Lassù qualcuno mi attende

Peter Sellers is great as the Brummie vicar whose gaucheness brings a small country town to its knees in this famous 60s satire. It's difficult to pin down the film's target; perhaps the film's so likeable because it seems to get a dig in at everybody at the same time. Among the targets are: religion, capitalism, communism, and British society and mores. The moral of the tale seems to be that no matter your efforts or intentions, you're unlikely to improve on the status quo (and could make things a lot worse). So in the last analysis maybe it's Conservative propaganda.

The film stomps merrily through all the issues with fun effect and should've quit when it was ahead. The final segment is crass and takes off some of the shine.

This film is great fun, well written and well acted. While the ending is unexpected, if you haven't seen it before, it is difficult to know how all the issues could've been resolved in any other way except as unresolved as it is here! They did the same thing to John Steed in the very last episode of The Avengers, appropriately titled "Bizarre", some six years later! That episode featured Roy Kinnear as the marvellously named Bagpipes Happychap who also features here amongst a wealth of famous faces including the original Doctor Who, William Hartnell, in the year that he took that role. Again, considering the ending, that too seems appropriate now and brought a wry smile to this viewer's face especially as another of the film's cast, Mark Eden, also appeared, in the title role of "Marco Polo", opposite Hartnell in that series!!! Peter Sellars is on fine form as the hopelessly idealistic new vicar as is Eric Sykes as a chain smoking butcher! Best of all is the plethora of verbal and visual irony which should be enough to keep any discerning viewer entertained!!!

An acid and scathing satire about a prison chaplain : Peter Sellers , he is a well-meaning and good-natured priest who is sent by mistake to a snoobish county parish . The location is ruled by the wealthy Despad family who owns the prosperous factory run by widow Lady Lucky : Isabel Jeans and her son : Mark Eden. Then Sellers accommodates a gipsy famly : Eric Sykes , Irene Handl, Míriam Karlin , and he unwisely opens his home .But good intentions of the new reverend go wrong and it leads to mayhem, strikes and chaos . Or how a humble Man of the cloth was given the Old Double Cross !

A biting and sharp satire on cleric life in England , dealing with a real critique to uselessness of charity , as well as differences between upper and lower classes and the Protestant Church too . Peter Sellers finely plays as the quiet, down-to-earth reverend who is wrongly appointed to a new post in a little town and finally in space . After the hilarious goings on of Private's progress , Brothers in law and Lucky Jim was a quiet departure for the Boulting brothers who here wrote, produced and directed . Here Peter Sellers is well accompanied by a great plethora of Brit actors , some of them considered to be the best English secondaries , such as : Bernard Miles , Isabel Jeans , Eric Sykes , Irene Handl, Milles Malleson , Kenneth Griffith , Gerald Sim, Mark Eden , Roy Kinnear, Thorley Walters of Hammer, Joan Hickson of Marple series and the Afro-American Brock Peters as priest assistant Mattew.

It includes an adequate and evocative musical score by Richard Rodney Bennet. Adding atmospheric cinematography in black and white by Mutz Greenbaum. This sour motion picture was well written/produced/directed from filmmakers John and Roy Boulting . They were two of the best British directors of the England post-war . As they made nice films wether realizing together or separated at times , such as : I'm all right Jack, Brighton Rock , Lucky Jim, There's a girl on my soup , Charlton Brown of the F.O. , Brothers in law , The Guinea Pig , Fame is the Spur , among others . Rating : 7/10. Decent British comedy with great cast.

This is one of the classic British comedies of the 1960's Peter Sellers is superb as the Rev Smallwood a socialist priest mistakenly sent to an upper-crust English village. Eric Sykes and Cecil Parker excel in their roles, Sykes as the lay about, work dodging Smith and Parker as the holier than thou archdeacon. Irene Handle and Ian Carmicheal also make appearances in this film in their typical roles played to perfection.

This film is a satire (with elements of farce) on British society particularly the class system as well as religions role in it. The character are typically English and all show their true nature as the Rev Smallwood bumbles his way into a media frenzy without really knowing it.

All in all if you like British comedy this film is a must see but if you haven't lived in the U.K some of the lines and issues may be lost on you.

A classic up there with the likes of The Ladykillers and Lavender Hill Mob as the cream of British Comedy. 8/10

"Heavens Above!" is a barbed satire that cuts both ways, ridiculing organized religion for its complacence and its unrealistic aspirations and humanism regarding the perfectibility of man, especially the working-class kind. Though far from the funniest Peter Sellers comedy, it certainly is worthy in its own unique way.

Sellers plays Rev. John Smallwood, an Anglican prison chaplain accidentally assigned to the affluent community of Orbiston Parva. A sincere man of faith, Smallwood tries to drum up a little church fervor from his largely lapsed congregation, preaching the Gospel as Living Word rather than as aural wallpaper for weddings and funerals. Yet every earnest effort only stokes greater amounts of selfishness, even brutality.

"There aren't enough real Christians about to feed a decent lion," Smallwood laments.

At the same time, he must deal with the miserable quality of the clergy around him, like his own bosses in the Church of England hierarchy who strain only to keep their rich donor base happy and generous or the odd Pentecostal preacher who offers up damnation-filled sermons: "It's only the fires of hell that keep the churches warm."

"Heavens Above!" is a comedy of despair. If there is a God, it seems to say, He has better sense than to waste His time with blighted human riffraff like the Smiths, an itinerant family who leeches off Smallwood while feigning piety. Sellers is terrific, though in a largely straight performance, pulling us in with his naive gentility to the point where a lot of the gags turn painful when he is the butt of humor. The closest Sellers gets to laugh-getting - other than when Smallwood unknowingly snacks from a bowl of dog treats - is the opening, where he provides an uncredited voice-over as an American narrator introducing us to the uninspiring sight of Orbiston Parva. However much he stumbles and is tripped up, Smallwood is simply too nice a character to laugh at.

For all the apparent agnosticism in "Heavens Above", there's a strain of true religious belief in Smallwood's situation. Perhaps it's because the idea came from Malcolm Muggeridge, the last faith-friendly satirist England has produced. Smallwood is presented as a man of good works, but also doctrinal zeal. His scorn for the local pep-pill product "Tranquilax", it seems, is largely due to its proclaiming itself the "three-in-one restorative". For him, the only 3-in-1 restorative is the Father, Son, and the Holy Ghost.

"Heavens Above!" is also interesting for the fact it catches Sellers just on the cusp of becoming an international star, still relatively round in body, making one of his last films aimed exclusively at his home British market. Like the later "Hoffman" and "Being There", this shows just how well Sellers could carry a film without resorting to silly accents or slapstick.

The film's directors, John and Roy Boulting, do well to set Sellers up with an ace supporting cast recognizable from other Sellers productions of the period, including George Woodbridge and Cecil Parker as a pair of agreeably venal curates; Irene Handl and Eric Sykes as Mr. and Mrs. Smith, heads of a scruffy, thieving clan; and Kenneth Griffith as the fire-and-brimstone preacher.

If only they cut that silly ending! There's other issues, too, like a penchant for slow camera zooms without reason, and the way the movie piles on Smallwood at the expense of comedy, but the out-of-left-field ending stings worst, an attempt at giving the film a falsely up note. Alas, when you really think about it, it only leaves Smallwood worse off than ever.

But you do care about the guy, a sign someone was doing something right. Obviously that includes Peter Sellers. With more laughs and a tighter ending, "Heavens Above!" would have ranked among his greatest films. As it is, it's pretty good all the same, food for thought in our secular times.