Per amore ho catturato una spia russa

Jobert's Gallic charm radiates through her voice, eyes and mannerisms. Kirk Douglas seems to look disheartened at his role. He appears flat and strained at times. He does have his moments. Douglas tells a very funny joke to Fabièn (Jobert) about Russian researchers determining the age of a mummy.

A few scenes seem stolen from Jobert's Rider On the Rain (of particular note hiding in the closet and being discovered, peering through a shop window). Jobert's comedic talent comes easily and properly dovetails into the serious aspects of the plot. Sir Trevor's scene stealing butler is absolutely hilarious and rivals Tom Courteny's role as the bungling spy. While the plot may seem a tad contrived, it comes across quite well, if one takes the time to relax and be entertained. The ending does leave you with the feeling that there should have been a sequel. Like "Rider On the Rain", her on-screen husband comes across unappreciative of having a loyal and dedicated beauty such as Jobert for a wife. Also reflecting the cold war times , you have lies, counter-lies and disinformation battering the truth.

Overall, you may find yourself watching this movie a few times for the sheer fun of it!

: Kirk Douglas is wandering around the diplomatic parties looking for something. As spies are arrested -- including Marlène Jobert's husband, Patrick Mower -- Douglas approaches the lady and asks her how much she wants for 'the goods'. Soon, they are captured by Soviet agents and fleeing.

This is a comedy starring Kirk Douglas. Director Dick Clement said

Kirk Douglas requested a meeting before filming started. "Being an American, Douglas got straight to the point. He said I can't play comedy. And do you know what - he couldn't.".

I confirm that. Douglas was a fine dramatic actor, but his few attempts at comedy are astonishingly dull. As is this movie, which steals heavily. In one sequence clearly lifted from The 39 Steps, Douglas and MlleJobert are fleeing from the bad guys and hole up at an abandoned hotel in Scotland, where they fall in love. Douglas is not in the least entertaining.

As is the rest of this movie. Trevor Howard, who could play comedy, has a rant about homosexuals. It all ends in a chase which is frantic, rather than funny.

There is some lovely location shooting by DP Christopher Challis. But if you're looking for a comedy, look elsewhere.

You wouldn't guess from this film that the writers were amongst the most talented in the UK.Also come to it what is Kirk Douglas doing.Was he that desperate for work.Robert comes across best though it is not much of a contest.Avoid this.

When the Citadel Film Series book The Films Of Kirk Douglas was first issued, To Catch A Spy had been released in Europe, but not in America. It seems to have had very limited showings on this side of the pond.

The film is a lightweight spoof of the Cold War with Marlene Joubet a French girl married to a British subject trying desperately hard to get her husband back who has been arrested for espionage. Turns out he's made a deal with the Soviets and was deliberately arrested so they could affect a prisoner exchange. When the original exchange doesn't work out due to the most hilarious sequence in the film, Joubet looks to affect her own exchange and settles on Kirk Douglas, a most mysterious Romanian who keeps showing up all the time. She has to because her uncle, a member of Parliament played by Trevor Howard can't seem to close the deal.

Some nice location shooting in several spots in Europe is the best thing this film. The players look truly bored with this project and just phone in the performances.

To Catch A Spy will never make anyone's top 10 list of best Kirk Douglas films.

In one scene where French starlet Marlène Jobert plugs her nose for a mousy-sounding voice to thwart cat-and-mouse counterpart Kirk Douglas, it's actually less annoying than her real one...

But she's super cute, probably all that mattered to director Dick Clement in his spy-spoof followup to the spy-spoof OTLEY that starred Tom Courtenay in his penultimate big-screen role until THE DRESSER...

Herein Tom's a bumbling spy trying to follow before befriending Jobert; the latter (whose pop Trevor Howard is vastly underused) on a honeymoon interrupted by her enigmatic husband's arrest, connected to Douglas's vain attempts to retrieve Russian microfilm from the couple's luggage...

And while Kirk's not bad doing lightweight action/comedy, his role should have gone to Courtenay, not only befitting the slapdash pace but with far better chemistry with Jobert, who Douglas seems to be babysitting (as opposed to parenthetically romancing) throughout this semi-entertaining yet entirely-uneven cold war romp.