Catlow

CATLOW is a very entertaining MGM western from 1971 and features Yul Brynner as the title character. Based on a Louis Lamour story, the script allows Brynner and costar Richard Crenna, who play outlaw and marshal respectively, a fair amount of witty banter and plenty of action sequences. Meanwhile, Leonard Nimoy, who wrote about how much he enjoyed making this movie in his autobiographies, is a most impressive heavy, seeking Catlow for his own reasons.

If one had not ever seen Brynner in a previous screen performance, and if one had never heard of Nimoy's television alter ego Spock, this would be the perfect film to get familiar with the actors' considerable talents. The vicious gunfighter he plays is a departure for Nimoy, who even has a rare nude scene to perform. Brynner, for his part, plays his anti-heroic figure with such relish that one can't help but be entertained by him.

What works best of all with CATLOW is the film's quick and even pace. There is seldom a slow moment. The action sequences build logically, then end quickly, usually giving way to the next sequence that is already building. Since much of the film has been shot on location, the authentic exteriors add yet another winning element to the picture's overall entertainment value.

Jed Catlow (Yul Brynner) and his men lead a cattle herd. He's accused of cattle rustling by wealthy rancher Parkman who has hired ruthless Orville Miller (Leonard Nimoy) to be judge, jury, and executioner. Catlow's buddy Ben Cowan (Richard Crenna) is a Marshal duty-bound to bring him in. Catlow is planning on a gold heist with his two pursuers following behind.

This is a Hollywood western made in Spain. Brynner and Crenna is trying to make a buddy-enemy movie while Nimoy tries very hard to be a villain against his typecast. I don't see this as being bad but nothing is actually that good. Brynner has his normal accent. Crenna's lightness takes away some of the intensity. The premise is fine but nothing interesting is added. It's an old fashion western at a time when westerns should be striving to be different. They fight Indians and Mexicans. It all ends up feeling flat.

This decent but little known comedy-western is all about acting! Especially Yul Brunner has the time of his life portraying a smooth cattle-thief who just promoted himself to gold-robber. His name is Catlow and he rides through the Texan desert with his gang of thugs, chased by Sheriff Richard Crenna (the two are buddies even though they ought to be enemies) and hired hit man Leonard Nimoy. Everybody – Catlow as well as his pursuers – encounters trouble on their ways, such as aggressive Indians, sneaky Mexican villains and deadly ladies… The script of this film (which I believe was filmed in Spain, like many contemporary westerns) isn't very special and lacks coherence. Sam Wanamaker's direction is very hammy and it looks like though the cast is pretty much doing what they feel like. Still, it often is enormous fun to see the comic interactions between Brunner and Crenna when they're trying to outsmart each other with lists and dialogues. Leonard Nimoy is terrific as well, but unfortunately he has little screen time. The beautiful camera-work and exhilarating Country & Western music make you regret that the story is so weak.

The film talks about a rustler named Catlow (Yul Brynner) and his bandit underlings (Jeff Corey , Robert Logan , John Clark , Michael Delano) who are pursued by a sheriff (Richard Crenna) and a bounty hunter gunslinger (Leonard Nimoy ) with the aim to steal the Mexican gold formerly robbed to Confederacy during the American civil war (1861-1865) . As Catlow attempts to avoid interference as he journeys to pull off a $2-million gold robbery , but everyone wants him dead and buried . The Mexican cavalry wanted him murdered . The Apache nation wanted him massacred . Texas Rangers wanted him mangled and his only hope was a marshal who wanted him hanged . Meanwhile , he'll confront Apaches , Mexican Army and some cutthroats.

In the picture there's western action , shootouts , comedy , tongue-in-cheek and a little bit of moderated violence . The movie has the comic observations of the Western parody genre originated in the late decade 60s by Burt Kennedy and Andrew McLagen and with references to Spaghetti Western . Based on a Louis L'Amour's novel is basically a humorist Western . The motion picture was well filmed on location in Almeria (Spain) , where during the 6os and early the 7os were shot several Spaghetti/Paella Western . Thus , there appears usual Italian/Spanish Western secondary actors as Angel del Pozo , Julian Mateos , Jose Nieto, Rafael Albaicín , Tito Garcia , Dan Van Husen and Victor Israel , among others . Yul Brynner plays perfectly as outlaw Catlow , interpretation similar to ¨Indio Black¨ (by Frank Kramer) who'll play later . Richard Crenna as the friend and enemy sheriff is very fine . Leonard Nimoy as the tough and cruel gunfighter is splendid , this film gave him a chance to break away from his role as Spock on Star Trek, he mentioned that the time he made the film was one of the happiest of his life , even though his part was rather brief . Excellent and lively musical score by Roy Budd and colorful cinematography by magnificent cameraman Edward Scaife . The movie was regularly directed by Sam Wanamaker who replaced Peter R. Hunt . The film will appeal to humor-western enthusiasts and Yul Brynner fans . Rating : Mediocre but entertaining .

Yul Brynner plays the cheerfully lawless rogue "Catlow", perpetually on the run from lawman and friend "Ben" (Richard Crenna) and malevolent bounty hunter "Miller" (Leonard Nemoy - in one of his early post-Star Trek roles). Great music, obviously 'influenced' by the soundtrack to "The Magnificent Seven", and an over-the-top plot involving stealing mexican gold stolen from the confederacy, Apaches, alternatively willing and vengeful women, banditos, and enough captures and escapes for several movies. Lightweight fun (in that lightheartedly violent way of late-1960's/early 1970's movies, in which any character whose name we didn't know was liable to receive instant death from the hero or villain -- a characteristic, of course, of many action movies to this day), with just enough actual danger (from the Apaches and Miller) to keep it interesting.