Haunts of the Very Rich

For a TV movie, this was pretty darn spooky. Reminded me of The Haunting of Hill House -- the 60s original, in terms of dread, not style. To be able to infuse a modern setting with hopeless fear is a real accomplishment. It was the first time I saw Ed Asner in a role I liked, he's grim and believable, as he was much later in Rich Man, Poor Man.

This movie is on a TV-type level of seriousness, not what is carried off in main cinema. Lloyd Bridges, for instance, is a TV show type of guy, and he's playing a major role. But his part and Chloris Leachman's are very pleasing. It is because the story is good enough to conjure up dread, and the characters are likable that I remember this movie years later; I wish I could see it again.

The more experienced and knowledgeable fans of the horror genre will undoubtedly agree with me when I state that pretty much all the great cinematic horror classics, whether from the US or outside of American borders, have already been re-discovered and released in fancy deluxe DVD editions. The only market segment where you can still occasionally stumble upon a genuinely original, surprising and completely undiscovered hidden horror gem is in the TV-movie archives of the 1970's. I often don't comprehend where they keep coming from, but this era produced literally dozens and dozens of worthwhile and even downright terrific horror material. "Haunts of the very Rich" is a typical one of these lost treasures. Never heard about it before, but the cast and crew are excellent and the synopsis promises a story that is both absorbing and unsettling. A group of people, all strangers to each other, meet on a luxurious airplane on their way to a holiday resort. Nobody really knows exactly how they ended up there, most of them certainly didn't plan to be there, and the longer they are there, more mysteries gradually unfold. I will naturally not reveal the "twist-ending", even though several of the reviews around here bluntly do so, but I can at least confirm that it is unique, macabre and groundbreaking. That is to say, if you manage to place it in its time and surrounding, because nowadays the ultimate theme of the film has been overdone and endlessly exploited. Furthermore is "Haunts of the Very Rich" worth checking out for the excellent cast alone already. Specialist company ABC and experienced TV-movie director Paul Wendkos, who also made "The Legend of Lizzie Borden" and "Good against Evil", managed to enlist names like Lloyd Bridges, Cloris Leachman, Anne Francis, Robert Reed and Donna Mills. If you can find it anywhere, don't hesitate.

This made-for-TV movie has several things going for it. The acting is well done, no surprise there because of the professional cast, with Robert Reed being the standout due to one striking monologue he has. The locations are atmospheric and do give the impression of being far from civilization. Also, there are no boring bits.

However, as good as the movie is, there are a couple of problems that hold it back from true greatness. The first problem is with its length. Even though the movie runs a little less than 75 minutes long, the movie feels somewhat stretched out. Maybe this would have played better had it been produced as a one hour television episode of "The Twilight Zone". The second problem is that the "mystery" is no mystery - I guessed what the twist would be in the opening minutes! In fairness, the movie does trick the audience just before the end into thinking there's some other explanation.

While I wouldn't quite say that this is worth seeking out, if you come across it when you have some time to spend, you'll probably be entertained enough.

Another well honed TV horror production here, in fact possibly my favorite so far of my present quest. Haunts of the Very Rich is one of those films that rather defies reviewers, the climax is all important yet a cliché set in stone even in its own era, to comment on how the film becomes truly effective would spoil it for those who didn't already figure it out, and to say much about the hints and murmurs of chill that come before would spoil those little details for those who guessed what was going on from the outset but still aimed to be surprised by the films smaller mechanisms. Most of the reviews here make the film somewhat to obvious, so I will simply say that the plot sees seven strangers journey to a luxury resort, wherein the luxury soon becomes something else entirely. The film thrives on character and precisely measured tension, taking some two thirds of its runtime to move up through the gears before the final surge. The writing is often melodramatic, but the cast sells it very well, Lloyd Bridges touching as a lothario with an actual heart, slick superficiality slipping away in likable fashion, Cloris Leachman falls in convincing love, Anne Francis pulls off powerful dejected pathos, Edward Asner brings class to what could have been a bland cliché and Moses Gunn hits the right mellow yet subtly devious notes as the resort host. Now all this class goes a good distance towards keeping the film a solid watch, but it has to be said that things really don't get too noteworthy until the 50 minute mark or so. There are creepy vibes but only one or two jolts, things really are pretty subdued and get going just in time to stave off tedium. However when it all does come together the film becomes a rather terrific affair, genuinely chilling and surprisingly emotional, an ideal reward for what has come before. So all in all this one may not be perfect but as far as its kind go its pretty darned spiffing, essential viewing for TV horror fans and just plain pulp enthusiasts (for the classic story and unexpected touches). So a solid 7/10 from me, but will obviously not be to all tastes.

Prolific Aaron Spelling produced this TV-movie from 1972 that bore a striking similarity to the Ricardo Montalban hit. Boasting a cast of familiar television performers (Lloyd Bridges, Cloris Leachman, Edward Asner, Robert Reed, Anne Francis, and Donna Mills), the story deals with wealthy vacationers that find themselves stranded at the "resort from hell." With a few plot twists and turns, the movie keeps the viewer gripped until the final seconds, when they learn the "truth," although the audience has been in on the "secret," midway through the telecast.

Moses Gunn plays the mysterious "host" with a mixture of hospitality and menace. His glistening white outfit belies that fact that he may not seem as friendly as he appears.

Though predictable, "Haunts of the Very Rich" is still a cut above the "based on actual events" films that populate television movies of the present.