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6,3/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA psychosomatic mute young boy forms a bond with a wild white colt. When his horse faces grave peril, he must find a way to break out of his silence.A psychosomatic mute young boy forms a bond with a wild white colt. When his horse faces grave peril, he must find a way to break out of his silence.A psychosomatic mute young boy forms a bond with a wild white colt. When his horse faces grave peril, he must find a way to break out of his silence.
Recensioni in evidenza
I saw "Run Wild, Run Free" only once -- when I was 11 or 12 years old (now 49) and have never forgotten the moving effect it had on me. It was the second movie I had ever seen that brought me to tears -- the first was "Bambi." However, it remains indelible in my mind.
In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.
Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.
I am hoping that someday this movie will be available for rental or purchase on DVD.
Regards,
Cassandra2
In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.
Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.
I am hoping that someday this movie will be available for rental or purchase on DVD.
Regards,
Cassandra2
Mark Lester hasn't spoken a word in years. He and his parents, Gordon Jackson and Sylvia Syms, live by the moors in Devon. Retired Colonel John Mills take an interest in the boy and the moor pony he wanders about with.
Since his starring role in OLIVER!, Lester was the great child actor of the British cinema, a position he would hold through the middle of the following decade. This movie tries to be a bit mystical, but is so obvious about its symbols that it is a bit off-putting. Nonetheless, it held my interest, mostly because of the beautiful cinematography of the foggy moors (thanks to cinematographer Wilkie Cooper), the subplot about the kestrel Mills, Lester, and young Fiona Fullerton are training, and Mills' performance.
The adults in the cast are a sterling lot, and include Bernard Miles in his last screen performance, sporting a stage West Country accent.
Since his starring role in OLIVER!, Lester was the great child actor of the British cinema, a position he would hold through the middle of the following decade. This movie tries to be a bit mystical, but is so obvious about its symbols that it is a bit off-putting. Nonetheless, it held my interest, mostly because of the beautiful cinematography of the foggy moors (thanks to cinematographer Wilkie Cooper), the subplot about the kestrel Mills, Lester, and young Fiona Fullerton are training, and Mills' performance.
The adults in the cast are a sterling lot, and include Bernard Miles in his last screen performance, sporting a stage West Country accent.
My only comment is that when I was a young girl I must have seen this movie three times. I have never done that for any other movie. It was one of the most beautiful movies I have ever seen in story line and cinematography. I am very, very disapointed that I will never be able to ever see this movie again, because I can not find it on video anywhere. If any one has information on where I can see it again please let me know. Thank you.
I enjoyed this movie, and indeed it was moving. But it was not Mark Lester's performance, good though it was, that impressed me. When one watches movies, here and there one sees a few brief moments in which an actor gives absolutely all they've got, when they just let go and some deep primeval emotion erupts from them. It doesn't happen very often. It happens with Juliet Stephenson's grief in Truly Madly Deeply. It happens with Michael Caine's fear in Sleuth, It happens with Anna Calder-Marshall's desperate passion in Wuthering Heights. In Run Wild, Run Free we see this rare phenomenon for a few moments in the acting of Fiona Fullerton when she fears that Philip will be lost in the bog. Her frantic, desperate attempts to control a child for whom she feels responsibility but who is totally beyond her control are to me absolutely unforgettable. This moment alone makes the movie worth watching.
If you can ignore the ghastly musical score hampering every scene, this fine family film has much to offer: Excellent performances by the leads - Mark Lester and veteran John Mills, engaging and thought-provoking story, and the beautiful scenery of the moors. Whether the boy has autism or a case of anxiety-based mutism, the relationships developed between the boy (Mark Lester) and a wild pony and the moorman (John Mills) who befriends both is natural and affecting. Special mention must be given to the cinematographer, Wilkie Cooper, for his beautiful work in capturing the magical beauty of the misty moors.
Lo sapevi?
- QuizFinal theatrical movie of Bernard Miles (Reg).
- Citazioni
Philip Ransome: [speaking for the first time, to the pony that is stuck in a bog hole on the moor] Philip! Philip! Wake up. Don't die now. You've got to help yourself.
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- Tempo di esecuzione1 ora 40 minuti
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