick starts squealing German while making love! Russ Meyer often reuses stuff that also featured in his earlier movies. Like the snakebite or even the entire climax which is a more explosive update of the `Motor Psycho' ending. Not too original but who cares? He's Russ Meyer so he can do anything he wants! A fellow fan stated in his user comment that you haven't lived until you see Supervixens, and I couldn't have said it better. A must!

Russ Meyer, like David Lynch or Alejandro Jodorowsky, creates his own world in his movies and invites you to visit. And while I may not want to LIVE there, I sure do like to visit! You either love Meyer or you don't, it's as simple as that. Most fans seem to regard either Faster Pussycat or Beyond The Valley Of The Dolls as his best movies. I worship them both but my particular favourite is Supervixens. This movie is like no other ever made, with it's surreal mix of buxom babes, humour, violence, car chases and dynamite that has to be seen to be believed! Charles Napier fans note that this is his definitive performance playing psycho cop Harry Sledge, which may or may not be a reprise of his role in Cherry, Harry and Raquel! I dunno. Other Meyer regulars pop up including Haji, Stuart Lancaster and the criminally underseen John Lazar(Z-Man). But the real find here is Shari Eubank in a duel role. She unfortunately only made one other movie after this, Chesty Anderson,USN (with Timothy Carey!). She will always be remembered by lovers of trash cinema everywhere.

You haven't lived until you've seen Supervixens!

I dont know why i liked this movie. It have some exaggerate moments but i felt that some womens were not ashame to take initiative and show their bodies and they are not ashame to talk about sex and i felt that this is completely not the same thing in society and i felt that the exaggerate moments pretty unconventionnal and pretty interesting in some ways.

Part of the fun of watching a Russ Meyer movie is sitting in mind-boggling disbelief at just how sexist & deranged it is, then going with the flow as you escape into his voluptuous pre-silicone dreamworld. Misogyny isn't really the word, as you can imagine the old sleazeball worshipping these women & doing anything for them while he's filming them bouncing around.

Supervixens, however, is just plain nasty, due to the one scene in which Super-Angel (the running joke is that all the women have the Super- prefix to their names) is kicked to death & electrocuted in a bathtub by Charles Napier's impotent cop. Not funny. Doesn't help that Super-Angel's character is set up as being somehow deserving of it.

No, not funny at all, even if you're used to the Russ Meyer school of sensitivity. It belongs in a 1980's splatter film, & leaves a nasty taste in the mouth for the rest of the film, which is pretty ordinary until Charles Napier turns up again & torments Super-Angel's later re-incarnation, Supervixen, in a way that would be amusing if you could only forget his earlier scene.

See Beyond The Valley Of The Dolls instead.