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Hitchcock would agree that Don Sharp did him one better in the 1978 remake of "The 39 Steps." Sharp's camera technique may not be as spare and precise as Hitchcock's but the overall blend of script, acting, character and plot development make this a truly delightful and fun film. Robert Powell sparkled in his role as a Richard Hannay from "down under." Great film meant to be viewed again and again. I do believe Hitchcock might have considered a request to pop out of a doorway or jump on a bus lending his profile in cameo to this film as he did in so many of his own.

Although it is not 100% faithful to the book, it is the most faithful in spirit of the four versions I've seen. Of the four though on its own, I do prefer Hitchcock's 1935 film, for how well made and directed it is and how suspenseful it is. This version is better however than the well done if slightly flat 1959 film and the awful 2008 TV adaptation. The pace sags in the middle perhaps, but this is a very well done film both as an adaptation and on its own merits. The locations look beautiful and are very atmospherically photographed, while the score adds much to the often thrilling and suspenseful tone. The script is intelligent and does feel as though it's flowing naturally, and the story is securely paced and the suspense is in equal measure with Hitchcock's like with Hannay's escape from the train. If there is one scene though that I prefer over the Hitchcock film, it's the climax, which I found thrilling and not as rushed. Robert Powell has both the bearing and charm for Richard Hannay, Karen Dotrice is a likable female interest and David Warner is an ever charismatic presence. The villains are suitably ruthless also. All in all, a very well done film, well made, engaging and mostly faithful. 8/10 Bethany Cox

This 1978 version of "The 39 Steps" is an excellent film, well worth one's time. The film follows the John Buchan novel closely, except for its climax which, according to Halliwell, is taken from Will Hay's "My Learned Friend"; thus, there is little similarity in plot and characters between this film and the Hitchcock version. There are no handcuffed characters racing about (Thank God!) nor villains with truncated digits.

This film is well cast and performed throughout, with special mention of Robert Powell, John Mills, and David Warner. Made in color, it features beautiful scenery, especially the train trip to Scotland and Hannay's flight over the moors. It has fine period detail and costumes, the equal of anything in Merchant-Ivory films. And it has a lush, romantic score that swept me right along into the film.

The film does reference Hitchcock in a number of ways, most obviously in the plane search for Hannay, which recalls the plane attacking Cary Grant in "North by Northwest." And the climax that takes place on the face of Big Ben is exactly the sort of thing Hitchcock might have done, what with his fondness for using famous landmarks in his films.

The suspenseful climax is as good as anything Hitchcock ever did. But throughout, the film has good suspense. Hannay's escape from the train on the bridge here is better than the Hitchcock scene. And the terrorists' activities as shown here are very modern in that they are ruthless killers.

The people who were involved in making this film have nothing to apologize for. It's a fine film, and it's too bad that it has been overshadowed by the Hitchcock version. Don't miss this one.

I was never really crazy about the Hitchcock version of this story. Hitch too often "fiddled" with an original story, and although so often made a great movie, it was seldom true to the story as it was first written. The later remake with Kenneth Moore, was a little more glossy, but flat. But with this version, we finally get the story as it was written. Superior photography on location, really help to make this a real winner. Evenly paced, with fine acting performances by the entire cast, the whole film just flows. Excellent production values, recreate the period flawlessly. If I had a criticism, it would be of the rather fanciful climax, but it was still fun. This movie is for enjoying over and over again.

R Houghton's review claims that "...with this version, we finally get the story as it was written."

This is a very long way from true. To note only three departures, the thirty-nine steps of the original text do not refer to the steps leading up to Beg Ben, but to a staircase leading from a house in Bradgate down to the sea; in the original text, Scudder is knifed in Hannay's flat; and the scene of Hannay clinging to the hands of the clock appears nowhere in Buchan's novel.

But all that said, this production is a fine piece of work in its own right, having great pace, style and atmosphere, and with some first-class acting from Robert Powell.