Per placare gli dei arrabbiati, il re Jason porta i suoi Argonauti alla ricerca del leggendario vello d'oro.Per placare gli dei arrabbiati, il re Jason porta i suoi Argonauti alla ricerca del leggendario vello d'oro.Per placare gli dei arrabbiati, il re Jason porta i suoi Argonauti alla ricerca del leggendario vello d'oro.
- Regia
- Sceneggiatura
- Star
Nadia Sanders
- La regina Gaia
- (as Nadine Duca)
Takis Kavouras
- Leocritus
- (as Taki Karas)
Recensioni in evidenza
This is an earlier version of the same events narrated in JASON AND THE ARGONAUTS (1963), arguably the screen's finest mythological epic and Ray Harryhausen's magnum opus, and it's a reasonably intelligent and enjoyable retelling in which, surprisingly, even the comic relief works. Still, Roland Carey makes for a colorless Jason - but Massimo Girotti is a suitably morose Orpheus, though his contribution is minimal and was probably only featured for marquee value!
Though a subsequent effort - MACISTE ALL' INFERNO (1962) - proved a disappointment, Riccardo Freda's involvement here ensures that this is one of the better peplums, even if the result is rather static and hokey overall (particularly the cheap-looking Cyclops). Besides, Carlo Rustichelli's score - which may have been borrowed from some other film or was perhaps re-used, as it sounded oddly familiar to me! - is pretty good...
Though a subsequent effort - MACISTE ALL' INFERNO (1962) - proved a disappointment, Riccardo Freda's involvement here ensures that this is one of the better peplums, even if the result is rather static and hokey overall (particularly the cheap-looking Cyclops). Besides, Carlo Rustichelli's score - which may have been borrowed from some other film or was perhaps re-used, as it sounded oddly familiar to me! - is pretty good...
This was the American dubbed version entitled The Giants Of Thesally.
This movie whisks you away to a magical land of far far away, where men were real men on boats, women were slightly thinner men on boats, and real women stay at home to deliver plot dumps whilst staring wistfully off into the middle distance.
Badly made, appallingly edited, poorly dubbed, with effects that only 1940s BBC sci-fi would admire, yet bizarrely, very nicely scored.
Brought to you in No Continuity-O-Vision!
Goes well with a few beers and laughs.
This movie whisks you away to a magical land of far far away, where men were real men on boats, women were slightly thinner men on boats, and real women stay at home to deliver plot dumps whilst staring wistfully off into the middle distance.
Badly made, appallingly edited, poorly dubbed, with effects that only 1940s BBC sci-fi would admire, yet bizarrely, very nicely scored.
Brought to you in No Continuity-O-Vision!
Goes well with a few beers and laughs.
Not the greatest movie of its kind, but far from the worst. Certain things are low points. Like continuity. Its so so. When a terrible storm hits the Argos you'd expect the deck to pitch and not be stable. As the movie moves from one part of the story line to the next certain things seem to be left out. But for the most part these things are nonessential and their lack does not make the thing hard to follow, so the loss is minimal. But the upside ... The sets and costumes are well done. The movie, despite the lack of continuity in spots, flows well and is easy to follow. The dubbing, this flick being Italian, is OK. Dubbing, I think, can never be better than just OK. When a person speaks in one language and then the thing gets dubbed in another, well, the mouths and words are never going to match up all that well. But the folks who did the dubbed voices did their job very well. They carry the emotions that go with the plot and characters very well. In fact thats probably the best aspect, technically speaking, of the whole film. The choreography is pretty good. Fights actually look, more or less, like fights. The one eyed monster is campy style cool. The plot is fair for a movie about Jason and his friends. Its not hard to watch. If you like this genre I think you'll enjoy this movie.
The version I watched was very low quality (audio and video). Some of the scenes were too drawn out, but that is common in fantasy movies of the time. There were jumps in scenes which seemed hurried. Overall the movie felt too stretched out at times.
However the visual effects were the worst part of the film. I was expecting a lot more, but there are many movies which offer a much grander and spectacular look. The poor use of special effects made this an average movie.
The acting, dramatic and romantic was as good as could be expected. The costumes were pretty good too. Overall, an average movie
However the visual effects were the worst part of the film. I was expecting a lot more, but there are many movies which offer a much grander and spectacular look. The poor use of special effects made this an average movie.
