Accadde a Berlino

In 1947,James Mason worked with Carol REED,in "Odd man out" (in Belfast).This work was influenced by Marcel Carné's "realisme poétique" and cast Mason as a fugitive.Both "odd man out" and "the man between " have similar endings,except for the female part.

Berlin atmosphere (like Vienna in 'the third man') is well rendering,with the claustrophobia you used to feel during the Wall days. There are plotholes,but the cast easily makes up for that.The couple Mason /Bloom is very endearing:Mason 's character is a man whose ideals have been betrayed and his love for the beautiful English woman he tries to save is touching .Actually ,at the beginning,Mason was not friendly,he was even disturbing,but his moral stature ceaselessly grows towards the end.The two stars get good support from German thespian Hildegarde Kneff,whom we miss in the second part.

This movie might have influenced two sixties work:"the spy who came in from the cold"(Martin Ritt,1965) which featured Claire Bloom again,and "torn curtain" (1966),one of Hitchcock's minor movies in which we find a theater again!FF Coppola in "godfather III" ,like Carol Reed,took advantage of this by using opera music to enhance particular scenes.

Although inferior to 'the third man" (neither Welles nor Karas) "odd man out' or even "fallen idol" (1948),"the man between " deserves to be seen.

The bleak war-torn settings of East and West Germany during the post-war years of WWII provide a suitable backdrop for a rather cold tale involving complex characters and moral ambiguities.

The story's first half takes time to set up the murky relationships between CLAIRE BLOOM, HILDEGARD KNEF and JAMES MASON before settling down to some quieter moments and romantic overtones when the chemistry between the young girl (Bloom) and the dangerous criminal (Mason) becomes evident. It's their relationship in the second half of the story that heats up some of the cold war atmosphere of the tale.

Suspense mounts as they hide out from the German authorities, but all the while one gets the feeling that all will not end well for the ill-fated pair who have fallen deeply in love.

If you liked the somber atmosphere of films like ODD MAN OUT and THE THIRD MAN, you'll definitely enjoy the atmospheric effects achieved in the crisp B&W photography on display here. Outstanding photography in scene after scene, although the story itself never quite achieves the same degree of finesse as the previously mentioned Carol Reed films.

Nevertheless, it's all extremely well acted. Mason has never been more effective as a complex man full of moral ambiguities and Bloom is given a wonderful chance to display her charm and sensitivity in a well-written role.

Definitely worth watching.

I wasn't sure if I'd like this film or not. Its British and it stars James Mason and Claire Bloom. So far so good, but its a "spy" drama which I sometimes find tedious. What a surprise! Beautifully filmed amid the bombed out rubble of post war Berlin, Mason and Bloom really shine here. This was an amazing pairing of two excellent actors. Mr Mason, as always, gives an first rate performance. What a pleasure to see him on ice skates. Bloom is lovely as the Englishwoman visiting her brother in Germany and drawn into a tense cat and mouse game where no one can be fully trusted.

Definitely a must see for Mason fans but I think good for anyone who enjoys top-notch drama well acted and directed.

In the Post-World War II, the British Susanne Mallison (Claire Bloom) travels to Berlin to visit her older brother Martin Mallison (Geoffrey Toone), a military that has married the German Bettina Mallison (Hildegarde Neff). The naive Susanne snoops on Bettina and suspects that she is hiding a secret from her brother.

When Susanne meets Bettina with her friend Ivo Kern (James Mason), he offers to show Berlin to her and they date. But Ivo meets the strange Halendar (Aribert Waescher) from the East Germany and Susanne takes a cab and return to her home alone. Then she dates Ivo again and he meets Olaf Kastner (Ernst Schroeder), who is a friend of Martin and Bettina. But soon Susanne, who has fallen in love with Ivo, learns that he was a former attorney married to Bettina in East Germany but with a criminal past during the war. Now he is blackmailed by Halendar to kidnap Kastner and bring him back to the other side of the border. The plan fails and Halender asks his men to abduct Bettina to get Kastner. However, Susanne is kidnapped by mistake and is imprisoned in the basement of a house in East Berlin. Now Ivo plots a plan to rescue Susanne from Halender and help her to cross the border. Will they succeed in their intent?

"The Man Between" is another wonderful classic by Carol Reed with suspense and romance in the post-war Berlin totally destroyed, in the same environment of Rossellini's "Germania Anno Zero" or Billy Wilder's "A Foreign Affair". James Mason has another top-notch performance in the role of Ivo Kern, a cynical man that changes his behavior when he meets the naive and charming character performed by Claire Bloom. Their chemistry is fantastic and Hildegarde Neff is a very beautiful woman. My vote is eight.

Title (Brazil): "O Outro Homem" ("The Other Man")

James Mason is "The Man Between" in this 1953 Carol Reed film, shot on location in post-war Berlin. The film also stars Claire Bloom and Hildegarde Neff. Bloom plays Susanne, a young American woman who comes to Berlin to visit her brother Martin. Martin is stationed there and married to Bettina (Neff). Bettina is clearly unhappy about something, and Susanne soon realizes that her discomfiture has to do with a mysterious man, Iwo (Mason), described as an old friend. When Iwo offers to show her the sights, Susanne accepts, and, believing him to be having an affair with her sister-in-law, advises him to leave her alone. Iwo says he is trying to leave the area, and a friend of Martin's can help by getting him the required documents and introductions. When Susanne asks her brother to help Iwo by contacting the man, Bettina loses her temper, and the truth about Iwo and his true relationship to Bettina emerges.

This is an odd, moody, dark film with some haunting images of the destroyed Berlin, and some beautiful shots, particularly the very last one in the film which stays in one's memory. The serenely beautiful Claire Bloom and the enigmatic Mason are magic together and make this a poignant love story, and very typical Reed - the innocent who has her eyes opened, the man tainted by sin going to meet his fate. The whole last half of the film focuses on only the two of them, and we sense their isolation, an odd couple in a changing world.

The German supporting cast is excellent, particularly Neff, whose career in Hollywood was brief. She wrote a wonderful best-selling autobiography, The Gift Horse, in 1970, which leaves no doubt of her feelings about the place. She went on to star in Silk Stockings on Broadway and eventually returned to Germany.

Quite a beautiful film, not up to "The Third Man," but still has the touch of the master.