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Atom il mostro della galassia

Titolo originale: Gezora, Ganime, Kameba: Kessen! Nankai no daikaijû
  • 1970
  • T
  • 1h 24min
VALUTAZIONE IMDb
5,4/10
1595
LA TUA VALUTAZIONE
Atom il mostro della galassia (1970)
Alien InvasionKaijuAdventureSci-Fi

Esseri extraterrestri si infiltrano in un'astronave che si schianta su un remoto atollo del Pacifico. Quando una squadra sbarca sull'isola, scoprono che è abitata da mostri mutanti creati da... Leggi tuttoEsseri extraterrestri si infiltrano in un'astronave che si schianta su un remoto atollo del Pacifico. Quando una squadra sbarca sull'isola, scoprono che è abitata da mostri mutanti creati dagli alieni. Gli invasori conquisteranno il mondo?Esseri extraterrestri si infiltrano in un'astronave che si schianta su un remoto atollo del Pacifico. Quando una squadra sbarca sull'isola, scoprono che è abitata da mostri mutanti creati dagli alieni. Gli invasori conquisteranno il mondo?

  • Regia
    • Ishirô Honda
  • Sceneggiatura
    • Ei Ogawa
  • Star
    • Akira Kubo
    • Atsuko Takahashi
    • Yukiko Kobayashi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,4/10
    1595
    LA TUA VALUTAZIONE
    • Regia
      • Ishirô Honda
    • Sceneggiatura
      • Ei Ogawa
    • Star
      • Akira Kubo
      • Atsuko Takahashi
      • Yukiko Kobayashi
    • 37Recensioni degli utenti
    • 27Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto99

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    Interpreti principali23

    Modifica
    Akira Kubo
    Akira Kubo
    • Taro Kudo
    Atsuko Takahashi
    • Ayako Hoshino
    Yukiko Kobayashi
    Yukiko Kobayashi
    • Saki, native girl
    Kenji Sahara
    Kenji Sahara
    • Makoto Obata
    Yoshio Tsuchiya
    Yoshio Tsuchiya
    • Dr. Kyoichi Mida
    Yû Fujiki
    • Promotion Division Manager
    Nobutake Saitô
    • Rico, the guide
    • (as Noritake Saito)
    Yûko Sugihara
    • Stewardess
    Sachio Sakai
    • The Editor
    Chôtarô Tôgin
    Chôtarô Tôgin
    • Yokoyama, an agent
    Wataru Ômae
    • Sakura
    Tetsu Nakamura
    • Chieftain Ombo
    Yukihiko Gondô
    • Islander
    Shigeo Katô
    • Islander
    Rinsaku Ogata
    • Islander
    Haruo Nakajima
    Haruo Nakajima
    • Gezora - Kameba
    Haruyoshi Nakamura
    • Ganime
    Yoshio Katsube
    • Newspaper Reporter
    • Regia
      • Ishirô Honda
    • Sceneggiatura
      • Ei Ogawa
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti37

    5,41.5K
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    Recensioni in evidenza

    8Plissken-6

    Actually, quite interesting...

    When I rented this movie I thought this would be a low budget, rubber monster type, bad acting movie you would see on a late late late show. All of that is true, but the movie plot and situation was kind of interesting.

    Yog changes into three different giant size monsters, but Yog is more of a blue mist that takes control of the host. The side story with the space mission is very interesting as well and merges well with the rest of the story. This story also has the cutest oriental woman I have ever seen which kept my attention. But without her, I would still be watching the movie finding out how it turns out.

    This movie was a surprise to see and I did enjoy the film very much.
    7deeroq

    Gezora, how I love thee!

    The enjoyment that you derive out of this movie is directly proportional to what your expectations are. I'm a big fan of Honda's work, he's made some of the very best giant monster (not just limited to Japanese kaiju) movies ever made - this is not one of them. It's really pretty bad - not Jun Fukuda bad, mind you, but in the world of Ishiro Honda's works it's quite the stinker.

    And yet... It's somehow great. What makes it truly great can essentially be summed up in one word. Gezora. Gezora is a giant squid, or an octopus, or perhaps a cuttlefish, or... It really doesn't matter what Gezora is supposed to be, just know that (unlike the giant octopus from "King Kong vs. Godzilla") Gezora is not a slimy creature that flutters and unfurls itself along the ground like an octopus probably would if it could actually move outside of the water. No, my friends, Gezora is rubbery looking and he walks. Let's say that again so that the utter ridiculousness of it can sink in:

    Gezora WALKS. On tentacles.

    You see, they didn't have access to high-tech animatronics and kaiju films have always had an aversion to stop-motion animation, so, as was custom - it's a guy in a suit. But how does a guy in a suit impersonate the flowing movement of an octopus/squid/cuttlefish on land, you ask?

    He doesn't. He walks around, dragging and swinging tentacles with reckless abandon. That, if for no other reason, is why this movie must be seen to be appreciated. Gezora is, by far, my favorite bad kaiju. Yes, even better and far more ridiculous than King Seesar. This may be difficult to believe, but he's even sillier (and more lovable) than Guiron - knife-headed foe of Gamera. You, too, will love Gezora if you just give him a chance - and that chance has arrived as of today, for "Space Amoeba" has been released on DVD.

