Georgy svegliati!

Good performances from Redgrave, Mason, Rampling and Bates. A modest film that found international approval. In 1966, while it may have seemed shocking to hear UK girl Charlotte Rampling tell Alan Bates that she had "destroyed" two of his already, it's worth remembering that an American girl couldn't have a legal abortion unless there were extenuating circumstances. Roe v. Wade was still several years away. The wholesome longings of Goergie are sharply contrasted with her roommate, the ice cold Meredith. The lead was originally offered to Vanessa Redgrave and when she backed out her younger sister Lynne was cast. She was overwhelmingly brave playing Georgie as a girl you liked enough that when she does something embarrassing you can't help but flinch. It happens a lot. As she falls and fails she finds a life of her own. And that is oddly inspirational.

Georgy Girl is an amazing film that's was in the front of a new wave of more realistic, unblinking films by the Brits. The film doesn't flinch when depicting or talking about accidental pregnancy, abortion, mothers not interested in their babies. They're just a part of life, nothing to moralize about or to spotlight as big drama. Imagine any film from the U.S. in the mid 1960s taking on these issues at all, much less in the matter-of-fact way that Georgy Girl does. Georgy Girl and Darling strike me as two mid-60's British films that herald a new age--greater reality; women's freedom to choose partners and to define their romantic and sexual connections in their own way. Another very modern aspect of the film is the absence of any person taking the moral high ground; every character is on their own, and depicted irreverently, with warts, but also warmly.

Marvelous film, an extension of the British kitchen-sink dramas from earlier in the decade (but with a friskier spirit), "Georgy Girl" introduced audiences to Vanessa Redgrave's kid sister, Lynn (in an Oscar-nominated performance). She's plain and frumpy Georgina, a too-tall, kissless clown and nursery school teacher who plays second-fiddle to her more beautiful flat-mate--and who also harbors a crush on her pal's sexy boyfriend in the bargain. While dodging the advances of her father's wealthy employer, Georgina acts as nursemaid to her pregnant roommate, never dreaming of the circumstances to follow. From Margaret Forster's novel, which she co-adapted with Peter Nichols, the film is visually alive, stylish and skittering about with "free and easy" abandon, yet with moral choices and a sobering heart at its center. Redgrave is nothing short of fabulous; her "Georgy" is often slumped over sulking, an easy mark with little sense of humor (she's either completely inflexible or terribly over-eager). The clever, enticing writing is spread about for everyone to share in--so much so that the supporting characters nearly upstage our heroine (whose moods tend to be exasperating near the end): Charlotte Rampling is excellent as pregnant Meredith (who gets the film's most viciously funny lines); Alan Bates is terrific as her devilish lover; while Oscar-nominated James Mason is too comfortably cast as the older man with an eye for Georgy (he isn't able to offer anything fresh here). Delightful comedy-drama from director Silvio Narizzano, one of the few from this era not to use 'mod' touches to set the time and place. *** from ****

Overall, I recommend this flick. I particularly liked the character of Georgy ...the way she tries to cover up any vulnerability with wit/ spunk..she MAKES the movie. But I can't help be bummed at the ending. Rationally, I approve of the ending, but find it disappointing at the same time..... It was more sensible,plausible and had more integrity than if they'd kept Georgy & Jos together...but...but... James Mason creeped me out through the whole movie (I mean, he watched her grow up..the old lecher!) and Alan Bates was soo ADORABLE (yes, he was selfish & immature too, I KNOW. He had potential for change??Maybe??) I supposed I'm just biased, Alan Bates (Alan Bates of the late '60s & '70s that is)being up there on my list of unconventional crushes.

It was wonderfully interesting reading the reviews; even the ones I disagree with. All the performances are wonderful and as for the Seekers title song it will always give me goose bumps. I think its this movie that really introduced Alan Bates, at any rate I certainly sat up and noticed. I love his performance in this film. He is a rogue that you cannot help but fall in love with. I love the way the film opens especially the pulse of a London that has sadly long gone. Lyn Redgraves big production number is a real hoot and I agree with the comments about James Mason. What a gifted actor he was. Bates is however the real reason why I love the movie. I confess I had an enormous crush on Bates in this role and that scene when you see his bum as he gets out of the bath well, enough said. Lyn Redgrave, James Mason and the remarkable Rampling are all marvelous.