I 39 scalini

The main thing that springs to mind when watching this 1959 film, is the 1935 Alfred Hitchcock directed version. It puts this film at a disadvantage which I think is unfair.

The 1959 version is in my opinion a highly watchable, colourful! Adventure featuring several facets of interest which I will briefly touch on:

1) The cinematography is of course colour and the location photography in locales such as the Scottish countryside is a delight.

2) The performance of Kenneth More as the character 'Richard Hannay' is unashamably English. More was a popular British actor of the period and I think he does well here.

3) The production if of course in an era long before CGI (thankfully!) and relied on techniques such as rear screen projection especially of scenes on the Firth Railway Bridge. They are actually quite good for the time.

Look out for some cameos by British stars of the time. I'm thinking of the late Sidney James.

All in all a decent watch from the period.

I have read all sorts of bad things about this film, not necessarily on IMDB, but in film guides etc. I have known the film for years, had it previously on VHS then lost it and just found it on DVD issued in England presumable in August. I do enjoy watching this film, the picture quality is excellent ( Eastmancolor ), lovely views of London and Scotland in the 1950's, plenty of humour, nice actors and a good plot which really keeps you guessing what it's all about for about 50 minutes. I have seen the original version by Hitchcock, its the same story but in black and white with awful picture and sound quality ( I have most of Hitchcock's films on DVD ) and there's no advantage to the Hitchcock film over this one - on the contrary this one is better. In addition to that we have some humorous touches absent from the original one. So I for one would thoroughly recommend this one - perhaps I am biased, for I consider the 50's as the "golden era". There was also a version made in 1978 which I will get down to viewing shortly.

First things first, Hitchcock's 'The 39 Steps' is and always will be a classic of the British cinema and Ralph Thomas's remake (it's unashamedly a remake, rather than an adaptation of the novel) fails to equal it. However, once you get past that fact, on its own terms this is rather an enjoyable little movie.

Kenneth More is one of my favourite performers, perhaps not the greatest actor in the world, but one who has a charismatic personality. If he doesn't quite equal Robert Donat's original 'Richard Hannay', he comes close and invests the role with genuine warmth. Taina Elg's foreign heroine however, though very attractive is no Madeleine Carroll and is perhaps the movie's weakest link.

The stars are backed up by a splendid cast of familiar British character actors, ranging from Sid James's cameo as a truck driver, to Brenda De Banzie's turn as a friendly, man-hungry roadside café owner.

Another plus is the glorious Scottish locations (genuine this time, as opposed to the original's studio mock-ups), filmed in luscious 'Eastmancolor'.

All in all, while Ralph Thomas is no Alfred Hitchcock (but then, there's only one Hitch), the remake is ideal entertainment, perfect viewing for a dark winter's night, curled up in your armchair with hot coffee and toast by your side.

So far, there have been three film versions of this film, though there has been another announced for this year (2005). I can't really do any of the others down, and in fact the Hitchcock version starring Robert Donat is a classic. This is probably the least good of the three, due to the poor cinematography and lack of continuity in the lighting. That having been said, Kenneth More is really on form in this, and actually uses the dull background to great effect by allowing himself to become the focus of the film at all times. This is, of course, an ideal way to view the film as it fits the story perfectly. Not a film I can watch more than once a year, but definitely worth a viewing every twelve months.

From the perspective of 2007, British cinema in the 1950s appears more notable for its supporting players rather than its leading lights, and Thomas's remake of The 39 Steps is no exception... look beyond Moore's 2D Hannay and we find a delicious roll call of character turns: De Banzie's aging nympho', Brook's enigmatic 'spook', Cruickshank's foolish sheriff and especially Joan Hickson's hilarious turn as Miss Dobson, all giggling gawkishness with sensible hair and shoes (look at Miss Marple, and then review Hickson's cinematic career - a real unsung hero if ever there was one). Even the schoolgirls on the train are familiar (Carol White became Loach's Poor Cow; Stranks was a 70s 'Magpie' presenter).

Not a patch on Hitchcock's original nor the faithful 1978 interpretation, but as a snapshot of British 50s cinematic talent it's a must!