Ercole e la regina di Lidia

These movies starring Steve Reeves wouldn't have worked if it weren't for his presence.

This is one of less spectacular out of all the movies Steve Reeves have starred in. But Steve Reeves still looks good as Hercules, and he's the best actor to play this role in my opinion. Production is lavish with beautiful casts, and studio settings. It's probably best not to think too hard about the whys and why nots of the story, as the movie is more about physical beauty of the casts that are involved. In this regard, this is one of the best movie ever created. People back then seems to be more gorgeous than people in the movies today.

Watch this movie for its stunningly beautiful casts. You will not be disappointed.

I grew up watching this stuff as a Saturday afternoon matinee 30 years ago & now, it's still as much fun to watch.

Hercules, now married to Ioli, is returning to Thebes to help sort out a dispute over who has the rights to the throne of Thebes. Along the way, Hercules loses his memory & is seduced by the evil Amphale who goes through husbands like Elizabeth Taylor, however, Amphale is something of a black widow & uses a few Egyptians to preserve her ex-husbands in the family crypt.

However, one look at the rugged carved from granite Steve Reeves & all her black widow tendencies fly out the window, but she still wants him for good.

Of course it all ends up in a good ruckus with sword fights, chariot duels, Hercules throwing tables & coffins at rushing troops, 2 insane brothers with a hatred for each other (& their father) & inevitably the faithful sidekick who chimes in with a few vital day-saving moments.

Clint Eastwood may have been the king of the Spaghetti Western, but Steve Reeves was the king of the Spaghetti Swords & Sandals. So if that's your cup of tea, I recommend this movie as an excellent addition to your collection.

The sequel to HERCULES (1958) is even less enthusing but remains, nonetheless, an adequate example of the peplum genre.

Sylva Koscina's role of Iole, Hercules' love interest, is diminished here since the most prominent female figure on display emerges to be the femme fatale-ish Queen of Lidia Omphale (the film's original title, incidentally, translates to HERCULES AND THE QUEEN OF LIDIA) – the latter is played by another red-headed beauty Sylvia Lopez, who died of leukemia not long after the film's release! Needless to say, the muscle-bound hero (Steve Reeves) falls under her spell after having conveniently drunk from a spring that renders him an amnesiac (though not before he's been engaged in an irrelevant wrestling bout with ex-heavyweight champion Primo Carnera as an irascible giant!); his friend Ulysses, however, is on hand to watch over him (ostensibly in the function of Hercules' deaf-mute slave). Meanwhile, back home in Thebes, two brothers fight it out over the throne – with Iole at the mercy of a cackling maniac (an over-the-top Sergio Fantoni)...

By the way, both of these Hercules films featured atmospheric cinematography by Mario Bava - who would himself direct one of the better adventures revolving around this mythical figure, HERCULES IN THE HAUNTED WORLD (1961) starring Reg Park. As for Francisci, he worked most often in this genre: from ATTILA (1954; co-starring Anthony Quinn and Sophia Loren) – which is overdue for a reappraisal and has, incidentally, just been announced as an upcoming DVD release from Lionsgate! – to the low-brow HERCULES, SAMSON AND ULYSSES (1963; with Kirk Morris now as Hercules) and SINBAD AND THE CALIPH OF BAGHDAD (1973; his last film and which I recall watching eons ago on Italian TV).

There was only one Hercules, and he wasn't from Mt. Olympus, he was from California, and his name was Steve! This movie proves it. Actually, it's a little better than his original flick, "Hercules". It's more polished, and has a little more action, but then, that's not saying much. It might have been exciting back in 1959 to see some guy pick up a tree, but the modern special effects fests have eclipsed it. Any kid interested in seeing fighting musclemen today wouldn't watch this, they'd be watching Smackdown or whatever it is. WWF. WWE. I don't know. Anyway, they'd rather see Rick Flair and John Cena insult each other.

But hey! I liked it, because I think Steve Reeves was cool! He looked the part with his beard. And he had some build, better than all the musclemen that followed, better than the bodybuilders today. This was his last good film. For all the others, he shaved off his beard and journeyed to strange places, like Russia and India. He should have stayed in ancient Greece.

If your a retro person, you would love this. I dig the retro dancing Greek island chicks. I dig the fake tigers. I dig the chariots, I dig Steve beating up the world's heavyweight champ. You might find other things to dig, so pay homage to old Steve Hercules Reeves himself. He might have been governor of California too.

Only a fool would curse a fairy tale because it narrates the actions of a witch. A good man has a strong enough heart to allow differences to flourish as long as people are allowed to live their lives in a peaceable manner.

That's the great lesson that underlines this film, otherwise silly and occasionally mawkish. I suppose that's why intelligent children have loved the Hercules myth ever since it could be recorded. Hercules is pretty dumb, but he's a nice guy with good intentions, the most important of which is to keep those who have let power corrupt them from bringing ruin to farmers and villagers and other peaceful working people.

Here he is threatened by three evil generals and an over-self-indulgent witch. The plot is partly based on the Hercules myth itself, but borrows freely from the Odyssey and from the Oedipus plays, with just a dash of the Argonauts legend tossed in briefly at the beginning.

Alright, so it's a mess. And the middle third is just outright dull as the witch grows to love her buffoonish captive.

Never mind. It's well-made for its time and place, colorful, and even occasionally lyrical. And some of the fight scenes retain their excitement, after all these years.

Perhaps best viewed - and understood - by children; but can provide real entertainment for intelligent adults in the right frame of mind.