L'avventura del Poseidon

I still don't understand how people get on here and write reviews about movies, with statements like wasted actors talent, campy, don't you understand this movie was made in 1972 there was no CGI and copying movie like it's done today, this was an original and won awards and was up for many more nominations, these actors weren't wasted they were continuing to develop their craft. I saw this as a 6yr old and still remember it today on New Years Eve as I just watched it this morning bringing back so many memories that made me the movie buff I am. I never forgot it from the wonderful soundtrack (Oscar winning ) and the cinematography (Oscar winning) which was earned the old fashioned way imagination, not by some computer generated initiative. I love movies today but I still remember good movies and how they were made in yesteryear also. It's kinda like comparing atheletes when people(younger people especially) when they say Lebron is better than Oscar R or Michael J, the players are all great in their time, if either Michael or Oscar were here today they would still be GREAT, as Lebron is today, but to say he is better is foolish, This a Great Movie today as it was in 1973. PERIOD!!

The aging liner Poseidon, on her final journey, is struck by a tidal wave that knocks her upside down. A small group of passengers realise that if they want to survive they must journey up into the bowels of the ship hoping for rescue from above.

The idea is well conceived and the excellent cast turn in good performances despite getting little help from the somewhat corny script. With above average special effects for the time and excellent sets that convincingly realise the upside down half-flooded ship and its bewildering maze of passageways, the movie manages to be compelling and exciting viewing.

This movie is my ultimate disaster flick and even though I really liked Titanic. This one, as others have said IS better and I'll tell you why. In Titanic we have just one story going, where as in this one we have several. The subtle budding romance between Nonnie and Mr. Martin was very interesting to watch. I thought they were a rather odd pairing at first, but it worked seeing how they both needed each other. Linda Rogo was my favorite character. She knew what to say and how to say it. She even told her pompus husband off a few times. The fact that she's an ex-prostitute and her husband being the cop that arrested her made their story rather interesting. Mr. Rogo and the Preacher's quarrels were amusing and heated. I liked the Rosens, they were the strong ones and you could truly see the love they had for one another. The kid was annoying, but useful and I really enjoyed the sexual tension between Susan and the Preacher. Their scenes were my favorite. This movie has a cast of truly rich characters that were more entertaining to watch than the actual effects. Ah! The good old days where character development and an actual plot outweigh the special effects and the disaster itself. 9 out of 10.

Irwin Allen produced this all-star disaster yarn about a luxury cruise ship that is overturned by a freak tidal wave on New Year's Eve, and the survivor's desperate attempts at survival, as they try to reach safety and eventual rescue through the top(well,the bottom now!) of the ship.

Cast includes Gene Hackman, Ernest Borgnine, Stella Stevens, Roddy McDowall, Carol Lynley, Pamela Sue Martin, Red Buttons, Jack Albertson, Shelley Winters, and Leslie Nielsen as the Captain.

Well directed by Ronald Neame, this film works despite the contrived premise because of the cast and interesting script, which balances seriousness with humor effectively, with many memorable scenes.

'The Poseidon Adventure' is a supremely entertaining flick from the days when blockbusters were amongst the best movies out there. Rather than the worst.

Sure, it's corny and it's histrionics can seem overly familiar, but it still packs a punch. This is due to the fact that it's played completely straight. Well, relatively straight in the case of the Borgnine/ Stevens double-act. And it achieves real dramatic resonance from it's allegorical plot line. It pretty much created the template for the 'disaster' film.

Favourite bits:

Red Buttons' funky little walk up on deck.

The way Pamela Sue Martin and her date boogie down when they hit the dance floor.

Pamela Sue Martin's legs. Ditto Carol Lynley.

Lynley's hippy brother.

Roddy McDowall's accent and dialogue (consisting mostly of "yes, sir" and "I think so, sir").

Ernest Borgnine learning that kids can be useful as well as merely irritating.

Hackman's "Please, God - not THIS woman" schtick and death scene.

All of Stella Stevens' wardrobe.