La casa che non voleva morire

Somewhat uneven and even at only 80 minutes begins to outstay its welcome. But I don't wish to be too harsh for there is a marvellous performance by Barbara Stanwyck which helps to hold this together and if only Richard Egan could have been half as good this might have a been a great picture. It's a TV movie with minimal budget but even without special effects the possession scenes are most effective.

This starts as a haunted house movie but swiftly moves into the possession business and in these scenes Egan acquits himself well and Kitty Winn (who would have a role in The Exorcist three years later) is particularly good and indeed is the main reason for those shivers down the spine more than once during this modest but successful little film.

Made for TV supernatural movie starring Barbara Stanwyck, Richard Egan, and Kitty Winn. Stanwyck and Winn play an elderly woman and her young niece who move into a house in Gettyburg, Pennsylvania, that Stanwyck has just inherited (and which was built around the time of the War of Independence). Before long the two women begin to suspect the house is haunted. Their new neighbour, Egan, introduces them to a woman who claims to be a medium and who wants to hold a seance there. During the seance the niece is seemingly possessed by the spirit of a young woman. Other disturbances in the following days, including doors opening on their own and disembodied voices on the wind, lead them to investigate the tragic history of the house, and uncover a wrong done many years before.

Stanwyck and Egan are both good. Stanwyck actually gets thrown around a fair bit, and - despite being well into her 60s - does all the falls herself (she was already an honorary member of the Hollywood Stuntmen's Hall of Fame!). Winn, on the other hand, is really annoying, seriously overplaying her 'emotional' scenes (to the point where it's hard to have any sympathy for her). Unfortunately, the story is also fairly predictable, and the few visual effects do give away the TV budget. But it's got atmosphere, and is an easy watch. 6/10.

The house That Would Not Die is one of the all-time great ghost stories ever filmed. In fact, the only thing wrong about it is that it's total running time was only about 75 minutes to fit into a 90-minute time slot. It should have been a full ninety minutes or longer and released to theaters. Ruth Bennett (played by the great Barbara Stanwyck who hands off scene after scene to her younger co-stars to let them shine in their own right) inherits a centuries-old house built before the Revolutionary War, in the Amish Country of Pennsylvania. The original owner, General Douglas Campbell, was suspected of collaborating with the British during the war. His daughter, Amanda (Ammie) and her boyfriend, American Soldier Anthony Doyle, confront him, and they disappear shortly after, ostensibly eloping. For the rest of his life, Old General Campbell roams the countryside calling: "Ammie, come home!", a cry heard two hundred years later by Stanwyck and her young niece, Sara Dunning (played by the pretty and very talented Kitty Wynn, after they move into the house. Aided by Stan Whitman (played by Michael Anderson, Jr., another very talented actor), and Professor Pat McDougal (played by another great actor, Richard Egan) they endeavor to discover the reason why the general is still searching for his long-lost daughter after two hundred years. The resolution and climax of this exciting ghost story will have one and all riveted to the edge of their seats, especially if properly viewed at midnight, Saturday night, during a thunderstorm with howling winds and crashing thunder.

Back in the late 1960's and through the early part of the 1970's the occult became an extremely popular subject for TV and movies. ABC was making "Movies Of The Week" that appeared usually on a Wednesday night. This was one of them. This one involves a haunted house which was recently bought by Barbara Stanwyk and soon she with the help of family and a helpful neighbor Richard Egan try to get to the bottom of things. Literally.

I was 14 when I first saw this and for weeks I wouldn't go into our basement. Don't watch it alone!

For those of us who love intelligent horror films (a very rare genre indeed), this is very high up on my list of 10 best ghost stories [cannot decide between this and 13 Ghosts, The Innocents, the Uninvited, the Haunting (the orginal not the recent remake), A Matter of Life and Death, and the House Where Evil Dwells]. Intelligent ghost movies hardly ever happen on US TV or cinema (only the British really understand ghosts!) but to have a really well-thought out script, great characters and a writer who actually understands the occultism of ghosts coupled with a small cast of superb actors - well, what more can anyone ask??

Stanwyck was at her acting peak in the 60s having developed her characterisation of the ideal mature woman - strong, intelligent, well-spoken, charming and able to rise to any occasion. She is always enchanting to watch being one of those master craftsmen (like Katie Hepburn) able to create a scene and simply hand it to the other actors, not unlike the dignity and grace in the lost art of serving tea. Ruth becomes increasingly disturbed by strange sounds in the house until one night she is attacked by her normally gentle niece who appears to be sleepwalking. Despite the gentle mocking of her neighbor Pat, Ruth is determined to get to the bottom of this.

The suspicion that the house is haunted leads to a seance by a local psychic whose initial enthusiasm for the old house turns to overpowering fear. The much underrated Kitty Win plays her niece Sara who becomes very convincingly possessed as a result of the seance and the psychic manifestations in the house increase (both of which is a little known danger of genuine seances). But Ruth will not be outdone and in uncovering the history of the occupants of the house begins to piece together the awful truth of a callous murder that took place. But written records only give a version of truth - the real truth can only be told by the participants.

What makes this movie so intelligent is that instead of refusing to acknowledge the possession as real and treat Sara as a nut case, Ruth and Stan try to find out what troubles the ghost by letting her speak through Sara. This leads to a unique story development - Sara's ghost is guarding the house from another more malevolent ghost.

Finally they piece together where the heart of the house is and that to free Sara's ghost there must be a confrontation with this second ghost to reveal the terrible secret which binds them both to the house. This climax is beautifully done and should go done in the annals of movie history for its insight into the occult dynamics behind many hauntings as well as its sheer dramatic power.

If you've ever wondered if there is any power in love or hate, this film will demonstrate it. If you think Bruce Willis' The sixth sense is a great film (it certainly is!), you'll adore this film!