Il rifugio del corvo

1970's "Crowhaven Farm" was among the earliest TV movies that left its mark on impressionable viewers of those many decades ago. The prolific Aaron Spelling never lost his knack for producing entertaining television, and with the small screen unable to serve up much in the way of blood or violence, subtlety was the way they had to go. A tale of witchcraft in Massachusetts seems like old hat today, but in the wake of Roman Polanski's "Rosemary's Baby" it wasn't as overexposed as it is 50 years later. Hope Lange was clearly cast against type as Maggie Carey Porter, whose presence at rural Crowhaven Farm incites memories long suppressed from a past life, sparking great success for her artist husband Ben (Paul Burke) but dire consequences for herself. The two stars are easily overshadowed by the supporting cast, in particular 12 year old Cindy Eilbacher, alternately angelic yet strangely knowing, even alluring little girl taking more than a liking to the oblivious Ben. Cindy's career was just as busy as elder sister Lisa, both of whom appeared in another TV movie of great creepy repute, 1974's "Bad Ronald." Also on hand, all too briefly unfortunately, is veteran scene stealer John Carradine, in typical form playing handyman Nate Cheever, like the girl a not so innocent presence going about his daily duties with some fiendish purpose in mind (Aaron Spelling had first used the actor on his 1959 Western series JOHNNY RINGO). It may be more effective for those nostalgically inclined, but still holds up as one of the better examples of TV terror from its first and greatest decade.

Early on in Crowhaven Farm, Maggie Porter is awakened from a deep sleep by the sounds of a little girl crying. The eerie sounds are coming from off in the forest somewhere. Concerned that someone, namely a child, might be hurt, Maggie makes her way out into the night in the direction of the sound. As she treks into the dark forest, the crying suddenly turns into a demonic cackle. The haunting laughter engulfs Maggie and she collapses in fright.

Working with a limited budget and the content-expurgate restrictions placed on made-for-television fare, director Walter Grauman is still able to construct a frightening movie in Crowhaven Farm. He does it by simply letting the viewers imagination fill in the blanks. The strange noises in the forest, the blurred images of pilgrims torturing a mother-to-be off in a nearby clearing. What do they mean? Grauman shows the audience something, fleetingly, and then forces them to use their own imagination to fill in what is missing. That is where the true horror lies within Crowhaven Farm.

When the original inheritor dies in a strange car accident, a young couple, Maggie(Lange) and Ben(Burke) inherit a large farm and hundreds of acres of forest land. Dogged by marital problems the couple are determined to make a fresh start in the new setting. Maggie senses something odd early on and her first inclination is to leave but Ben talks her out of it. The inclination turns out to be correct as Maggie begins hearing strange noises and seeing odd visions of people dressed in Seventeenth-century garb. When a young girl(Eilbacher) drifts into their life things quickly move from bizarre to down right terrifying. Maggie soon discovers a parallel between her problem and a two-hundred year old coven of witches who may have committed sacrifices on the very farm land she inhabits.

Crowhaven Farm elicits some great performances from its cast. Hope Lange is especially great. She offers a performance very reminiscent of Mia Farrow's panicky turn in Rosemary's Baby, as the woman who discovers all is not what it may seem. Cindy Eilbacher, Paul Burke and TV-movie regular Loyd Bochner are also very good in their roles. I particularly enjoyed John Carradine as the handyman.

Crowhaven Farm has the distinction of being one of those made-for-television films that stay with you long after you've seen it. Like Duel and Dark Night Of The Scarecrow, Farm represents what can be achieved with a little budget and a whole lot of imagination. I highly recommend this film, if you can find it. As of yet, the film has never been released to video.

I agree with everyone below who remembers this movie from their childhood as being very scary. There are a couple of vivid images - and story lines - that have stayed with me these 30-odd years. I've sometimes wondered if this is where Sting got the idea for the darker connotations of the song title "I'll Be Watching You"! Whew. The whole Salem thing; the whole story line in Salem; and the whole story line in the present, and how they inter-link. The resolution still chills me, even as I write this. Hope Lange of course is great in it; her husband and the girl on the road. Chilling performances. DOES ANYONE HAVE THIS ON TAPE / KNOW HOW TO GET IT ON TAPE?

Someday, someone should write a book examining why TV movies of the late 60s and early 70s were often preoccupied with witchcraft and horror at a time when the cinema shied away from the subjects, except for B movies and the rare blockbuster ala "Rosemary's Baby." Even some of the sillier ones ("Satan's School for Girls" anyone?) worked up some genuine chills. But "Crowhaven Farm" has to be the best. From the opening scenes right through the surprising (and terrifying) climax, this little thriller puts "The Exorcist" and other, later, big-budget chillers to shame. It may have been the TV movie's lack of pretentiousness that worked to its advantage. Made quickly and economically, "Crowhaven Farm" had no time for high-fallutin' symbolic nonsense. It did what it set out to do - inspire nightmares - and did it very well.

I saw this movie when I was a kid and I never forgot about it! I have looked for it for years in stores, online, etc. I have never even met anyone who had heard of it until I got here and had a brainstorm. This movie was so well done, no special effects really, but like the other comments, the scene with the door and the rocks and that evil, evil teenage girl stayed with me for 30 years! This movie is a classic.

I also remember vividly, the policeman in the park at the end of the movie who looked like Hope's husband. I think back now and I realize it was a perfect set up for a sequel-in the days when there were no sequels!

I'm so glad other people have good memories of the horror films of the 60's, 70's. I sure enjoyed them