VALUTAZIONE IMDb
5,9/10
18.757
LA TUA VALUTAZIONE
Il terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viz... Leggi tuttoIl terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viziata moglie, un poliziotto ed un proprietario di immobili.Il terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viziata moglie, un poliziotto ed un proprietario di immobili.
- Vincitore di 1 Oscar
- 3 vittorie e 7 candidature totali
Geneviève Bujold
- Denise Marshall
- (as Genevieve Bujold)
Walter Matthau
- Drunk
- (as Walter Matuschanskayasky)
Pedro Armendáriz Jr.
- Emilio Chavez
- (as Pedro Armendariz Jr.)
Recensioni in evidenza
In 1974 I was 29 years old when I first saw this movie. At the time I didn't question the suitability of the lead stars as I had grown up with them appearing in other films. Considering all the various genre of films I had seen up to that time, I must confess that it didn't seem a bad effort at that point in time. I grew up with various westerns and others and one film in particular I remember well is the classic "King Kong".
Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.
However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.
Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.
However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.
Earthquake is directed by Mark Robson and written by Mario Puzo and George Fox. It stars Charlton Heston, George Kennedy, Ava Gardner, Geneviève Bujold, Lorne Greene, Richard Roundtree & Marjoe Gortner.
A catastrophic earthquake hits Southern California and begins to level Los Angeles...
"It's not a negative to have heart in the disaster genre of film"
Take yourself to 1974, are you there? Good, now maybe you can appreciate this film a little more? Maybe? Earthquake does suffer from old age, it's a statement we see and hear a lot, but it's a fact that some film's stand the test of time whilst others do not. In this desensitised computer age, it is easy to forget that not all the tools available in film making today were available back when film's like this were being made. So as is my want, I firmly judge this as a 1974 offering, to which it delivers enough entertainment to fully satisfy my genre leanings and entertainment persuasions.
The main complaint of many is the long build up of the characters, cries of boring can be read across internet forums and critics blogs. I just don't see it that way, yes we want the quake and the mayhem destruction that will follow it, because really this is a disaster film after all, but is it so bad that the film has heart to go with the crash bang wallop? After the build up of characters, where relationships and character traits are formed, the disaster strikes and it doesn't disappoint, utter destruction as effects and noise fill the eyes and ears, where those with a good home cinema system finding it literally does rock the house. We are then treated to a series of sequences that hold and engage our attention, upsetting passages of human sadness, punctured by heroic surges as Heston and the fabulous Kennedy set about saving life, hell! saving the town even. Then it's the film's fitting finale, where there are no cop outs, the makers choosing to go out with a darker edge than the detractors give it credit for.
Some can scoff at a blood splat effect, or rant about some of the acting on show, but Earthquake achieves two important things. One is that it entertains as a visual experience, the other is that it doesn't soft soap the devastating effects of an earthquake. As the camera pulls away from a ravaged L.A. the impact is sombre, where reflection is needed and most assuredly surely gotten. 7/10
A catastrophic earthquake hits Southern California and begins to level Los Angeles...
"It's not a negative to have heart in the disaster genre of film"
Take yourself to 1974, are you there? Good, now maybe you can appreciate this film a little more? Maybe? Earthquake does suffer from old age, it's a statement we see and hear a lot, but it's a fact that some film's stand the test of time whilst others do not. In this desensitised computer age, it is easy to forget that not all the tools available in film making today were available back when film's like this were being made. So as is my want, I firmly judge this as a 1974 offering, to which it delivers enough entertainment to fully satisfy my genre leanings and entertainment persuasions.
The main complaint of many is the long build up of the characters, cries of boring can be read across internet forums and critics blogs. I just don't see it that way, yes we want the quake and the mayhem destruction that will follow it, because really this is a disaster film after all, but is it so bad that the film has heart to go with the crash bang wallop? After the build up of characters, where relationships and character traits are formed, the disaster strikes and it doesn't disappoint, utter destruction as effects and noise fill the eyes and ears, where those with a good home cinema system finding it literally does rock the house. We are then treated to a series of sequences that hold and engage our attention, upsetting passages of human sadness, punctured by heroic surges as Heston and the fabulous Kennedy set about saving life, hell! saving the town even. Then it's the film's fitting finale, where there are no cop outs, the makers choosing to go out with a darker edge than the detractors give it credit for.
