Aggiungi una trama nella tua linguaDue to an accident, a seaplane operated by a small airline company ditches off an island in the Pacific and the surviving passengers must find a way to be rescued.Due to an accident, a seaplane operated by a small airline company ditches off an island in the Pacific and the surviving passengers must find a way to be rescued.Due to an accident, a seaplane operated by a small airline company ditches off an island in the Pacific and the surviving passengers must find a way to be rescued.
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This is a film that's enlivened by a decent cast and an anything-goes plot which keeps twisting and turning all over the place. At first it feels like your usual crime thriller with smugglers, cops, and traitors thrown into the mix, and then it becomes your typical disaster film with survivors of a plane crash coming together. The final plot I won't spoil, but I wasn't expecting it and it's handled very well with a maximum of tension.
The film's protagonist is none other than the likable Eddie Constantine (The Long Good Friday), immensely charismatic throughout. Richard Attenborough has a really delicious part as a small-time crook and low life and he runs away with the mannerisms of his character. Pier Angeli and Eva Bartok supply the glamour, John Gregson is the pilot, and Hammer actor Clifford Evans the detective. None of them put a foot wrong. Director Guy Green had an interesting run of films ranging from the Hammer thriller THE SNORKEL to the Attenborough classic THE ANGRY SILENCE, and this is certainly a feather in his cap. The copy I saw on the Talking Pictures TV channel was badly colourised, and I think the black and white version would have been more effective.
The survivors make it to an island but the island is the site of an atomic test. And none of these people would even know how to stop a test if they could. Which is the main weakness of the plot.
Stlll this is an exciting adventure saga and it boasts a really good performance by Richard Attenborough as the sniveling rat coward who puts them all in danger. He also ratted out Constantine on a smuggling rap so Constantine has a personal score to settle.
The whole cast is excellent, but pay close attention to Attenborough. One of the sleaziest most cowardly performances you'll ever see.
A better quality version would be much better since this was a grainy full frame affair. The story held up however.
When a flying boat encounters mid-air troubles it has to emergency land near an island in the Pacific. Apparently uninhabited, the island, as the survivors are soon to find out, has something shocking in store for all.
A little British cracker, SOS Pacific might be out dated now with its big reveal of theme, but it's a perfect example of how to make a tight thriller on a modest budget. It's very much a film of two halves. The first half plays out as a disaster movie, here we are introduced to the folk who will ultimately make up the survivors on the island. It's a roll call of stock formula characters; a tough copper and his cheeky but hero-in-waiting prisoner, a good time girl, the weasel loose cannon who is also an informer, a prim and proper lady, a German physicist, the stoic and beautiful stewardess and the pilot with a drink problem! Familiar characters to a degree, but well blended and fleshed out by the astute Guy Green (A Patch of Blue) who deftly piles tension on top of tension with each passage of story.
After the back stories involve us we then get the mid-air dramatics and the surprise that's awaiting us all on the island. Once there the characters shift in tone, they have to for various reasons, and then we are treated to heroics, suspicions, sacrifices, fights, hysteria and a thrilling "ticking clock" type finale. Wilkie Cooper's (I See A Dark Stranger/Green For Danger) black and white photography accentuates the sweaty atmospheric mood, and Auric (The Innocents) scores it in 2 x 2 thriller/drama fashion. Cast performances are uniformly good, with the stand outs being Constantine who makes for a good Bondian type alpha male, Attenborough a telling slime-ball and the gorgeous Angeli as the pivotal lady of the piece.
Some of the dialogue is twee and the model work is not high grade stuff, while unlikely coincidences are evident throughout, but this is definitely worth seeking out by anyone interested in tight and taut British thrillers. 7.5/10
It is one of the most underrated pictures around with good, strong performances, very taut direction by Guy Green, excellent photography by Wilkie Cooper and interesting locations in the Canary Islands. Also worthy of note is the music score which was by the great French composer, Georges Auric.
Just as good, of course, is the story. I wont, of course, give away its great plot but just simply advise people to see it whenever it turns up. I envy the person who bought it on ebay! I, too, hope he enjoys it. It's a must-see thriller of the first order.
Lo sapevi?
- QuizAccording to Jane Allen in her book "Pier Angeli: a fragile life", Director Guy Green had a hiatus between completion of Mare di sabbia (1958) and the filming of La tortura del silenzio (1960), and picked up the script for what he considered a "potboiler". It also gave him the chance to work with Sir Richard Attenborough again before their next movie. The producers instructed him to find a Pacific-style desert island with palm trees fast, and he went with the designer to London Airport. Unable to get tickets for Majorca, on a whim they flew to Las Palmas in the Canary Islands, and found the ideal location at the southern tip of the island: just a beach with a few trees.
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Jack Bennett: Let's have the plot of that hurricane. They really cover themselves always. When in doubt, draw a large circle. Something funny about getting a warning such as this. Wasn't anyone taking about hurricanes this morning.
- Versioni alternativeA computer colourised version, albeit of not so great colour representation, has been aired on Talking Pictures TV in the UK on 28 April 2016.
- ConnessioniFeatured in Remembering John Gregson (2019)
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- Tempo di esecuzione1 ora 30 minuti
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- 1.85 : 1