L'assassino è alla porta

This is a wonderful example of how worldly some british films can seem, while maintaining their local flavor. I believe that this film is very appropriately set in Manchester, anyone having been to Manchester will tell you its quite a tough place.

50s British entertainment was heavily influenced by Hollywood and continued to be influenced especially on TV until the late 70s, when things all started to get a bit colorless. This movie was made in a time when entertainment came first and the needs of the audience and hence a box office return, came before the politically correct requirements of the day. Having said that I have to say I'm VERY glad that you don't see many characters quite as sorry as Martineau's repressed housebound wife these days!

For those who are not familiar with director Val Guest - check out his other movies. He was a director who knew exactly what he was doing.

I watched Hell is a City on DVD again the other day and was struck by how fresh and undated the story and acting still appears. It was a breakout Brit film for 1959/60- with its semi-documentary approach to police procedure,meshed with a tough on women approach and attempt to show relationships that don't have happy endings. On the DVD there is an alternate ending shown, which the director Val Guest claims to have no knowledge of at all! It's much weaker i think than Guest's own choice of ending. Stanley Baker is excellent; successfully showing all dimensions to an Inspector's working/personal life; Billie Whitelaw got nominated that year with the BAA for in the Newcomer category and deservedly so. All the support cast flesh out their characters' quirks very well. Actual location shooting (in this case-Manchester) was still quite unusual and there is a world of difference between this and a studio based crime thriller of maybe 10 years before.

Hammer studios are, of course, best known for their horror films; but early on in the studio's history, there were a number of noir style films produced; and while this is one of the later efforts, it's surely one of the best! The film is clearly intended to mimic the American film noir being produced en mass during the fifties; although the film does retain an aura of Britishness which is achieved through the locations and strong accents of most of the lead characters. The film is suitably dark, though not as dark as many of its American counterparts. The plot focuses on a criminal that has escaped from jail after committing a robbery that went wrong. Inspector Harry Martineau, who happened to have gone to school with the criminal, guesses that he will return home to Manchester in order to pick up his share from the job. The criminal does return to Manchester and ends up with the inspector on his tail as he moves through the underworld, trying to find a place to hide.

Writer-director Val Guest (who previously directed a handful of Hammer's earliest horror films) spins an interesting story that remains intriguing throughout. The dialogue is surprisingly witty at times, and the characters are 'cool' enough to rival the films that this one is trying to imitate. There's more to the plot than just what is immediately going on, and the inspector's personal life is one of the main sub-plots. This thread is somewhat well expanded; although it has to be said that some other areas of the plot do not go as far as they could; although at only ninety minutes, there was obviously only so much that could be squeezed in. The film moves forward well, although at times it is a little silly; a plot that hinges on the idea of nobody looking at their hands is somewhat far fetched. The cast is strong, with Stanley Baker and John Crawford taking the lead roles and doing well with them; there's also a small appearance for the great Donald Pleasance. Overall, Hell is a City is an excellent British noir, and well worth a look.

Inspector Martineau knows in his gut that a recently escaped criminal will come back to the scene of the crime to recover the goods that he's stolen. It's up to him to piece together the new assignment that he's given and trace it back to the guilty party. Stanley Baker shines as Martineau (one year later Baker would be in one of the greatest war films ever with "The Guns of Navarone") in this taunt, gripping little crime thriller by Val Guest. All the minor characters are equally good. This is one film that I wouldn't mind revisiting. Another great film to come out of the sadly defunct Hammer studios.

My Grade:B+

DVD Extras: Commentary by Val Guest and Journalist Ted Newsom; Alternate Ending; Talent Bios for Val Guest and Stanley Baker; and Theatrical Trailer

Eye Candy:a blink and you'll miss it Billy Whitelaw topless scene

Hammer Films, best known for horror movies, stepped into film noir with Val Guest's "Hell Is a City". Stanley Baker plays a police inspector who suspects that an escaped criminal will head for Manchester to collect some loot. The dreary look of the city is as much a character as any of the actors. The post-war British film industry wasn't generally known for these sorts of movies, but they did an excellent job here. The chase at the end of the movie is impressive but I thought that the most effective scene was the whole sequence where the criminal hides in the woman's house.

I've liked every film noir that I've seen, but HIAC has to be one of the best. Baker's forceful performance as the hardened inspector is the epitome of acting. I recommend the movie.

The rest of the cast includes Donald Pleasance (Dr. Loomis in the "Halloween" franchise), Billie Whitelaw (the nanny in "The Omen") and Joseph Tomelty (the father of Sting's ex-wife).