Some can scoff at a blood splat effect, or rant about some of the acting on show, but Earthquake achieves two important things. One is that it entertains as a visual experience, the other is that it doesn't soft soap the devastating effects of an earthquake. As the camera pulls away from a ravaged L.A. the impact is sombre, where reflection is needed and most assuredly surely gotten. 7/10
Remy (Ava Gardner) and Stuart Graff (Charlton Heston)'s marriage is falling apart. She ODs once again after another fight. During a small earthquake, she jumps up and reveals that she's faking. He's a construction engineer working for his father-in-law Sam Royce (Lorne Greene). He starts an affair with the widow of his friend and single mom Denise Marshall (Geneviève Bujold). There is a mysterious drowning at a local dam and other disturbing signs. LAPD cop Lou Slade (George Kennedy) gets suspended for punching a clueless county cop. Miles (Richard Roundtree) is a motorcycle rider perfecting a new stunt. Grad student Russell predicts the big one in 48 hours.
Walter Matthau's getup is hilarious. That bar is a weird place and that T-shirt is super fine. I like that group of characters. They're a little off-beat and slightly fun. I care a lot less about the affair and the jealousy within the Graff marriage. They could drop into the earth for all I care. The earthquake action is as much as can be expected with shaking cameras, miniatures, falling styrofoam and other stuntwork. This is good special effects for its times and satisfies the need for destruction. It's nowhere near as visually compelling as CGI but it feeds the same animal instincts. There is a good 15 minutes of continuous destruction. The aftermath is a mix of good rescue scenarios and bad melodrama.
Walter Matthau's getup is hilarious. That bar is a weird place and that T-shirt is super fine. I like that group of characters. They're a little off-beat and slightly fun. I care a lot less about the affair and the jealousy within the Graff marriage. They could drop into the earth for all I care. The earthquake action is as much as can be expected with shaking cameras, miniatures, falling styrofoam and other stuntwork. This is good special effects for its times and satisfies the need for destruction. It's nowhere near as visually compelling as CGI but it feeds the same animal instincts. There is a good 15 minutes of continuous destruction. The aftermath is a mix of good rescue scenarios and bad melodrama.
Earthquake almost realistically shows us the devastating effects of such "an event" on a large modern day city. Since movie studios didn't have the resources in 1974 to add expensive computerized effects, miniatures, camera trickery and a few large-scale destructions were used to simulate the quake. However even by today's standards, most (but not all) effects work pretty well. Many of the buildings we see crumbling to the ground are actual locals in Los Angeles and anyone who ever lived is this area (myself included) would still find watching this film chilling to say the least. The sets are very impressive - they made one helluva mess of Universal Studios making this film. The acting is so-so and the ending is disappointing and leaves us with a lot of unanswered questions: what ever happened to Miles and Rosa's brother anyway? And the scenes with Jody the weirdo are just plain uncomfortable. But as far as pure "end of the world" disaster entertainment goes, this film has it all.
Ordinary catastrophe movie in soap opera and vintage style with all star cast dealing with a huge earthquake outbursts at a noisy city. It has a long prologue presenting Charlton Heston, his drunk wife, Ava Gardner, and his lover, Genevieve Bujold. As well as other characters as a spectacle motorcycle rider, Richard Roundtree, a drunken man, Walter Matthaw, an avenger military, Marjoe Gortner, a besieged beautiful girl, Victoria Principal, and several others. As an earthquake causing death, destruction and wreak havoc. This impressive quake has an awesome and destructive power enhanced by the sensorround sound.
Acceptable disaster movie paced in fits and starts with a great cast, though a little wasted. The impressive cast cannot save this passable film , at all. It lacks deep characterization , displaying some boring moments and a tiring script that was presumibly well paid . This was a successful catastrophe movie that belongs to disaster movie genre of the 70s and 80s such as Towering inferno, Poseidon, Beyond Poseidon, The swarm, Avalanche, The Russian rollercoaster, Avalanche express , Airport I, II, III.. and whose main representative was producer Irwin Allen. It packs primitive and traditional special effects by LB Abbott , with no computer generator effects . It contains an atmospheric and adequate cinematography by Philip H. Lahtrop. And a sensitive and enjoyable musical score by the always great and incombustible John Williams. Main cast is pretty well, giving understanding interpretations as Charlton Heston, Genevieve Bujold, Ava Gardner and Lorne Greene. Support cast is frankly excellent such as Lloyd Nolan, Victoria Principal, Barry Sullivan, Pedro Armendariz Jr, John Randolph, Scott Hylands, Donald Moffat, brothers Jesse, Alan Vint, Walter Matthaw, George Murdock and usual in catastrophe movies, George Kennedy, among others.
