VALUTAZIONE IMDb
3,7/10
4571
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA giant lizard terrorizes a rural Texas community and a heroic teenager attempts to destroy the creature.A giant lizard terrorizes a rural Texas community and a heroic teenager attempts to destroy the creature.A giant lizard terrorizes a rural Texas community and a heroic teenager attempts to destroy the creature.
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Recensioni in evidenza
The Giant Gila Monster is another creature feature from Ray Kellogg (The Killer Shrews) that usually gets passed over with bad reviews. The story is about a giant, people-eating gila monster, which usually lurks in the thick brush near an isolated community. The main character, Chase Winston, (Don Sullivan) is a teen leader, car mechanic, and rockabilly/folk singer who sort of reminds me of singer Jimmie Rodgers. The acting is fine to passable for this type of low-budget movie, and the film is well shot. The Giant Gila Monster may be too slow for younger audiences used to today's action-packed fare, but for older audiences it might be a fun reminder of the era in which it was made. The music is creepy and nicely captures the mood of the isolated areas. The special effects (like the gila monster attacking a wrecked train) may bring on some good laughs. Throw in some rock & roll, teen lingo, a French exchange student (Lisa Simone, who was also in Missile To The Moon), a big city disc jockey, and some hot rods, and you've got a late 50's, drive-in flick which can be easily enjoyed for the type of movie it is.
As a monster movie, this is far from the best, but as a look at life in 50's rural Texas, it's top notch. The settings are authentic and realistic and the people talk like real people. Especially good is Fred Graham as the kind-hearted Sheriff...the opposite of the way most cops were portrayed in teen movies. Don Sullivan is not bad at all as hero Chase, a decent kid who just happens to love racing fast cars. With the exception of the rich Dad, everybody in the movie seems decent.
As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.
If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.
As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.
If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.
The acting is embarrassing, the special effects are terrible, the photography is okay except for consistently bad lighting, the dialog is awkward, and the locations of the shots are difficult to mentally resolve. I love this movie. It's like a movie I would have tried to make, and wish I had made. I would be proud of it today if I had. I bought it, it's that good/bad. It's not as bad as "Plan 9 From Outer Space", in fact it's Academy Award material compared to Plan 9. It's one of those 50's low budget movies that I can't get enough of. I would love to have a collection of movies like this one. One thing I never quite understood was how a Gila Monster survived in Texas or possibly a Midwestern locale. It obviously wasn't Arizona... Forgot to mention the singing, makes the acting look good.
As an offering on AMC's Friday Fright Night, this film hardly qualified, other than being frightfully nostalgic and silly...but after ample quantities of Labatts and Yukon Jack, I thought this flick was big fun.
Okay, so that ukelele should've been broken over the dude's head the minute he started strumming it; so his crippled yet perky little sister was badly in need of an upper-lip wax; and I won't even reference the titular monster, as it's been commented on ad infinitum...
This is classic "ancient" cinema, the stuff your parents were supposed to be watching while they steamed up the windows in the back seat of your daddy's Plymouth; and I still think it beats the CGI "blockbusters" being pooped out of Hollywood every year.
To paraphrase Geena Davis in that remake of another cheesy sci-fi flick: "Be drunk...Be VERY drunk!" Highly recommended at 4 in the morning...
Okay, so that ukelele should've been broken over the dude's head the minute he started strumming it; so his crippled yet perky little sister was badly in need of an upper-lip wax; and I won't even reference the titular monster, as it's been commented on ad infinitum...
This is classic "ancient" cinema, the stuff your parents were supposed to be watching while they steamed up the windows in the back seat of your daddy's Plymouth; and I still think it beats the CGI "blockbusters" being pooped out of Hollywood every year.
To paraphrase Geena Davis in that remake of another cheesy sci-fi flick: "Be drunk...Be VERY drunk!" Highly recommended at 4 in the morning...
When I was a kid in the early 1960s, this movie came on TV and I watched it with my mother. She said she was an extra in the scene where the dance hall is torn down by the monster. There's a fairly good shot of her for a second or two.
She told me that Don Sullivan hit on her. Not bad for a mother of 4. When he asked her out, she said, "I'll have to ask my husband first", and he just walked away.
She told me that Don Sullivan hit on her. Not bad for a mother of 4. When he asked her out, she said, "I'll have to ask my husband first", and he just walked away.
Lo sapevi?
- QuizThe voice heard on the other end of the phone, when Chase eavesdrops on a phone call to the police department, is that of Ken Curtis, who served as producer on this film. He is more famous for having played scruffy deputy Festus Hagen on Storie del vecchio west (1955).
- BlooperChase is seen taking white wall tires off a wrecked car and putting them on his own. In the next scene, he has black wall tires on his car. The white wall tires change back and forth several times from scene to scene after that. (additional info) During the making of the film, several times Chase's car broke an axle. It was common for this car because of its high speed. Also due to rough country roads. This may be why the frequent tire changes noticed in the movie.
- Citazioni
Sheriff Jeff: I ask you what time it is and you tell me how to build a clock, just answer the question!
- Curiosità sui creditiThe title "The GIANT GILA MONSTER" is printed in letters covered with reptile scales
- Versioni alternativeA colorized version was released in 2007, as part of a double feature with The Killer Shrews (1959).
- ConnessioniEdited into Hookers in a Haunted House (1999)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Giant Monster Gila
- Luoghi delle riprese
- Lake Dallas, Texas, Stati Uniti(outdoor scenes filmed at Cielo Studios)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 138.000 USD (previsto)
- Tempo di esecuzione1 ora 14 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was The Giant Gila Monster (1959) officially released in India in English?
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