The acting, dramatic and romantic was as good as could be expected. The costumes were pretty good too. Overall, an average movie
Rare Peplum pearl featuring Roland Carey and Massimo Girotti
After his stint as a stuntman for Burt Lancaster in "Trapez" and a foray into German local films ("The Country Doctor"), the attractive Swiss actor Roland Carey (1933-2019) was ready for leading roles in the sandal films of the Roman film industry. Unfortunately, this film from 1960, which was only released in West German cinemas on March 6, 1964, didn't really hit the mark. Director Riccardo Freda (1909-1999) later distanced himself from his own work for unspecified reasons. Elements from the Jason and Odysseus epics were mixed too unfavorably.
Jason (Roland Carey), the King of Thessaly, sets off with his mentor (Massimo Girotti, 1918-2003) and his Argonauts to Colchis to search for the Golden Fleece. His wife Creusa (Ziva Rodann, born in Haifa in 1933) is left alone and has to fend off the intrusive advances of Adrastus (Alberto Farnese). The Argonauts (including Raf Baldassarre and the physically very impressive Greek bodybuilder Takis Kavouras) experience a number of adventures fighting monsters and beautiful women. On the island of the beautiful Queen Gaia (Nadia Sanders) the men experience their blue miracle. The lovesick young man Euristeus (Luciano Marin) particularly stands out. Ultimately, Jason manages to steal the Golden Fleece from the red giant. The men happily return to their native Thessaly, where they still have to defend themselves against Adrastus and his men. Victims are inevitable...
There is action in this film, but it lacks the necessary cohesion. The story is too thin, and apart from the great Massimo Girotti ("Ossessione" (1943), "The Last Tango of Paris" (1972)), the actors can't make up for it. Roland Carey also remains all too pale and can only score points with his outstanding looks. He didn't have a really big career in Rome, but he did make a few films.
Nevertheless: A thoroughly enjoyable pastime, and not just for genre fans!
After his stint as a stuntman for Burt Lancaster in "Trapez" and a foray into German local films ("The Country Doctor"), the attractive Swiss actor Roland Carey (1933-2019) was ready for leading roles in the sandal films of the Roman film industry. Unfortunately, this film from 1960, which was only released in West German cinemas on March 6, 1964, didn't really hit the mark. Director Riccardo Freda (1909-1999) later distanced himself from his own work for unspecified reasons. Elements from the Jason and Odysseus epics were mixed too unfavorably.
Jason (Roland Carey), the King of Thessaly, sets off with his mentor (Massimo Girotti, 1918-2003) and his Argonauts to Colchis to search for the Golden Fleece. His wife Creusa (Ziva Rodann, born in Haifa in 1933) is left alone and has to fend off the intrusive advances of Adrastus (Alberto Farnese). The Argonauts (including Raf Baldassarre and the physically very impressive Greek bodybuilder Takis Kavouras) experience a number of adventures fighting monsters and beautiful women. On the island of the beautiful Queen Gaia (Nadia Sanders) the men experience their blue miracle. The lovesick young man Euristeus (Luciano Marin) particularly stands out. Ultimately, Jason manages to steal the Golden Fleece from the red giant. The men happily return to their native Thessaly, where they still have to defend themselves against Adrastus and his men. Victims are inevitable...
There is action in this film, but it lacks the necessary cohesion. The story is too thin, and apart from the great Massimo Girotti ("Ossessione" (1943), "The Last Tango of Paris" (1972)), the actors can't make up for it. Roland Carey also remains all too pale and can only score points with his outstanding looks. He didn't have a really big career in Rome, but he did make a few films.
Nevertheless: A thoroughly enjoyable pastime, and not just for genre fans!
Lo sapevi?
- QuizCarlo Rambaldi was the responsible for the Cyclops special effects. He received credit as "creazione animate", which translates to "animated creation".
- BlooperThe 'giant' cyclops is clearly just a guy in a suit, most obvious whenever one of its muscular attackers leaps over and hangs onto it, and they transform into a small skinny boy (obviously in an attempt to make it appear much larger).
- Citazioni
Regina Gaia: [to Giasone/Jason] We're both like trees which produce a marvelous fruit that no one is allowed to gather.
- ConnessioniEdited into Spisok korabley (2008)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- The Giants of Thessaly
- Luoghi delle riprese
- Cinecittà Studios, Cinecittà, Roma, Lazio, Italia(studio: made at, as Cinecittà)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 38 minuti
- Proporzioni
- 2.35 : 1
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What is the English language plot outline for I giganti della Tessaglia (1960)?
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