Follow a Star

Norman Wisdom was an English comedian much loved during much of the Fifties, and while his success persisted well into the Swinging Sixties, it did so in a spirit redolent of the previous far more innocent decade. His image was that of a perilously naive and inept, yet wholly adorable little man whose sweetness of nature could be said to somehow put the pretensions of souls less humble and self-sacrificing than he to shame. The "Norman" character being a pure-hearted soul for a time when the West's traditional moral values, rooted in its Judeo-Christian foundation, yet possessed considerable influence. And while "Follow a Star", directed by Robert Asher in 1959, with Wisdom appearing as worker and aspiring singer Norman Truscott, is perhaps among his less well-known movies, few are quite so successful in showcasing his incredible talents. While among its many delights are the melodic and moving title song, written by the great man himself, and sung by him in a surprisingly mature baritone crooning voice. Also starring are superb Wisdom regular Jerry Desmonde as irasible fading singer Vernon Carew; Hattie Jacques as Norman's well-meaning but somewhat over-enthusiastic singing teacher Miss Dobson; and the lovely June Laverick, as his sweetheart Judy, who provides Wisdom with the opportunity to present his more serious and romantic side. And who can blame him. While several stalwarts of a classic age of British comedy also appear, including Richard Wattis, as the pompous psychiatrist Dr Chatterway; John Le Mesurier, as the redoubtable waiter Birkett; Fenella Fielding as the elegant Lady Finchington; and Pat Coombs uncredited as a young woman in a theatre. But the movie as a whole is a joy from a simpler time, when Rock and Roll had been more or less shorn of its initial threat, and Beatlemania almost half a decade away.

Standard formula for a Norman Wisdom movie here. Norman becomes a put upon clown whilst bubbling under the surface is the fact he's a very talented guy (singer here), whilst he's in love with a wheelchair bound beauty. It's often the saccharine elements of Wisdom's films that puts people off, but to his fans (and I'm one), they are integral to letting Wisdom hit his comedic heights.

Follow a Star is not a great Norman Wisdom film, but it is a very safe and enjoyable one. Story finds Norman used by ageing crooner Jerry Desmonde, who upon finding he is no longer fashionable, plots to use Norman's amazing singing voice as his own. Cue Norman moving in with Desmonde as the house slave and chaos ensues. Meanwhile those closest to Norman smell a rat and try to bring down Desmonde the fraud.

As usual there are plenty of laughs and high energy acrobatics, with stand out sequences involving hypnosis and the bravura mania of the finale - where the dastards do all they can to get Norman off of the stage. Some super British comedy actors fill out the support slots, most notably Hattie Jacques and Richard Wattis, while Philip Green's musical contributions are most pleasing.

One for Wisdom fans only? For sure. Otherwise leave well alone. 6.5/10

Norman is working in a laundrettes when he meets the well known, but aging singing star Vernon Carew who invites him to see his show. When Norman goes to the show he finds a patchy audience that throws abuse at the performer, standing up for him, Norman captures the audience and Carew sees his chance to use his voice to help recapture his fame. Tricking Norman into singing into a tape recorder, he rebuilds his career while Norman still struggles with his inability to sing without accompaniment from his sweetheart Judy.

This film starts badly with an unfunny singing lesson full of mugging and the establishment of a sickly sentimental subplot involving Norman's hopes to help his crippled sweetheart to walk again! However it gets better as it goes despite having to occasionally sink into sentimentality that only serves to take away from the comedy. The routines are quite funny when they come, although Wisdom has done better. One element of the comedy that I felt was ill fitting was the rather crude innuendo and sex-related gags; compared to nowadays it is still very gentle but it just doesn't sit well with the usual gentle humour of Wisdom.

That said it still has some funny scenes where Wisdom shows his ability - if only he didn't feel the need to always add an overly sentimental heart to his films. He does well here but some of that stuff doesn't sit well as it feels even heavier than usual here. The support cast has more famous faces than usual and most of the mare good. The Wisdom regular Desmonde is very good in his role and cameos from John Le Mesurier and Richard Wattis are good if fleeting, however Hattie Jacques is pretty much wasted and her biggest scene isn't very funny at all.

Overall I still enjoyed this film as I am a Wisdom fan, and it did actually get better as it went on. The illogical nature of a plot that sees Wisdom's good but nasal voice saving the career of Carew's much better crooner can be overlooked and in the end there are enough good moments to justify watching the film - just hang in there past a poor start.

"Truscott" (Norman Wisdom) spends much of his days at work in a laundry dreaming of a stardom that might just come his way when he encounters legendary crooner "Vernon Carew" (Jerry Desmonde). This man's star is very much on the wain until he hears his new friend sing and hits on the idea of "borrowing" his voice - without telling or paying him, of course. His career rejuvenated, it's only his vocal coach "Dymphna" (Hattie Jacques) who recognises the true owner of the voice but what to do. "Truscott" can only sing if his beloved "Judy" (June Laverick) is there to encourage him and that's not possible right now. As "Carew" heads to the bright lights of the London Palladium, our plucky hero's friends have to think of a way of showing where the real talent lies. How, though? This is another decent showcase for Wisdom to show that he had quite a few strings to his bow. His semi-slapstick comedy timing is perfect but here he proves that he can also hold a tune, delivering a few of the numbers that fit entertainingly into the story. The story itself, though, is far too long. It could readily lose half and hour and not suffer. Indeed were it a tighter production with less meandering, it'd be quite a solid tale that could have better played to Wisdom's strengths, those of writer Jack Davis and the very Rutherford-esque efforts of an on-form Jacques. As it is, it struggles to stay engaging until perhaps the last ten minutes when life is breathed back into it and some laughs are to be had. It's still quite a fun vehicle for it's star and is a perfectly watchable example of his work.

No, rather "rest in peace, my sorrow" extravaganza! I am not a fan of Mr Norman Wisdom. But I enjoy good and easy comedies which, however insane, never get vulgar. This is a perfect example of such thing. I can watch the majority of Charlie Chaplin's, Buster Keaton's, and Norman Wisdom's movies anytime. They are timeless. Very often, when I watch a modern comedy ("Meet the Parents", for instance), I get real angry and ask myself: "WTF? Is this supposed to be good and funny?" Whenever I watch the good old Norman Wisdom movies, I don't have to ask myself such questions - I just rejoice. When I start watching such a movie, I know beforehand that there won't be anything rude, annoying, dirty, and vulgar - this alone supplies me with pleasant feelings.

Again I'm impressed by the talent of Mr Norman Wisdom. The songs he performs are beautiful. There is something "jazzy" about them and I like it.

By the way, in our country the film goes under the title "Mister Pitkin na Estrade" ("Mr Pitkin on the Stage") though the main character is not Pitkin but Norman Truscott. It happens because for Russian audience Mr Norman Wisdom will always be Pitkin on the screen. But that is a sign of quality. Like "Apple" among computers.

"RoboCop", "Batoru Rowaiaru", "Long xiao ye", "Jeeves and Wooster", "Lyudi i manekeny", "Mad Max", and ... "Follow a Star" are all great. Does it look strange? It shouldn't. In my humble opinion, there is a high-quality movie behind each title.

Such comedies like this one are fading away in today's hectic cybernetic world but to me they are the best of the best, because they remain childish and amusing in a very pleasant way.

Again I give a very subjective mark - a 10 out of 10 - but I'm 100% sure that such comedies are of the highest artistic quality. Thank you for attention.