    Huzzah!
    7jamesrupert2014

    Monstrously silly fun

    A sparkly-blue blob of light from outer space with the ability to take over and mutate/enlarge a host arrives on Earth. Soon, denizens of a tropical island are threatened by a stupendous squid, a colossal crab, and a titanic turtle. Eventually, the space creature takes over a human, allowing it to gloatingly communicate its nefarious plans of world conquest. An aversion to porpoises and bats yields a clue to the invader's weakness, and plans are made to fight back. Daikaiju-sized plot inconsistencies aside, this is a pretty good Toho monster opus. The tentacled monster ('Gezora') is a nicely done example of suit-mation - yes, we all know that there is an actor within, but the creature still looks good and, for an '60's film, is well integrated into the live footage. The turtle ('Kamoebas') is a little weaker in execution but the giant mutant crab ('Ganimes') is excellent - better (IMO) than the shrimp-based kaiju "Ebirah" ("Godzilla vs. The Sea Monster" 1966). I watched an adequately dubbed English version of the film, so can't comment on the acting or original script, but generally liked the portrayal of the characters (especially the 'natives', who, unlike most stereotypical peaceful islanders, were the ones who kept showing up with more and bigger guns). Directed by Toho's best known kaiju wrangler (Ishiro Honda) and with music by Akira Ifukube, the film has the look and sound of a Showa-era Godzilla outing and is an entertaining time-passer for anyone willing to suspend their disbelief long enough to fear for the lives of the intrepid islanders, who are all that stand between us and extinction. A must see for people concerned with their 'kaiju-life lists', as the three featured monsters are essentially one-offs in the Toho corral: ('Kamoebas' has a bit part as a washed-ashore corpse in "Godzilla: Tokyo S. O. S." (2003), 'Gezora' is briefly glimpsed in the opening montage of "Godzilla: Final Wars" (2004), and 'Ganimes' never again surfaces (despite being a nicely executed giant crab outfit)).
    8drmality-1

    A long-time favorite!

    For some reason, I remembered this flick more than many other kaiju eiga (giant monster movies) from the same period. In fact, I even have an original "Yog" poster on my wall right next to one for "The Green Slime".

    The film is set on a remote tropical island that is being looked at as the possible home of a luxury tourist resort. Funky photographer Kudo (wearing a floppy hat) and his adorable female companion are there to take pictures and check in with some other company personnel on the island. Dr. Mida is there to study marine evolution. And then there is the suspicious acting Obata, who claims to be an anthropologist but is actually an industrial spy.

    There is another visitor to the island and this one came from a lot farther than Tokyo. The misty blue space creature Yog (an "astro-quasar" he is called) has fallen to Earth on a space capsule and is now busy turning harmless animals into giant monsters. First of these fearsome freaks is the weird octo-squid Gezora, a plastic-eyed giant that uses its tentacles to walk (stagger is a better word) on land! Gezora sets about killing people and destroying the native huts, but Kudo and pals find a way to defeat the beast.

    The only problem is, Yog just jumps to another giant monster. Ganime, a giant crab, is next and then comes Kameba, a titanic tortoise who could give Gamera a run for his money. Not only that, but Yog also takes control of Obata and uses him to sabotage the human's plans.

    It's a sticky pickle but the Earthmen find a secret weakness of Yog's that they can use to attack the space monster. Another key to Yog's defeat is Obata...can his mind be turned against the Monster from Space?

    The movie is fun and exciting if you're not too demanding. You see plenty of the monsters and even a nasty battle between Ganime and Kameba. Call me nuts, but I thought dialog and acting were a lot better here than other period kaiju films. The characters had more personality...especially Kudo, played by Akira Kubo...and I kind of liked the way every tied together.

    Some may be disappointed that no cities get destroyed, but if you're looking for a Japanese monster mash with a bit of a difference, "Yog" will satisfy your craving!!!
    Horror Fan

    Gezora, Gamine, Kameoba, the three rubber monsters.

    Alien plague is spread onto a pacific island by a space capsule that crashes and creates monsters out of normal creatures. Gezora, a giant squid; Gamine, a humungous crab; and Kameba, a huge turtle; all attack the island, fight each other, and sure trample alot of huts. Goofy, with silly special effects and more bad dubbing.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This was the first giant monster film produced after the death of Toho's special effects director, Eiji Tsuburaya, who passed away in January 1970. The effects were directed by Sadamasa Arikawa who, having been promoted to Director of Special Technique, had already handled most of the special effects since Il ritorno di Godzilla (1966) with Teriyoshi Nakano as his chief assistant. Both Arikawa and director Ishirô Honda wanted to include a dedication to Tsuburaya in the film but Toho refused. Arikawa was so disgusted by this that he vowed to never work for Toho again. Director Honda likewise decided to retire from filmmaking due to his disappointment with the direction Toho took their special effects films and the dissatisfaction of working for them.
    • Blooper
      The lighted eyes on the monster Gezora went dead halfway through filming of the fx. There was no money left in the FX budget to repair them, and they remain unlighted in certain scenes.
    • Citazioni

      Taro Kudo: I'd say that giant octopus is our monster. Maybe what the natives call Gezora isn't a myth. Tell me Doctor, now what are we going to do? Why do you think he let us go?

      Dr. Kyoichi Mida: I don't know, I don't know anything at all. All my knowledge of biology and none of it's any use to me at all.

    • Versioni alternative
      American International's television release version replaces the original score during the end credits with another section of Akira Ifukube's score that was used during the shipboard sequence.
    • Connessioni
      Edited into Faces of Horror (1989)

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    Dettagli

    Modifica
    • Data di uscita
      • dicembre 1971 (Italia)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Pentaculus
    • Luoghi delle riprese
      • Hachijôjima, Giappone(outdoor scenes)
    • Azienda produttrice
      • Toho
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 24 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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