Mister Browne contro l'Inghilterra

A flat and rather unfunny British comedy, it is nevertheless revived to a certain degree by nice locations and an interesting, though hardly brilliant, performance from Peter Sellers. I am not sure if Terry-Thomas and Thorley Walters were supposed to look so alike, but either way their similarity in appearance does not help the film, since they are both playing such similar characters that it is easy to forget who is who. The film does have the odd amusing moment or two, and overall it is quite okay stuff to watch, but it is rather far off the par of typical 1950s and 1960s British comedy - and not in a positive direction.

Peter Sellers and Terry-Thomas here vie for the honours in a dated but sparkling piece of bunkum. A comedy that aims at so many targets (the cold war US/USSR rivalry, the UN, the British civil service, 'banana republics'...) normally fails, but this certainly has more hits than misses.

There are two unmissable scenes. The first is a military march-past which is rolling-on-the-floor funny from first to last: the mixed up commentary (note the point when the commentator finally gets a sentence right!); the shenanigans on the parade ground; and the collapsing review stand all combine to excellent effect. Second, a more minor but tasty scene where a table dancer (she is dancing ON the table) distracts Terry-Thomas in the course of his diplomatic discussions- surprising how much eroticism can get through the ludicrously heavy censorship of the period!

John Le Mesurier does an effective job in a 'wicked uncle' role torn straight from the pages of 19th century melodrama. Those who recall him from his small role in Ben-Hur might have cause to reflect that here is a supporting actor who gets about a bit!

Overall, both Terry-Thomas and Peter Sellers have appeared in better films but, in parts, as funny a film as you are likely to find on a wet afternoon.

While Terry-Thomas is not all that well-known today, he made some wonderfully funny films in the late 1950s and 60s. As for Peter Sellers, he made some ingenious and funny films. You'd think putting these two men together would result in a memorable film...but this is not the case with "Carlton-Brown of the F.O.". While mildly interesting, it's far from a classic. Given the material, it should have been a lot more interesting.

1959 was the same year that Peter Sellers starred in the wonderful parody of politics and a tiny fictional film, "The Mouse That Roared". Oddly, "Carlton-Browne" has a very similar plot, some of the same cast and came out at almost the same time! But, because "The Mouse That Roared" was such a wonderful film, "Carlton-Browne" has been forgotten.

The film is about the fictional country of Gaillardia--a tiny country that had been part of the British empire. When the film begins, the ancient British representative on the island alerts his superiors in the UK that "something is up" there. Apparently, some folks have been digging holes and some Russian-types have been seen there. This information eventually results in a series of international incidents that are all a microcosm of the struggle between the East and West at the time.

So why did the film turn out so ordinary? Well, most of it is the writing. It just isn't all that funny. And, what's worse is that Sellers is almost completely wasted. A very talented man, he DID have a habit of making brilliant and dull films throughout his career. While this one isn't bad, it is a bit dull here and there. Given a re-write, better pacing (it drags) and less "kooky" music, the film might have worked as a comedy. As is, it is a bit clever but that is all.

Another comedy about a plucky little country struggling through the jungle of the modern (for the forties) global world with only native wit and pluck to guide them, this is a fine entry in the Ealing cannon. Terry-Thomas sparkles as usual in the lead, as a feckless ministry man led to the brink of disaster when a nation he is supposedly in charge of starts attracting the interest of the world, Ian Bannen makes a great romantic lead, Peter Sellers puts in one of his quieter performances as a corrupt politico and the uber-suave John Le Mesurier plays against type as a rugged revolutionary leader. Lots of fun is had by all, especially the viewer; perhaps not in the very top echelon of Ealing classics, but pretty high up.

Surely not yet Sellers at his best. I believe that he still had to be fully discovered. This is Sellers at the very beginning. He was proud of this at the time because he had just put his foot through the door. the best was yet to come. But hey I did appreciate how good this must have been for its time though. Im sure it got the audience laughing back then. I had high hopes to be in a fit, pretty confident I would be cracking up as always with Sellers, but not all that much with this one. But it was worth a watch since the story is based on this island which very much reminds me of the one I live on. Tonight Im going to watch another one of Sellers first and early works called "The smallest show on Earth", I hope it will get me giggling more than this one did as one would expect.