Berlino est passaporto falso

Excellent period film set immediately before the construction of the Berlin wall. Karin finds herself grappling many dilemmas after finding herself back behind the iron curtain after the fight she is a stewardess on lands in Eastern Germany. The film gives a feel of the despair of living in a totalitarian regime. The highlight in my opinion was the chace across what appears to be many miles of buildings that were bombed out in the second world war. Although the film is for entertainment it is also historic. The roles are well played. The viewer will find themselves rooting for the characters. 8/10.

I must have watched a different version of the film than some others on here. Richard Greene wasn't flying the aircraft in the one I saw. Also the film I watched was very suspenseful and full of menace in places with believable characters and location (in the main). All in all a good entertaining film well worth seeing.

Eva Bartok ("Karin") is an erstwhile air hostess who, when her plane makes an unexpected landing, is compulsorily repatriated to her family home in largely bombed-out Dresden where her mother still lives. Her British fiancé "Jim" (Richard Greene) is soon on the trail as he flies to East Germany to try and rescue her.

A competent and a fairly gripping thriller set in the Cold War. It's well-acted, especially by Eva Bartok, who is forced to face the horror of returning to Dresden and is used as a bait to lead the authorities to her brother. Richard Green plays a dashing hero who is determined to bring her out of the country. It's a rather good film which mixes romance, emotion and intrigue rather well.

BEYOND THE CURTAIN is a Cold War thriller that absolutely pales in comparison to that classic of the genre, THE SPY WHO CAME IN FROM THE WORLD, although it does contain a mildly similar, behind-the-curtain type plot. But where SPY excelled, BEYOND THE CURTAIN merely plods along endlessly until a fitfully exciting climax. I'll give this film credit where it's due, however; the early scenes with the plane diversion are quite suspenseful and hide what was obviously a low budget. The ever middle aged-looking Richard Greene (SWORD OF SHERWOOD FOREST) is the solid - or perhaps that should be stolid - hero who gets involved in the life of Eva Bartok (BLOOD AND BLACK LACE), a stewardess with family living in East Germany.

Once the action shifts behind the Iron Curtain it really should be suspenseful and exciting, but instead it just sort of plods along for a little. Don't get me wrong, it's not exactly bottom of the barrel stuff, it's just not particularly exciting. I notice that this film was put out by the unheard-of 'Welbeck Film Distributors' - something to do with the notorious Harry Alan Towers perchance? At least BEYOND THE CURTAIN picks up towards the climax, set in some disused tunnels, which at least has the suspense and action missing elsewhere. Marius Goring (THE CASE OF THE FRIGHTENED LADY) is a good choice for the antagonist although Bartok ends up grating on the nerves throughout with her incessant screaming and stupid behaviour. As Cold War thrillers go, though, BEYOND THE CURTAIN is only average entertainment.

Able journeyman director Compton Bennett reveals some considerable cinematic flair by nimbly orchestrating a goodly number of pulse-poundingly exciting scenes in his intense, competently made, consistently gripping 1960s thriller 'Beyond The Curtain'. Fortuitously working from an effectively lean, unfussy text by Bennett, Charles B. Blair and John Cresswell the pacey, frequently dark thriller finds beautiful, latterly emancipated East German-born Karin (Eva Bartok) in a fraught, emotionally complex dilemma, being recaptured by the conspicuously ominous East German police, as due to turbulence her flight was forced to fatefully cross Russian airspace.

Working for an American airline offers poor Karin no immunity, so her handsome fiancé pilot Richard Greene, desperate to be reunited with his beloved bride-to-be must heroically contrive a daring, increasingly dangerous plot to get her back into his loving, tweed-covered arms! Ostensibly a 'get the good German out of the zealous totalitarian clutches of the DDR' potboiler, but is entertainingly performed with exceptional brio by a wonderful cast, with a deliciously duplicitous turn by mean Marius Goring as the traitorous, deeply conflicted Doctor Hans. It must also be strongly noted that plainly talented D.o.P Eric Cross seems most adept at composing crepuscular, doom-laden night shots. 'Beyond The Curtain' comes very highly recommended as some splendidly rousing cold war-era entertainment!

Hammer Films fans might like to know that the delightful Andree 'Brides of Dracula' Melly is no less scintillating as the courageous anti-communist Linda.