The motion picture financed by Jennings Lang who produced Airport series was professionally directed by Mark Robson. He was a classical director. Robson had a prolific career, delivering classic movies, as well as hits and flops. He directed some classy terror movies as Ghost ship, Bedlam, The seventh victim ,Isle of dead, all of them produced by Val Lewton. Subsequently, he directed all kinds of genres in films as Peyton Place, The harder they fall, Edge of doom, Champion, Bright victory, Trial , Bridges at Toko-Ri, Return to Paradise, The inn of the sixth happiness, Valley of dolls, Von Ryan express, Last command , The prize, From the terrace, among others. Rating 6/10. Acceptable, passable and decent disaster movie.
Acceptable disaster movie paced in fits and starts with a great cast, though a little wasted. The impressive cast cannot save this passable film , at all. It lacks deep characterization , displaying some boring moments and a tiring script that was presumibly well paid . This was a successful catastrophe movie that belongs to disaster movie genre of the 70s and 80s such as Towering inferno, Poseidon, Beyond Poseidon, The swarm, Avalanche, The Russian rollercoaster, Avalanche express , Airport I, II, III.. and whose main representative was producer Irwin Allen. It packs primitive and traditional special effects by LB Abbott , with no computer generator effects . It contains an atmospheric and adequate cinematography by Philip H. Lahtrop. And a sensitive and enjoyable musical score by the always great and incombustible John Williams. Main cast is pretty well, giving understanding interpretations as Charlton Heston, Genevieve Bujold, Ava Gardner and Lorne Greene. Support cast is frankly excellent such as Lloyd Nolan, Victoria Principal, Barry Sullivan, Pedro Armendariz Jr, John Randolph, Scott Hylands, Donald Moffat, brothers Jesse, Alan Vint, Walter Matthaw, George Murdock and usual in catastrophe movies, George Kennedy, among others.
The motion picture financed by Jennings Lang who produced Airport series was professionally directed by Mark Robson. He was a classical director. Robson had a prolific career, delivering classic movies, as well as hits and flops. He directed some classy terror movies as Ghost ship, Bedlam, The seventh victim ,Isle of dead, all of them produced by Val Lewton. Subsequently, he directed all kinds of genres in films as Peyton Place, The harder they fall, Edge of doom, Champion, Bright victory, Trial , Bridges at Toko-Ri, Return to Paradise, The inn of the sixth happiness, Valley of dolls, Von Ryan express, Last command , The prize, From the terrace, among others. Rating 6/10. Acceptable, passable and decent disaster movie.
Lo sapevi?
- QuizThe producer, Jennings Lang, offered a cameo role to his friend Walter Matthau. Matthau accepted, without compensation, on the condition that he be billed under the name "Walter Matuschanskayasky," the last name being a long-standing "inside joke" that he had used for decades. The role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed - as agreed to by Lang and Matthau - "The Drunk" was credited as "Walter Matuschanskayasky." This led to a long-standing (and false) rumor that "Matuschanskayasky" was Matthau's real last name.
- BlooperWhen Miles (Richard Roundtree) drives in and out of the loop on his motorcycle, the stuntman is a White stuntman wearing dark makeup.
- Versioni alternativeFor the initial network television showing broadcast on NBC in September 1976, additional footage was shot to lengthen the film in order to show it over two nights. The most extensive segment of new footage is a subplot of a newlywed couple (Debralee Scott and Sam Chew Jr.) on a flight to Los Angleles so the husband can interview for a job with Stewart Graff (Charlton Heston). The plane tries to land as the earthquake hits, but the pilots are able to regain control and fly away before the runway breaks up. Other significant segments are new scenes with Jody (Marjoe Gortner) and Rosa (Victoria Principal), which establish Jody's obsession with Rosa, as well as one short scene in a pawn shop with Buck (Jesse Vint) and Hank (Michael Richardson), who play Marjoe's roommates in the theatrical version. Contrary to popular belief, these additional scenes were *not* "leftover" footage from the original 1974 theatrical release. Rather, the footage was filmed almost two years later by NBC to expand the film. These additional scenes were shot without the original director Mark Robson, who opted out, (in fact, he loathed the additional scenes), but they were shot with Universal's approval. In addition, two deleted scenes originally shot for the theatrical release were re-inserted into the television version, including a narrative opening about the San Andreas Fault, as well as a scene of Rosa brushing off a guy (Reb Brown) trying to give her a ride on his motorcycle.
- ConnessioniEdited from Il sipario strappato (1966)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Earthquake
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 79.666.653 USD
- Lordo in tutto il mondo
- 79.666.653 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Proporzioni
- 2.39 : 1
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