Sitcom che esplora le prove e le tribolazioni create da un uomo e due donne che condividono un appartamento negli anni '70.Sitcom che esplora le prove e le tribolazioni create da un uomo e due donne che condividono un appartamento negli anni '70.Sitcom che esplora le prove e le tribolazioni create da un uomo e due donne che condividono un appartamento negli anni '70.
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Having lived in both the UK and the US, and watched both the ORIGINAL, "Man About The House", and the US COPY, "Three's Company", I've enjoyed both of them, even now, in 2006.
I've just been watching M.A.T.H. on Paramount Comedy, and much as I liked Three's Company, I'm finding I laugh out loud more often, at the UK show. I loved the American re-make too, but I guess my British upbringing means I identify with the British humour more.
It's just one of many UK sitcoms from the 1970's, that US television bought the rights and scripts of, and remade with an American flavour. Most of them became very popular in the US, with few people realising they were copies of original British ideas/scripts. Others I can think of:
"The Ropers" = "George & Mildred" "Sandford & Son" = "Steptoe & Son" "All In The Family" = "Till Death Do Us Part" "Reggie" = "The Rise & Fall Of Reginal Perrin"
All were good re-makes.
Conversely, on the few occasions the British have re-made American comedies, it hasn't worked as well. I'm thinking of UK remakes of "Golden Girls" and "Married With Children" - both British re-makes sucked, big time. In the case of the Married With Children re-make, I think it failed because the whole premise of the show was that it mocked clichéd "US cute family" comedies (it was known as the Anti-Cosby Show by the writers), and such humour didn't translate to a British show about a British family.
And now it's the 21st Century, and what do we see on NBC? An American re-make of the Golden Globe-winning British comedy, The Office.
Nothing changes.
I've just been watching M.A.T.H. on Paramount Comedy, and much as I liked Three's Company, I'm finding I laugh out loud more often, at the UK show. I loved the American re-make too, but I guess my British upbringing means I identify with the British humour more.
It's just one of many UK sitcoms from the 1970's, that US television bought the rights and scripts of, and remade with an American flavour. Most of them became very popular in the US, with few people realising they were copies of original British ideas/scripts. Others I can think of:
"The Ropers" = "George & Mildred" "Sandford & Son" = "Steptoe & Son" "All In The Family" = "Till Death Do Us Part" "Reggie" = "The Rise & Fall Of Reginal Perrin"
All were good re-makes.
Conversely, on the few occasions the British have re-made American comedies, it hasn't worked as well. I'm thinking of UK remakes of "Golden Girls" and "Married With Children" - both British re-makes sucked, big time. In the case of the Married With Children re-make, I think it failed because the whole premise of the show was that it mocked clichéd "US cute family" comedies (it was known as the Anti-Cosby Show by the writers), and such humour didn't translate to a British show about a British family.
And now it's the 21st Century, and what do we see on NBC? An American re-make of the Golden Globe-winning British comedy, The Office.
Nothing changes.
One of THE comedies of the 1970's. Also has the best signature tune of any comedy show. The story is about three people sharing a flat living above their landlords George and Mildred. The comedy rests on the mix of the people sharing. A man and two women. Richard O' Sullivan is besotted with Paula Wilcox. Its played in a gentle and not a leering way which is why this show was such a success.
The scripts and the stars were always giving the best performances and Richard's frustrated love life was shown with a relaxed charm. The end titles contained visual jokes which went unnoticed in the early 1970's but concerned the flat sharers living arrangements.
The scripts and the stars were always giving the best performances and Richard's frustrated love life was shown with a relaxed charm. The end titles contained visual jokes which went unnoticed in the early 1970's but concerned the flat sharers living arrangements.
Now the series is 30 years old but it is still funny. I saw it when I was a child and I can still recall the laughters at home. It was the first British tv series thet topped the tv rankings in Spain. And even now, people remember it. Two different situations: upstairs the 3 flat mates, and downstairs the landlord and his wife. The scripts were terrific: both situations fixed perfectly. And what about the actors? all of them were absolutely brilliant, specially my dear Mrs Roper. Oh, yes. Americans made a "remake" that was OK when they copied word by word the original episodes. When they had to create new scripts it became awful and boring. By the way, I always recommend to see any show in its original version, but I must confess that Spanish dubbed version is as good as the original one.
I absolutely LOVED this show when it aired here, even though I was a little kid by then. It had the kind of charm and mood that keeps you laughing until it hurts, the cast was excellent and so was the timing. If compared to what the sitcom genre has degenerated to (And I don't think it's necessary to name any specific title, most of the sitcoms are awful except Seinfeld) it's a crying shame that shows like Mad About The House are no longer made. Whatever happened to witty writing and great cast?
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
I found the first four episodes of MAN ABOUT THE HOUSE, and I'm scouring eBay and Amazon for more! This show is pretty damn funny. I never liked the American version, and now I know why. The acting in this is far superior! Richard O'Sullivan is funny without resorting to inane slapstick -- ok, there's a bit of it, but the British do it so much better (as evidenced by Benny Hill). Sally Thomsett is cute without being dumb, and shows her wit time and time again. And Paula Wilcox combines sexy, smart, and sassy like no one I've ever seen. You won't find a more talented trio.
Yootha Joyce and Brian Murphy are the -- dare I say -- threesome's perfect foils. Not the lecherous landlords of the American version, but naughty and enjoyable.
Would love to see this on TV on this side of the pond. As it is, I'll have to buy PAL and have it converted to NTSC. A small price to pay for superior, saucy, sexy fun!
Yootha Joyce and Brian Murphy are the -- dare I say -- threesome's perfect foils. Not the lecherous landlords of the American version, but naughty and enjoyable.
Would love to see this on TV on this side of the pond. As it is, I'll have to buy PAL and have it converted to NTSC. A small price to pay for superior, saucy, sexy fun!
Lo sapevi?
- QuizWriters Brian Cooke and Johnnie Mortimer were inspired to create Man About The House after noticing increasing numbers of advertisements in the London press for flatmates of either gender - until the early 1970s it was usual for flatsharing households to be all male or all female.
- Curiosità sui creditiThe closing credits in later series show each credit caption against a still image featuring two 'female' objects and one corresponding 'male' object (eg drinks or item of clothing). One still image used features two cooking utensils as the 'female' items and a spanner as the 'male' item. This is ironic given that in the show Robin is a cookery student while Chrissy and Jo are self-confessed terrible cooks.
- ConnessioniFeatured in All Star Comedy Carnival (1973)
- Colonne sonoreUp to Date
(uncredited)
Composed by Johnny Hawksworth
Performed by The Hawksworth Big Band
[series theme tune]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Man About the House
- Luoghi delle riprese
- Alma Square, St John's Wood, Londra, Inghilterra, Regno Unito(exterior: George and Mildred's house where in the flat is rented.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
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By what name was Un uomo in casa (1973) officially released in India in English?
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